Tag Archives: short stories

The Unmapped Country: Stories and Fragments by Ann Quin

The Unmapped Country Title: The Unmapped Country: Stories & Fragments
Author: Ann Quin
Publisher: And Other Stories
ISBN: 978-1911508144
Genre: Short Stories, Non-Fiction, Fragments
Pages: 178
Source: Publisher
Rating: 5 Stars

I think my heart skips a beat when I discover a new author. The same happened when I heard of Ann Quin and there was something about her that drew me instantly to wanting to read her. Ann Quin’s work is unlike anything I have read before. I know this is said of a lot of writers in this time and age, but in the case of Quin it couldn’t hold truer. If you are in the mood to read something experimental, mind-boggling and also the kind of writing that makes you emotional, then please read “The Unmapped Country: Stories and Fragments” by Ann Quin.

Quin does not only break form in her stories and fragments but also goes over the edge in terms of plot. Her writing leaves you with this heaviness in the soul and is ironically also liberating. For instance, here I was reading, the titular incomplete novel (almost 50 pages or so) and I found myself crying and strangely enough smiling (since the story is that of a psychiatric collapse set in an institution quite similar to the ones Quin attended in her troubled years). Her skills of telling a story are crackling and this is a good place to start.

There are then staccato pieces in the book: “Never Trust a Man Who Bathes with His Fingernails” and “Ghostworm” – which are also very vague and make sense when read over and over again. Quin’s pieces are like wine I suppose or an exotic cuisine that one grows to like or love or not. There cannot be in-between emotion when it comes to her writing (or so I think).

There is this sense of unease, this constant shuffling from one reality to another that all-pervades this collection of stories and fragments. Reading this collection reminded me of the urgency of Virginia Woolf, the resplendency of Elizabeth Bowen and the sense of loneliness of Katherine Mansfield. Not that I am comparing (because really Quin cannot be compared), I am just providing a reference or two. All said and done, I know for one that I will be looking out for more of her works (she left this world too soon) and cherish what she had to offer.

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Vampire in Love: Stories by Enrique Vila-Matas. Translated by Margaret Jull Costa

Vampire in Love by Enrique Vila-Matas Title: Vampire in Love: Stories
Author: Enrique Vila-Matas
Translated by Margarey Jull Costa
Publisher: Speaking Tiger
ISBN: 978-9386338822
Genre: Literary Fiction, Short Stories
Pages: 272
Source: Publisher
Rating: 4 Stars

I love long-winding stories, so much to the point that if the author rambles sometimes, I am okay with that as well. Maybe that is also because of the style of the writer. There is something to it which doesn’t let go of the reader. Enrique Vila-Matas is one such writer whose works have always eluded me – left me hanging for more and made me not want to make sense of them as well – because the stories and books he has written are enough. He is one of those authors who should just keep writing. Nothing else really matters. Maybe I am praising him too highly, but don’t go by what I am saying. Read him. No matter place to start than his short stories and this collection titled, “Vampire in Love” is just what the doctor prescribed.

“Vampire in Love” is a collection of stories that are mostly absurd but also fantastical and profound. It takes a lot of time to get into this collection, but once you do, it will have you by your throat and not let go. Vila-Matas creates a world within each story that can be books in itself but it is best when it isn’t. When the stories leave you wanting more and you don’t get it.

The stories are a ​matter of fact and to the point, so don’t be alarmed if your imagination isn’t soaring boundless. The thing to remember is the craft and the emotion each story will generate (because that it will). From empathizing with an effeminate barber who falls in love with an innocent choirboy to a lonely ophthalmologist, Vila-Matas’ characters are regular people and yet they aren’t. “Vampire in Love” is a collection which isn’t for all and yet I would urge you to read it, only to test your boundaries as a reader.

Fresh Complaint: Stories by Jeffrey Eugenides

Fresh Complaint Title: Fresh Complaint: Stories
Author: Jeffrey Eugenides
Publisher: Farrar, Straus and Giroux
ISBN: 978-0374203061
Genre: Short Stories, Literary Fiction
Pages: 304
Source: Publisher
Rating: 5 Stars

Jeffrey Eugenides’ writing has come a long way. Who am I to judge that? His ardent fan. One of his ardent fans, who could not get enough of The Virgin Suicides or Middlesex or The Marriage Plot (weakest among the three and yet, I loved it to bits). One of his fans who cannot stop raving about his new book “Fresh Complaint”, a collection of short stories that shows family love, discovery of the self, adolescence, identity and what it means to be American (well, not all the time) through ten stunning stories (two of them which I found to be off, but loved them nonetheless).

I have also always believed that writing short stories is way more difficult than the novel. Short stories have to be taut. You cannot take liberties with time and space as you would in a novel and that makes them even more difficult when it comes to engaging with readers. In Eugenides’ stories we meet people who are broken, who are whole, who go through life in a daze and some who think they have it all under control and stumble only to realize that this isn’t the life they wanted anyway.

