Tag Archives: Speaking Tiger

Eve Out of Her Ruins by Ananda Devi. Translated from the French by Jeffrey Zuckerman

Eve Out of Her Ruins by Ananda Devi

Title: Eve Out of Her Ruins
Author: Ananda Devi
Translated from the French by Jeffrey Zuckerman
Publisher: Speaking Tiger
ISBN: 9789386338709
Genre: Literary Fiction, Women in Translation
Pages: 174
Source: Publisher
Rating: 5 stars

Life isn’t easy. Life isn’t easy for those who live on the margins. It isn’t easy when you are surrounded by poverty and bitterness. How do you love when all you have seen is hate? How do you bring yourself to live then? Eve does that. She lives, on her terms. She doesn’t live, she merely survives, day after day, trying to get out. Hoping for a better future, till she doesn’t. You witness her story, her life, and hope and pray that she is redeemed – that others are as well, that at seventeen and perhaps a little older, they deserve better, but you don’t know how the story will turn out, and where will it go.

Eve Out of Her Ruins is set in Troumaron, an impoverish area of Port-Louis, the capital of Mauritius Island. You see what you haven’t seen or thought of Mauritius to be. There is fear, there is violence, there is sexual assault, the air heavy with stench of yearning to get away, of dashed dreams, and broken hopes.

We meet four youngsters – fighting to survive. Eve, the seventeen-year-old that time forgot to nourish, that kindness overlooked, who moves from one man to another, always looking to get out but doesn’t want to. Savita, Eve’s soulmate in a sense, the only one who loves her selflessly. Saad, who is in love with the idea of Eve – who wants to save her and knows that she will never love him back. Clélio, a rebel waiting for life to happen to him, waiting for his brother to call him to France, waiting almost perpetually.

Through these characters Ananda Devi creates a world that is raw, belligerent, sometimes tender, warily poetic, and even forgiving. The world of Troumaron that is exploding at the seams – waiting to burst with energy that will only ruin these four. Ananda Devi’s characters are similar and so dissimilar to each other. In the sense they are all stuck, all perhaps wanting out, and yet don’t even know it. Her writing hits you hard. The poetry and the prose merge beautifully – they make you imagine as you read – the characters became more real than ever, and their emotions became mine.

Eve Out of Her Ruins is a small book with so much to unpack and undo. The lives of people on the margins, the lives they lead forever fluctuating between hope and hopelessness, brought out beautifully by the translator, Jeffrey Zuckerman. I could sense the French, and the Mauritian Creole rolling off my tongue as I attempted to read it when encountered it in the pages. This is a book that is not to be missed. I urge you to read it. Ananda Devi, we need more writing from you. A lot more.

March 2020 Wrap-Up

Screen Shot 2020-03-31 at 11.51.05 AMMarch has been a fantastic month. For me, personally. I have struggled with anxiety and calmed it. I have switched off from the news, and trying very hard to keep away from it on social media as well. I’m just made this way. On the reading front, I read 23 very different books and I am on top of the world. I feel ecstatic. Here’s hoping we all get out of this sane. Much love.
.
Here are the titles with the ratings:
.
1. Death in her Hands by Ottessa Moshfegh (4)
2. Fabulous by Lucy Hughes-Hallett (4)
3. And I do not forgive you: stories and other revenges by Amber Sparks (4)
4. Faces on the tip of my tongue by Emmanuelle Pagano. Translated from the French by Jennifer Higgins and Sophie Lewis (5)
5. The Seep by Chana Porter (5)
6. Fern Road by Angshu Dasgupta (3)
7. Apartment by Teddy Wayne (4)
8. The Enlightenment of the Greengage Tree by Shokoofeh Azar. Translated from the Persian (5)
9. Djinn Patrol on the Purple Line by Deepa Anappara (4)
10. A Thousand Ships by Natalie Haynes (4)
11. The Black Flamingo by Dean Atta (4)
12. Girl by Edna O’Brien (4)
13. A Burning by Megha Majumdar (3)
14. Amnesty by Aravind Adiga (3)
15. Tyll by Daniel Kehlmann. Translated from the German by Ross Benjamin (2)
16. Little Eyes by Samanta Schweblin. Translated from the Spanish by Megan McDowell (4)
17. Red Dog by Willem Anker. Translated from the Afrikaans by Michiel Heyns (2)
18. The Discomfort of Evening by Marieke Lucas Rijneveld. Translated from the Dutch by Michele Hutchinson (4)
19. The Other Name: Septology I-II by Jon Fosse. Translated from the French by Damion Searls (5)
20. The Memory Police by Yōko Ogawa. Translated from the Japanese by Stephen Snyder (5)
21. Hurricane Season by Fernanda Melchor. Translated from the Spanish by Sophie Hughes (4)
22. The Adventures of China Iron by Gabriela Cabezón Cámara. Translated from the Spanish by Fiona Mackintosh and Iona Macintyre (5)
23. Mac’s Problem by Enrique Vila-Matas. Translated from the Spanish by Margaret Jull Costa and Sophie Hughes (4).
.
That’s it, folks! What was your reading month of March like? Any favourites?.
.
Here’s to April 2020. Can’t wait.

Fern Road by Angshu Dasgupta

Fern Road by Angshu Dasgupta Title: Fern Road
Author: Angshu Dasgupta
Publisher: Speaking Tiger Publishing Pvt Ltd
ISBN: 978-9389231922
Genre: Literary Fiction, Coming of Age
Pages: 216
Source: Publisher
Rating: 3/5

Here’s the thing about this book: I am glad it exists, I just wish it had been written with more nuance. I like the fact that it deals with confusion when it comes to orientation, and maybe even does a layer deeper, however, it somehow did not generate the empathy in me for the protagonist, Orko. I did relate to a lot of instances, but overall the book lost me in most places.

