Tag Archives: women writers

Read 175 of 2021: The Anger of Saintly Men by Anubha Yadav

The Anger of Saintly Men by Anubha Yadav

Title: The Anger of Saintly Men
Author: Anubha Yadav 
Publisher: Bee Books 
ISBN: 9788194511311
Genre: Literary Fiction, Contemporary Fiction
Pages: 192
Source: Publisher
Rating: 4/5 

There is so much to talk about and unpack about The Anger of Saintly Men by Anubha Yadav. A book that spans over thirteen years (maybe more), a story of a family ridden with male toxicity, patriarchy, misogyny, and above all the men we raise in Indian families.

Anubha Yadav’s book is perhaps about every Indian man, and not. It is about the men we encounter on a daily basis and their lives – sometimes small, sometimes larger than life itself, their dreams, aspirations, their interaction with other men, with women most importantly as the book progresses, and above all how they constantly view themselves.

Sonu, Anu, and Vicky are three brothers growing up in the 90s. A brand new decade with everything around them rapidly changing. They have moved into their new and last house (no more moving houses) which they name Chuhedani (mousetrap, that they all want to escape but all cannot). This is where they will become men. This is the place patriarchy will sink its teeth in their tender flesh and make them one of its products. The book is about them, their families, their friends, and how all of it is interconnected to how we raise men in sexist societies and what are the consequences. 

Yadav’s book is unapologetic, extremely candid, and an unsentimental look at a typical middle-class North Indian family and what happens to each brother though he is raised more or less the same way. In the course of it, we meet other men – friends, cousins, uncles, grandfathers – and women who are subdued, hidden, and yet always asserting themselves.

Yadav’s writing is clear, focused, and unabashed. There were times it did not seem like a debut at all. All in all, I most enjoyed this short novel, that made me think a lot about our society structures and the spaces we inhabit. The Anger of Saintly Men should be read by all, in my opinion. More so by men.




Is It The Same For You? by Priya Sebastian and Neha Singh

Is It The Same For You? by Priya Sebastian and Neha Singh

Title: Is It The Same for You?
Authors: Priya Sebastian and Neha Singh
Publisher: Seagull Books
ISBN: 978-0857426963
Genre: Contemporary Fiction
Pages: 24 
Source: Publisher 
Rating: 5 stars 

Young girls in conflict zones perhaps face so much more than we know of or will ever know. What do they think? What do they feel? When does childhood end and the reality of being where you are hits you hard? What do governments have to account for then, when innocence is lost way before time? Is it the Same for You in its most raw form asks all these questions, making the reader constantly reflect with every turn of the page.
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Priya Sebastian and Neha Singh take different moments of a young girl’s life in Kashmir and bring them to fore. Amidst all the conflict (political and religious) and terror, the question remains that is it the same for all young girls out there? How is it when their bodies change? The book looks at shards of life – the ones that are rarely come about – when the not so normal becomes normal, when you get used to what you aren’t supposed to get used to, and life is lived just on the sidelines.
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Neha Singh’s text coupled with Priya Sebastian’s most stunning illustrations will constantly haunt you. Each page of sparse text is a story with so many layers and so much to see. The girl who takes comfort in the assumption that maybe this is what it is for all girls over the world and who is to say it isn’t? In one form or the other that is. From one conflict zone to the other. From one state of normalcy to the next. Is it the same for you?

Cry, The Peacock by Anita Desai

Cry, The Peacock by Anita Desai

Title: Cry, The Peacock
Author: Anita Desai
Publisher: Orient Paperbacks
ISBN: 978-8122200850
Genre: Literary Fiction
Pages: 184
Source: Personal Copy
Rating: 4/5

The beauty of an Anita Desai novel is that it is. It exists. It takes its time to breathe, to soak in, for readers to discover it, and then work its way into their minds and hearts. That is what an Anita Desai novel looks like, feels like, and well, is.

Her books aren’t easy reads. Perhaps nothing happens in them on every page or even every couple of pages, but that’s how it is, and as a reader over the years of reading her again and again, I have learned to admire what I see before me. Yes, I shall sing praises and yes, I shall gush because I don’t see enough people doing that.

Cry, the Peacock is the first novel of hers. Published in 1963, a story of a young woman Maya, who is obsessed by a childhood prophecy of disaster. She lives life on the precipice of it coming true in her head and how it all plays out one Indian Summer with her husband Gautama who is radically different from her.

Anita Desai’s characters have set motives most of the time, and when they don’t is when you’re flummoxed but you’re in for the ride anyway – for the writing that gingerly sneaks up on you and takes you by the horns. The book is full of metaphors and expectations. Expectations that one has from life, and people in it. It is about what you start with and how it all ends (or so it seems at that time).