My favourite stories in this collection are “Baster” – which is funny and yet so tragic and also “Air Mail” – which is about Mitchell whose story was left hanging in The Marriage Plot and this story somewhat gives it closure. “Complainers”, the first story in the collection is about dementia, old age and above all of the beautiful friendship two women share over the years. And last but not the least, I absolutely could not get enough of the title story. “Fresh Complaint” is a story that could very well have been a novel. It is the story of a high school student whose wish to escape her immigrant family has consequences on a British physicists’ life beyond repair.

Characters in this collection are not kind all the time. They are just human. Eugenides allows his characters to make their mistakes, live their dreams and see regrets for what they are. He takes you to uncomfortable places and is not apologetic about it. These stories date from 1989 to 2017, out of which eight were previously published (I hadn’t read any). “Fresh Complaint” is a collection of stories that are real, insightful and dark, allowing characters to hide, to be seen and not without some humour as well.

 

Upcountry Tales: Once Upon a Time in the Heart of India by Mark Tully

Upcountry Tales Title: Upcountry Tales: Once Upon a Time in the Heart of India
Author: Mark Tully
Publisher: Speaking Tiger
ISBN: 978-9386582690
Genre: Short Stories
Pages: 288
Source: Publisher
Rating: 4 Stars

I think writing short stories is the most difficult thing to do. To encapsulate everything, you have to say in a short story isn’t easy. And maybe that’s the reason I admire people who write short stories. Mark Tully returns to the terrain of fiction after a while with his short story collection “Upcountry Tales: Once Upon a Time in the Heart of India”. His last work of fiction, “The Heart of India” was published in 1995 and the only one at that So he has written fiction after 22 years and let me tell you, it doesn’t seem that way at all.

The stories in this collection are set in villages of eastern Uttar Pradesh during the second half of the 1980s (so you will not find technology intruding in any of them and thank God for that). These stories are of common people (a teacher in The Reluctant Lover)– some you might encounter but not give a second glance or time of day. At the same time, these very people come alive in Mr. Tully’s stories – they aren’t in the background – they come to the fore and that’s what I loved about these stories.

There are rebels, pragmatists, bumblers, quiet heroes as well – all finding a way to deal with social hierarchies and the government forces around them. You relate to so much as you read. Mark Tully’s India isn’t quite what you or I imagine to be – maybe because we don’t know the real India so to say, so sometimes the terrain is rather surprising (or should I say shocking) but having said that, you get used to its flora and fauna and above all, its people.

The book is of stories that are serious, that are light-hearted and are also tragic. You meet heroes and heroines who have battled in their ways and manner against corruption and red-tapeism. Mark Tully does a wonderful job of painting these stories against a canvas of a wide-range of topics – from class to race differences to the rules of a patriarchal society (The Ploughman’s Lament) and that to me was something else while reading this book. He also goes on to admit in the introduction that only two of the stories are based on real characters (which had to happen given his knowledge and experience on a first-hand basis with India), while the rest are fictional.

“Upcountry Tales” is a book full of warmth and of an India that we need to know. Time doesn’t matter then – whether the stories are set in the 80s or not (that’s barely anything to go by in my opinion), what matters is the people – people who when push comes to shove, will make their presence felt.

Interview with Chhimi Tenduf-La: Author of “Loyal Stalkers”.

So I had just finished reading “Loyal Stalkers” and had a few questions in my mind for the author. I was lucky enough to have been in touch with him on mail, so I could conduct this interview through the web. Chhimi Tenduf-La is a world citizen in the true sense. His stories are of ordinary people and yet seem so extraordinary that they cut across territories of geography, mind and emotions. A collection that I loved reading and truly cherished.

final cover

Here is a short interview:

What made you write a collection of short-stories, after two novels?

I started a couple of stories in Loyal Stalkers as novels, but I felt they were better left with some things unsaid, whereas if I fleshed them out they would have lost their subtlety. When I found I could connect them I knew I could advance an over-riding story through a number of different characters and plots. This was enormously enjoyable and allowed for much more freedom. When writing a novel I may think of a character I want to write about but cannot fit him into the plot. With a collection I could just write a new story for him.

Your characters aren’t redeemed easily. Why so? Why is there a constancy in not letting them see the light of day?

I guess I had not thought about this much, until you asked this excellent question, but one of my pet hates is people acting with impunity because they know they will not be punished whatever they do. Here in Sri Lanka money and connections can get you off most things and that annoys me. As you point out, all my characters, although they have redeeming features, pay for the crimes they commit.

Chhimi book 3

I am intrigued by the title. How did you choose that for the story (a little obvious, yes) but then why stick to this for the entire collection?

I feel this whole book could have been written by a nosey aunty obsessed with what her neighbours are doing. I think it is indicative of society here that people are more concerned with other people’s lives than their own. Most of the stories have some stalking theme; the maid obsessed with her boss, the abusive relationship, the loyal dog following his special needs friend. I wanted the title to be creepy, but also reflect Colombo society in some ways; everyone is invested in each other’s lives, they can be a little annoying, but yet there is that closeness and that feeling that there is always someone nearby to help you when in need.

