Tag Archives: Ram

Interview with Anand Neelkantan

Here’s an in-depth interview with the author of Asura, Ajaya and the soon to release the sequel to Ajaya, called Rise of Kali.

Ajaya Cover

1. What does AJAY signify in the title of the book?

Ajaya means unconquearable. The Kauravas were never conquered, they were decimated to the last man. Ajaya is also a play of words to show what is not Jaya, the original name of Mahabharata. Though Ajaya does not mean what is not Jaya, it is to imply that this is Mahabharata from the other side

2. After all your writing and research, what is your final opinion on Duryodhana as a man and a leader?

Suyodhana was a man far ahead of times. He had his flaws, he trusted his friends too much and took unneccessary risks, was more sincere to Karna than Karna was to him and was passionate to the core. He believed in certain ideals, was sometimes naive and sometimes arrogant, but he never tried to justify his deed behind the cloak of dharma. He was a rebel, far ahead of his times and he paid the price.

3. Did the Kurukshetra war have any winners? What did it achieve? Can it be justified?

I think sage Vyasa gave the named his epic, “Jaya” to bring out the irony. There were no winners for the war. If the war was the victory of good for evil, after the war the evil age should not have started. This reasoning that it was fought for restoration of dharma fails, when we see that it is the age of Adharma that had risen after the war. So what was the purpose of war, as Balarama asks?

4. Was Draupadi perhaps the greatest victim in the Mahabharata?

Draupadi, like many other women and children, was also a victim of the war. All the women of Mahabharata are victims, trampled by a masculine world. Gandhari who lost all her sons, Kunti who lost all her grandsons and a son, Draupadi who lost all her sons, the Nishada woman who lost her life and all her sons, Hidumbi who lost her son, Uthara who lost her husband, Bhanumathi who lost both her husband and son- the list is endless. There is no justification in singling out Draupadi.

5. How do you explain Gandhari’s 100 sons and 1 daughter?

The ratio is perplexing. The entire Kuru race has 106 sons (including the Yuyutsu, the Vysya son of Dhritarashtra) and 1 daughter and may be Lakshmana is the only another woman in the household. Or may be all the 100s are not sons of Gandhari, but perhaps sons of Dhritarashtra (there are many other sons mentioned in some texts) and the daughters are not mentiones with the same importance as Dushala (Sushala) since they are not from the Royal womb of Gandhari. We do not know and we can only speculate. As I said, it was a man’s world, not much different from now, where only lip service is given to the divinity of women.

Anand 1

6. Did any Kaurava survive the war?

Dhritarashtra, the real Kaurava was the ultimate victor

7. Do you feel a sense of catharsis having finished the book?

Writing any book is hard work, it is doubly so when the subject is the most complicated and biggest epic in the world

Rise of Kali

8. What are you working on now?

I am working as an episodic story writer for Star TV’s upcoming serial Siya ke Ram. I am working on a fantasy thriller based on Mythology, tentatively titled Devayani. I have also signed up for a Hindi/Telugu bilingual and discussions are on for Asura to be made as Hindi/Tamil/Telugu trilingual film

9.What do you think made Leadstart take your book when other Publishers had not?

Leadstart took the book when not many were willing to publish mythology books. They saw the potential in Asura when others did not. Asura was an unusual book in the sense that it went against the conventional way of writing mythology. It is a disturbing book, not offensive, but something that would challenge the long held belief and give voice to the sceptic inside the reader. Not many publishers would take that risk.

10. How did you think of this concept? What got you inspired?

This was something that I have grown up with and I write about things that disturbs me most. The other side, hidden in the shadows, is always exciting to explore.

11. What do you think about writing as a profession in India?

Writing as a profession is yet to come of age in India. Except a few authors who have made it really big, it is difficult to earn a living out of writing. Despite spectacular success of Asura and Ajaya, I am yet to resign my job. There are many like me with a string of best sellers who still work for a living or are businessmen. Except Chetan Bhagat, Amish or one or two others, if we take the top 10 writers of the country, most of us are either businessmen or employees. There is a long way to go for us to see Indian writers owning private jets and mansions like what they do in the west. But apart from money, writing gives a lot of satisfaction which no other profession can. Writing in India, can be a rewarding hobby, at best and not a profession.

12. Any message you would want to give to your readers?

Read the book with an open mind. Read good books not to get answers but to simulate more questions in your mind

Looking forward to Rise of Kali! I am sure it will be a great read.

Interview Courtesy: Booksense

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Book Review: The Missing Queen by Samitha Arni

The Missing Queen by Samitha Arni Title: The Missing Queen
Author: Samitha Arni
Publisher: Penguin Viking/Zubaan Books
ISBN: 9789381017647
Genre: Mythology, Fiction
Pages: 192
Source: Publisher
Rating: 5/5

I have always wondered and thought that the Ramayana has nothing to offer in terms of shades of grey. I thought that it was a plain vanilla story, with nothing of value, though at the back of mind I was aware of Sita and her predicaments, I somehow did not give it too much thought. I was more focused on reading more of the Mahabharata, with its vast number of characters and intricate plot, there was no way any other mythological text could hold a candle to it. This was my opinion till I started reading, “The Missing Queen” by Samhita Arni.

I had read Samhita’s graphic novel, “Sita’s Ramayana” sometime ago, however that did not impact me much as this one has. Once in a while, I read a mythological piece of work that compels me to recommend it to whosoever I meet, and this time it is “The Missing Queen”. I cannot stop raving about. Most of it has got to do with the writing; however most of it has also got to with the plot and the new angle or twist so to say to the epic.

“The Missing Queen” is set in modern-day Ayodhya, ten years after Ram won the war and Sita disappeared basis the hearsay from the Washerman and other speculation by Ayodhya’s citizens on her chastity. Things have changed a lot since then. Ayodhya is indirectly a totalitarian state kept under strict vigilance by the Washerman and his people. Ram, but of course is the shining hero and king who looms large and makes decisions, however not without consulting some people. This Ayodhya is of television and media, of Cadillacs and malls, of consumerism and a complete dry state with bootleggers reining at night-time in shoddy basements. It is also on its way of becoming a democracy, which in a way is scary and at the same time liberating for some. Amidst all of this, a young journalist begins asking questions about Sita: What happened to her? Why did she disappear? She wants answers and does not even stop at asking Ram during an interview about Sita and her whereabouts.

She must not be asking such questions. The Washerman and his fleet chase her out of the city and she goes to Lanka in search of answers, which further takes her to Mithila. For me this was the best part in the book. Samhita has brought out different perspectives through this short book – of Surpanakha, of Vibhishana and his daughter, of Urmila and others who have been a part of the epic. While reading this book one also gets the feeling of the “other” part of the story. The question posed by the journalist seep into the readers’ head and that to me is great writing as demonstrated by Arni. There were so many places in the book where my heart just went out to Sita and also to the Lankans. That is primarily because of the writing and the world that Samhita conjures given her imagination and what happened after the war. There are so many questions in the book and also so many issues. For instance, the one line that struck me the most in the book was the one said by Surpanakha: “Do women need circles drawn in sand to protect them?” I think this is so relevant even today. Some men take it upon themselves to protect women, without wondering what they want. There are parts like these in the book that shake you up and make you question everything around you.

At times while reading the book, I felt that Sita and Ram and the Washerman were merely metaphors for who we are and our beliefs (if any) and that made me think a lot more of the plot of the book. I will of course not give away the ending. However at the end of it all, what I can say is that you have to read “The Missing Queen” to experience a different kind of tale and storytelling when it comes to mythology and more so to the Ramayana. A must read for February.

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