Tag Archives: mythology

Rise of Kali: Duryodhana’s Mahabharata (Ajaya Book 2) by Anand Neelakantan

Rise of Kali - Duryodhana's Mahabharata - Ajaya Book 2 by Anand Neelakantan Title: Rise of Kali: Duryodhana’s Mahabharata (Ajaya Book 2)
Author: Anand Neelakantan
Publisher: Platinum Press
ISBN: 978-9381576045
Genre: Mythology
Pages: 530
Source: Booksense
Rating: 4/5

Mythology according to me should strictly be pure. I don’t know, I may be wrong, but I do not like everyone’s point of view when it comes to mythology. Ajaya as is said is the story of the Mahabharata told from the perspective of the Kauravas. I was quite hesitant to read this. I had not read the first book Roll of the Dice so I read that one and then I lapped this one up quite immediately. I must say though I enjoyed “Rise of Kali” a lot more than “Roll of the Dice”.

“Rise of Kali” is about Duryodhana and his story and role to play in the epic. It is about dharma and adharma. The book is well-structured and most of it is well-written. It is also quite interesting, but somehow I thought it was just way too long to finish in one sitting. Having said that, “Rise of Kali” gives you an over-all perspective on the Mahabharata. May be that is the reason I enjoyed it as well.

“Rise of Kali” is all about Suyodhana (Duryodhana) and about his conflict of emotions between right and wrong and why he does what he does. That struck me as something which I had never thought of, because of my prejudices.

The book tests your patience as well. It is difficult to get into it initially but once the reader has, it is a different ball game altogether. I thought that Karna’s character was detailed quite well in the book and that is something which I really enjoyed.

Anand Neelakantan draws on the characters quite well and that is something which is quite difficult to do and maintain in a book like this, given the scope of it all. I must also say that all in all, I enjoyed the book a lot. I think it will appeal to everyone who wants to see mythology differently.

The Curse of Surya by Dev Prasad

The Curse of Surya by Dev Prasad Title: The Curse of Surya
Author: Dev Prasad
ISBN: 9788184006223
Publisher: Penguin Books
Genre: Fiction
Pages: 320
Source: Booksense
Rating: 3.5/5

I never thought I would like “The Curse of Surya” but I ended up enjoying it a lot. It is a fast-paced book that ends before you even know it and leaves you hankering for more. It is a thriller set across Singapore and India which is perfect for Ashwin Sanghi fans and will also appeal to Aroon Raman’s readers.

It is a thriller based on Indian mythology and about the quest for Shyamantaka – a jewel believed to have been lost for 5000 years. Sangeeta Rao, the protagonist is a TV anchor in Singapore who drops everything to go to Agra for a special story and that is when she gets embroiled with a Welshman Alan Davies to find the jewel and go through a lot of trials and tribulations.

The thing about the book is the story. The plot is the king and that’s how it should be. The characters are well-etched and the banter between Sangeeta and Alan is worth it. It also has a wry sense of humour in some places, which is refreshing.

The writing sometimes seems a bit tepid but carries pace when it has to and saves the day. I loved the way the book was written and the chapters kept revealing the plot lines, keeping me glued to the edge of the seat.

“The Curse of Surya” is the perfect book to be read on a flight. Before you know it, it is over and done with. If someone asks me what thriller they must read next, which will get over soon and which will keep them hooked, I will recommend this one.

The Night Life of Trees by Durga Bai, Bhajju Shyam and Ram Singh Urveti

The Night Life of Trees by Bhajju Shyam Title: The Night Life of Trees
Author: Durga Bai, Bhajju Shyam and Ram Singh Urveti
Publisher: Tara Books
ISBN: 978-8186211922
Genre: Picture Book, Non-Fiction, Mythology
Pages: 48
Source: Personal Copy
Rating: 5/5

Trees are strange. Trees are comforting. Trees have histories and tales spun around them. Trees also have a life of their own which cannot be gauged by humans. Keeping this in mind and all the tradition and myths behind trees of India, tribal artists in conjunction with Tara Books have published a beautiful limited edition hand-made book called “The Night Life of Trees” and I cannot begin to praise and admire it.

The Night Life of Trees by Bhajju Shyam - Image 1

I am not the one for trees and their stories and what they are all about, but after reading this book and soaking in all the illustrations, I want to know more about them, in fact, everything about them. This book is testimony to the living masters of the Gond art form.

Snakes and Earth

Snakes and Earth

There are a total of 19 trees featured in this book and each one is with a story from mythology or seems to be a fairy tale or just is, which is what you will love and cherish as a reader.

All of them

All of them

The images are alongside the description and make for some beautiful viewing. Moreover, the handmade paper is to die for – quite literally. You will fall in love with it.

The Tree of Intoxication

The Tree of Intoxication

The trees in our country are exotically named like the Khirsali, Nagphani, Sembar and so many more after Gods, Goddesses, Serpents and also Birds and Humans.

The Silkworm's Home

The Silkworm’s Home

“The Night Life of Trees” is a treat for everyone to own and keep going back to it. The art will for sure make you.