The book is set in 1980s’ Calcutta (absolutely love the setting) and chronicles a young boy’s journey through conflict, a lot of confusion, self-doubt, and acceptance. The book has shades of magic-realism and what goes on inside a boy’s head and those bits Dasgupta gets spot-on. Fern Road is also about Orko who thought he would grow-up to be like his mother, till she disappears. And then it dawns on him that boys grow up to be men and not women.

The writing is crisp and draws on so much nostalgia without force-feeding it to the reader. Dasgupta brings the 80’s to life quite brilliantly and yet the confusion, the pain of growing-up someone else and not what you imagined, and then to accept oneself as easily had me stumble through the novel for most part. I wanted to connect deeply with the book and when I didn’t I was disappointed, but perhaps not every book centred around identity will resonate with every reader. Some scenes though made me choke up – for instance when Orko wants earrings, or when he prays to Ma Lokkhi to turn him into a girl, or even when he wants a new name.

Fern Road could have been so much more according to me, but if you want to read a book about coming-of-age, and get perspectives on the “different” people one can be, then this is the book that makes an honest attempt at getting there, and for that you must read it. Maybe I am conflicted as of now, but I also know that I will reread it and who knows, I might even change my mind about the book.

Curry: A Global History by Colleen Taylor Sen

Curry - A Global History by Colleen Taylor Sen Title: Curry: A Global History
Author: Colleen Taylor Sen
Publisher: Speaking Tiger Publishing Private Limited
ISBN: 9789386338839
Genre: Nonfiction, Cooking, Food
Pages: 144
Source: Publisher
Rating: 3 stars

I am a fan of Indian food, and but of course because that’s what I grew up eating. Give me a good portion of Butter Chicken and I am capable of forgetting the world. The same goes for Biryani (is it Indian though, I wonder?) and Desi Chinese. Books about food, more so Indian food have fascinated me. Whether it is Rude Food by Sanghvi or a collection of essays by Madhur Jaffrey, each book on Indian food brings a unique perspective, and so does Curry: A Global History to some extent.

Curry gives you a lot of facts about how “curry” came to be – in India and then how it travelled to the rest of the world, thereby now becoming a global dish so to say. The book speaks of how the East India Company officers took to the Indian cuisine, thereby carrying our food with them “back home” and cooks from India, who eventually settled in Britain and some of them opened restaurants. Of how Butter Chicken was invented and became a sensation. Also, me being a lover of food had no idea of the number of curries which this book names and speaks of.

My favourite section was the one on the United States of America and how our food travelled there. The book covers all ground and how our food travelled mainly because of the colonial rule and influence – Singapore, Trinidad, South Africa, Burma, and others. Curry provides an education into the humble curry, its types, the way it is cooked, the spices used for various curries, making it extremely engaging, and yet falling short on not being comprehensive enough and seems rushed in the process. Nonetheless, a great book to know more about Curry and its place in the world.

The Engaged Observer: The Selected Writings of Shanta Gokhale: Edited and with an Introduction by Jerry Pinto

SGTitle: The Engaged Observer: The Selected Writings of Shanta Gokhale: Edited and with an Introduction by Jerry Pinto
Author: Shanta Gokhale
Publisher: Speaking Tiger Publishing Private Limited
ISBN: 978-9388070492
Genre: Nonfiction, Anthology, Essays
Pages: 312
Source: Publisher
Rating: 5 stars

You do not just read Shanta Gokhale. You literally take in everything she has to say, and mull over it for days, weeks, and sometimes even months. That to me is the power of prose, of words on paper, and most of all it is about the emotions she can evoke in you. You read Shanta Gokhale to take count of the world around you – to see its decline, the society we live in, its hypocrisy (laid out by her with immense logic and facts), and how at the end of it all, there might also be some hope and redemption.

I remember reading Crowfall way back when it released (in English though) and was moved deeply by it. There was nothing specific I could put a finger on, but what she wrote was enough. All of it. Every single word. What Jerry Pinto does through this anthology of her selective works is give you a fair enough glimpse into her mind and writing, so you can read more of her and I bet you will, once you are done with this one.

This book is varied – that because Shanta Gokhale is so prolific – having written so much – from theatre of Bombay to the theatre of Mumbai, the political scenario, on India, on Literature, the Marathi culture (that is trying very hard to revive itself), and everything else in between. I don’t think there is any topic that Shanta Gokhale hasn’t written on. But it isn’t just this, it is the way she writes – almost makes you feel that you are the only one reading her at that time.

The Engaged Observer (what an apt title) is about so many things and yet doesn’t feel overdone or trying too much to fit into one book. In fact, if anything, I wanted more. Shanta Gokhale writes with clarity. Every sentence is in place. My favourite section has to be the one on women – the patriarchy, feminism, and women defying the misogynistic constructs of society.

Shanta Gokhale’s writings are lucid, rich in facts, detailed, and doesn’t veer at any point into becoming something else. Points are made and then it is up to the reader to make their judgement or not. The writings are not biased. As the title aptly suggests, Gokhale observes intently, engages with the observation by making notes, writing about it, and leaving it to the readers to consume. Also, kudos to Jerry Pinto for carefully selecting the pieces he did to introduce us/enhance our understanding of the writer – and the neat sections that help the reader navigate.

There are a lot of reasons I would recommend this work. Some of them being: clarity and simplicity of language, the varied pieces – there is literally something for everyone, and to top it all her writing – the kind that cuts through without seeming that way, the kind that makes such a strong impact that you cannot help but want more, the kind of writing that shakes you up and makes you see the world differently. It is the kind of writing that only comes from an engaged observer – the one who constantly sees, relates or does not, but definitely engages – no matter where she is.