You’ve been a citizen of the world and yet this collection restricts itself to Sri Lanka. Why so? Why not give the characters space to see the world?

As I found my feet as an author I felt safest writing about what I know best. I have been here so long I have forgotten what it is like to live elsewhere. Yet now you have said it I do want to explore what some of my characters would be like living in another country. How much would it change them? Thanks for the idea!

Your top 5 favourite books and why?

I have limited this to books I have read recently.

The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared 
by Jonas Jonasson 

Comedy in literature is hard to balance. Endearingly silly, or annoyingly farcical. Jonasson gets it just right in this inspiring tale about Allan Karlson who goes on the run to avoid celebrating his 100th birthday. As he does so, we travel back through a hilarious twentieth century history lesson, in which Karlson mingles with great leaders and tyrants; at one point he convinces Stalin to shave off his moustache, and he regularly has a young Kim Jong Il sitting on his lap. Genius.

Fight Club by Chuck Palahniuk

Great movie, greater book. The prose, slick and punchy, suck you in, slap you back and forth and churn you out. With great twists, cool dialog, and an abundance of quotable lines, Palahniuk tells an extraordinarily original story with awesome ease.

Chinaman by Shehan Karunatilika

It is more than a novel about cricket; it is Sri Lankan modern history through the eyes of an alcoholic. It is recognition of the tragedies, often self-inflicted, that tore at Sri Lanka’s core. It is a detective story, a mystery, a thriller, the search for a genius Tamil cricketer whose name and records have all but been wiped out of Sri Lankan history.

The Seasons of Trouble: Life Amid the Ruins of Sri Lanka’s Civil War 
by Rohini Mohan

A 368 page lesson about Sri Lanka’s civil war. In fact, this is the definitive lesson about any war; about child soldiers, mistrust, disappearances and lies. This book reads like a novel, whereas it is fact. Rohini Mohan messes with your emotions; she humanises people we thought were monsters. She makes you root for them, understand them, believe them.

What Lies Between Us by Nayomi Munaweera

I had to pluck up the courage to read this a second time because it is an incredibly disturbing book for a parent to read – but it was all worth it. Munaweera’s writing is brilliantly fluid, emotive and captivating and personally I felt this was an even better book that her prize-winning Island of a Thousand Mirrors.

Chhimi 9

Was writing “Loyal Stalkers” a cathartic experience? Did you live some of these stories yourself or through someone else?

I find all writing to be cathartic and relaxing. But yes, Loyal Stalkers touched on a number of issues that all of us in Sri Lanka should be more aware of. Since writing it I have become more sensitive to others affected by these issues, be it a friend battling homophobia or a maid not getting enough credit for the work she does.

Chhimi as a writer…

I write purely for enjoyment at the moment. I have never felt pressured into it or had writer’s block; maybe I require both to improve as a writer. I have a fairly wild imagination so this is an outlet for it. I write two hours a day, but nothing on weekends and I read back my work hundreds of times to try to see if it flows. Once it is printed I hate looking at my writing because it is too late to change anything I don’t like. I try to be snappy, hip, humorous and sensitive as a writer but probably fail in all regards. My story-telling is more inspired by movies than by books, for some reason, maybe because I don’t want to write like anyone else (not that I could).

How important do you think it is for the short-story form to be recognized in India and why do people prefer the novel over the story?

I was told by a UK based publisher that the issue they have with short story collections is that it is very hard to get the leading lit critics to review them, unless the writer is very well known. If a book does not get reviewed, book shops are reluctant to sell it. Maybe the problem with short stories is that readers may love one, but lose momentum if they don’t quite dig the next one. It is a lot of stopping and starting I guess, whereas with a novel you have invested in the characters already and so each time you pick up the book you’re not taking a blind leap of faith. This is why I have tried to link the stories in Loyal Stalkers, and have the characters popping in and out of each other’s lives. I love reading short stories myself because they are standalones; I can read one each night and if I don’t like one I have not wasted too much time on it. In some ways short stories are more accessible to people who aren’t necessarily bookworms and thus they are important to India if they can get more people to read. They can also get more people to write; almost anyone can sit down and write a short story, whereas a novel requires a different level of commitment and craft. With such rich culture and tradition, as well as the complexities of class I am sure there are hundreds of thousands of people in India who could write an important short story.

Chhimi 4

Your 5 favourite short-story writers

I’m inspired by R K Nayaran,  Alejandro Zambra and Raymond Carver. To understand how to appeal to a large audience, Jeffrey Archer. Of current South Asian writers Prajwal Parajuly, Sandip Roy and Ashok Ferrey. (I know this is 8 and not 5, sorry).

What are you working on next?

I have taken a break because I am not entirely sure in what direction I want to go. A novel, a collection, a movie? Maybe I will focus on writing more articles for a while. I have had many false starts with writing because I jump into new projects too fast, so now I am trying to be patient and I hope a killer idea for a novel will start growing on me.