Cry, the Peacock is a book about so much longing and sensitivity that it is surprising that it doesn’t become sentimental or maudlin at all. Anita Desai’s prose is imaginary, reckless, cautious, and also extremely precise. In less than 200 pages or so she says what she has to, her characters charm and equally annoy you, and her writing mesmerises you. One must read Anita Desai with a lot of time on hand, and when you aren’t rushed to read. Her books demand that time and attention, forever oscillating between hope and hopelessness.

Dancing at the Pity Party: A Dead Mom Graphic Memoir by Tyler Feder

Dancing at the Pity Party - A Dead Mom Graphic Memoir by Tyler Feder

Title: Dancing at the Pity Party: A Dead Mom Graphic Memoir
Author: Tyler Feder
Publisher: Dial Books
ISBN: 9780525553021
Genre: Graphic Memoir
Pages: 208
Source: Publisher
Rating: 5/5

There are so many books written on how to deal with the death of a loved one. So many of them. In different ways, at different places, and each time I read a book on how to deal with the death of a loved one, it just makes it harder, no matter how much time has passed. Do we really get over? Do we really move on?

“Dancing at the Pity Party: A Dead Mom Graphic Memoir” by Tyler Feder is a tribute to her mother, and the full life she led till she lost her mom to cancer. The funny times spent together, the sad ones recalled, and the ones that will be lived without her – all of it makes this book so relatable for anyone who has lost a loved one. I found myself smiling and crying through this graphic memoir. I found myself thinking about my father who died twenty years ago.

Feder speaks of the intimate details – of the times she turned to look for her mother and she wasn’t there. Of how she coped and coped and tried so hard to fit in after her mother’s death, which was even more difficult for an introvert even before. Of how some old traditions need to go and new ones need to take their place. Of how her father and her siblings processed this grief.

“Dancing at the Pity Party” isn’t an easy read, and it being a graphic memoir doesn’t ease the pain either, if you have also lost a loved one. But read you must. It is emotional and funny and answers all questions you might’ve had when it came to how to deal with your grief. It is the kind of books that stay and stick to the heart. A read that helped me cope.

White Tears/Brown Scars: How White Feminism Betrays Women of Color by Ruby Hamad

 

White Tears:Brown Scars

Title: White Tears/Brown Scars: How White Feminism Betrays Women of Color
Author: Ruby Hamad
Publisher: Catapult
ISBN: 978-1948226745
Genre: Cultural Anthropology, Essays, Nonfiction
Pages: 304
Source: Publisher 
Rating: 5/5 

This book is much-needed for the times we live in. Actually for any time – past or present or even the future sadly, given how situations play themselves out over and over again. Situations where white people have set certain standards of humanity and how to live and even love for the rest of the world. Situations where they do not give any agency to people of colour, more so to women of colour, and even if what is perceived as agency isn’t really that. Ruby Hamad’s explosive and very important book “White Tears/Brown Scars” brings to fore and speaks of how white women use their tears to avoid speaking of and mainly confronting their racism.

This book is an off-shoot from Hamad’s article on the same topic that came out in The Guardian in the year 2018, and how that further led to Hamad being contacted by various women of colour with their stories of being betrayed by white women and their tears.

This book is extremely well-researched and an account of the white woman’s role in colonialism, in racism, and in oppressing the people of colour. It doesn’t restrict itself only to the women. It goes beyond that , to men of colour as well. Ruby’s book is global in nature and we all can see how we sometimes behave around white people. We who were once colonised, still carry that burden and remain forever apologetic. This is exactly what happens when a women of colour confronts a white women about her racism – she is apologetic to the white woman, as though it wasn’t her place to call out casual racism.

White Tears/Brown Scars should make people uncomfortable, more so the white people and make them realize what they are doing or have been doing over the years. It is necessarily uncomfortable. Hamad doesn’t write only about the US of A. She ropes in other countries as well – whether it is about the history of Aboriginal women in Australia and how they are treated or the Arab women at large in the world – these are perspectives and stories that must be heard, read, and internalised.

Hamad’s book is a revelation to me (I think it would also be the same for most people). The writing is razor-sharp and she doesn’t hesitate from calling a spade, a spade. It delves into performative victimhood and the truths aren’t palpable. In some cases the book reads like an oral history and maybe that’s what it is – experiences of women of colour with White women’s defensiveness and gas lighting in personal and professional settings.

“White Tears/Brown Scars” is a book that should be required reading for anyone interested in intersectional feminism. It is about the imbalance of power, and how it affects feminism. She takes a view of all of it – history, culture, research, and ultimately the lives of women to make us understand the role of white supremacy in all of it. Please read it.