Tag Archives: Open Letter Press

January 2020 Reading Wrap-Up

January 2020 Wrap-Up

The start of the year has been great. I wanted to read 20 books. Ended up reading 13. Not bad though, out of which two were graphic novels and one a picture book for children (seemingly). .

Books read transported me to so many lands and made me explore my own stance on issues and life in general. From a story of a marriage to a story of how a movie on Manto was made to a novel on racism in modern-day America to a book on Dara Shukoh, I’m quite pleased with the diverse reading. At the same time, it so happened organically that I ended up reading 12 books by women and 1 by a man. Also, thank you to all the publishers who sent these books.

Here are the titles with my ratings:

1. A Small Place by Jamaica Kincaid (5/5)
2. Grass by Keum Suk Gendry-Kim (5/5)
3. Exquisite Cadavers by Meena Kandasamy (4/5)
4. I Remember Beirut by Zeina Abirached (5/5)
5. Jaipur Journals by Namita Gokhale (4/5)
6. All my Goodbyes by Mariana Dimópulos (5/5)
7. Manto & I by Nandita Das (4/5)
8. North Station by Bae Suah (5/5)
9. The Beach at Night by Elena Ferrante (5/5)
10. Interior Chinatown by Charles Yu (5/5)
11. Such a Fun Age by Kiley Reid (4/5)
12. So All is Peace by Vandana Singh-Lal (5/5)
13. The Emperor Who Never Was: Dara Shukoh in Mughal India by Supriya Gandhi (5/5)

This is my list. What have you read this month that has got you excited or made you want to recommend it to everyone you know? .

North Station by Bae Suah. Translated from the Korean by Deborah Smith.

North Station by Bae Suah Title: North Station
Author: Bae Suah
Translated from the Korean by Deborah Smith
Publisher: Open Letter Press
ISBN: 978-1940953656
Genre: Short Stories
Pages: 320
Source: Publisher
Rating: 5/5

I have always maintained that most of the time the short story has so much more to say than a novel on so many levels. Whether it is Munro or Atwood, or Murakami, or Carver, or Anita Desai – each of their short-story collections to me is progressively better than their novels (barring Carver as he only wrote short stories). Something about the craft of the short story that always draws me to it. The same is the case with Bae Suah’s collection “North Station”.

Emotionally haunting and stimulating, these seven stories represent the entire range of Suah’s distinctive voice and style. Each story then somehow has multiple storylines which lends them a different dimension. The stories then again aren’t easy to follow, but I am glad I kept up and didn’t abandon the read. You have to slow down and get perspective of the author’s space and time. I guess only then will one truly understand these stories.

A writer is struggling to come to terms with the death of her mentor. A play’s staging goes awry. There is also a story when time freezes for two lovers on a platform and more that make you aware of the range of the beauty in Suah’s writing. The translation then again is spot-on. The stories contain the element of the European and German style of writing, that somehow lends itself very well to Korean characters and places they inhabit.

Deborah Smith has ensured that the translation doesn’t take away from the original – in the sense that you can read Korean even though it is in English. The stories themselves like I said are all over the place – in terms of places, people, time, and jumping from one narrative to another. All said and done, this is one short story collection you must read for sure.

 

77 by Guillermo Saccomanno. Translated from the Spanish by Andrea G. Labinger

77 by Guillermo Saccomanno Title: 77
Author: Guillermo Saccomanno
Translated from the Spanish by Andrea G. Labinger
Publisher: Open Letter
ISBN: 978-1940953892
Genre: Literary Fiction
Pages: 220
Source: Publisher
Rating: 5 stars

Books written to defy, to present various points of view, and above all to show us that we can and should raise voices against powers are books that I love to read. It makes me feel stronger, it makes me want to protest, and more than anything else it makes me feel that I have companions and not alone in the world when it comes to issues close to my heart. 77 is one such book that held me by my throat and being and I just had to finish it in almost three sittings or so. The book still lingers in my memory, and I know that it will for a long time to come.

 So, what is the book about?

 The book is set in Buenos Aires, 1977. A time that is considered to be a part of the darkest days of the Videla dictatorship, from the time he seized power in 1976. At the heart of the book is Gómez, a gay high-school literature teacher, trying very hard to keep a low profile as his friends and students begin to disappear. This is the time when questioning is forbidden, and people aren’t allowed to live the way they wish to.

 Things also start spiralling when he gives shelter to two dissidents in his house, and to make things worst he is having an affair with a homophobic cop who is loyal to the government and no one else. The book is told in flashbacks – from 2007 to 1977 – jumping back and forth.

 I was stunned reading this novel. I didn’t know what to feel for some time and then I realized that I was scared. Scared of such a regime being thrust upon us (though it seems that day isn’t very far) and how we would react or live in that case. Living under a dictatorship isn’t easy. At the same time, it isn’t very hard for people to get used to it, which is most fearful.

Saccomanno’s writing is fluid and clear. In most parts, I thought of it to be autobiographical and I don’t think I was far from the truth. The moral, social, and intellectual dilemmas that present themselves make the book so haunting and real. Is literature dead? Is sexual preference dead? Is raising your voice dead? What is alive anymore?

 77 is a book not just about a year – about people, their opinions, the regime that wants a mental shutdown of its people, a state that will have nothing but totalitarianism at the helm of things. 77, to me was more than just a book. It is about a literary soul that is trapped and is the story of one man trying to make sense in a world of madness and inhumanity, lurking in almost every corner. It is a book that shows you what shouldn’t be repeated. We can only hope and pray.

 

Book Review: The Book of Happenstance by Ingrid Winterbach

Title: The Book of Happenstance
Author: Ingrid Winterbach
Publisher: Open Letter Press
ISBN: 978-1-934824-33-7
Genre: Literary Fiction
Pages: 254
Source: Publisher
Rating: 5/5

The Book of Happenstance begins with a loss, as a linguistic specialist’s home is robbed and defaced, with her precious sea-shell collection stolen. While the theft of the sea-shell collection may seem minor, it is this fact that builds the entire story of love, loss, science, language and relationships. I had never heard of Ingrid Winterbach prior to this book, and now that I have read this book, I will for sure read more works written by her.

Helena is a lexicographer of the Afrikaans language. She doesn’t want to do anything else but understand the essence of life, what it means to be alive and why live at all. She wants to know why she is here and why her life matters. For me that struck a personal chord throughout the book, after all, don’t we all want to know that at some point in our lives?

Helena’s life is estranged at the same time. She is divorced, rarely sees her daughter, her extended family is dead, and she has had a series of love affairs, trying to make sense of every single one of them. Helena has written a novel which has not been successful. When she gets the opportunity to move to Durban for a project, she jumps at it, only to get robbed after three months and is left devastated. Getting no help from the local police, she decides to solve the theft on her own with the help of her new friend from the Museum of Natural History, Sof. While she investigates, she mulls and ponders over her life – her ex-husband, her losses, her gains and begins to fall in love with her married boss.

As events unfurl themselves around her, Helena begins to realize the importance of ‘happenstance’ – the accidents which occur over a period of time to species, which allow them to adapt more successfully than their predecessors.

This novel takes the reader on a complex rollercoaster ride. Winterbach has structured the entire novel of course around Helena’s life; however she has masterfully managed to embody the concept of evolution around her life as well. The concept is striking and more so are the words, which are skillfully translated by the author and Dirk Winterbach. While there is a pervasive sense of dread and foreboding in the novel, there is also a sense of hope and wanting to live life to the fullest, which Helena ultimately realizes and wants to figure it all out. Read this book. It might get you thinking.

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