Affiliate Link:

Buy The Night Life of Trees

Interview with Anand Neelkantan

Here’s an in-depth interview with the author of Asura, Ajaya and the soon to release the sequel to Ajaya, called Rise of Kali.

Ajaya Cover

1. What does AJAY signify in the title of the book?

Ajaya means unconquearable. The Kauravas were never conquered, they were decimated to the last man. Ajaya is also a play of words to show what is not Jaya, the original name of Mahabharata. Though Ajaya does not mean what is not Jaya, it is to imply that this is Mahabharata from the other side

2. After all your writing and research, what is your final opinion on Duryodhana as a man and a leader?

Suyodhana was a man far ahead of times. He had his flaws, he trusted his friends too much and took unneccessary risks, was more sincere to Karna than Karna was to him and was passionate to the core. He believed in certain ideals, was sometimes naive and sometimes arrogant, but he never tried to justify his deed behind the cloak of dharma. He was a rebel, far ahead of his times and he paid the price.

3. Did the Kurukshetra war have any winners? What did it achieve? Can it be justified?

I think sage Vyasa gave the named his epic, “Jaya” to bring out the irony. There were no winners for the war. If the war was the victory of good for evil, after the war the evil age should not have started. This reasoning that it was fought for restoration of dharma fails, when we see that it is the age of Adharma that had risen after the war. So what was the purpose of war, as Balarama asks?

4. Was Draupadi perhaps the greatest victim in the Mahabharata?

Draupadi, like many other women and children, was also a victim of the war. All the women of Mahabharata are victims, trampled by a masculine world. Gandhari who lost all her sons, Kunti who lost all her grandsons and a son, Draupadi who lost all her sons, the Nishada woman who lost her life and all her sons, Hidumbi who lost her son, Uthara who lost her husband, Bhanumathi who lost both her husband and son- the list is endless. There is no justification in singling out Draupadi.

5. How do you explain Gandhari’s 100 sons and 1 daughter?

The ratio is perplexing. The entire Kuru race has 106 sons (including the Yuyutsu, the Vysya son of Dhritarashtra) and 1 daughter and may be Lakshmana is the only another woman in the household. Or may be all the 100s are not sons of Gandhari, but perhaps sons of Dhritarashtra (there are many other sons mentioned in some texts) and the daughters are not mentiones with the same importance as Dushala (Sushala) since they are not from the Royal womb of Gandhari. We do not know and we can only speculate. As I said, it was a man’s world, not much different from now, where only lip service is given to the divinity of women.

Anand 1

6. Did any Kaurava survive the war?

Dhritarashtra, the real Kaurava was the ultimate victor

7. Do you feel a sense of catharsis having finished the book?

Writing any book is hard work, it is doubly so when the subject is the most complicated and biggest epic in the world

Rise of Kali

8. What are you working on now?

I am working as an episodic story writer for Star TV’s upcoming serial Siya ke Ram. I am working on a fantasy thriller based on Mythology, tentatively titled Devayani. I have also signed up for a Hindi/Telugu bilingual and discussions are on for Asura to be made as Hindi/Tamil/Telugu trilingual film

9.What do you think made Leadstart take your book when other Publishers had not?

Leadstart took the book when not many were willing to publish mythology books. They saw the potential in Asura when others did not. Asura was an unusual book in the sense that it went against the conventional way of writing mythology. It is a disturbing book, not offensive, but something that would challenge the long held belief and give voice to the sceptic inside the reader. Not many publishers would take that risk.

10. How did you think of this concept? What got you inspired?

This was something that I have grown up with and I write about things that disturbs me most. The other side, hidden in the shadows, is always exciting to explore.

11. What do you think about writing as a profession in India?

Writing as a profession is yet to come of age in India. Except a few authors who have made it really big, it is difficult to earn a living out of writing. Despite spectacular success of Asura and Ajaya, I am yet to resign my job. There are many like me with a string of best sellers who still work for a living or are businessmen. Except Chetan Bhagat, Amish or one or two others, if we take the top 10 writers of the country, most of us are either businessmen or employees. There is a long way to go for us to see Indian writers owning private jets and mansions like what they do in the west. But apart from money, writing gives a lot of satisfaction which no other profession can. Writing in India, can be a rewarding hobby, at best and not a profession.

12. Any message you would want to give to your readers?

Read the book with an open mind. Read good books not to get answers but to simulate more questions in your mind

Looking forward to Rise of Kali! I am sure it will be a great read.

Interview Courtesy: Booksense

You can follow Booksense on Twitter @Booksensed

Epic Retold: #Mahabharata #TwitterFiction #Bhima #140Characters by Chindu Sreedharan

Epic Retold by Chindu Sreedharan Title:Epic Retold: #Mahabharata #TwitterFiction #Bhima #140Characters
Author: Chindu Sreedharan
Publisher: Harper Collins India
ISBN: 9350293951
Genre: Mythology, Fiction
Pages: 288
Source: Publisher
Rating: 5/5

There are now perspectives in mythology. This one’s perspective and that one’s. Maybe as readers we are just too used to such perspectives out in the form of books and what each one has to say about the epics and the lesser-known characters or the more well-known ones. There are different ways and means also to project this – sometimes with illustrations and sometimes through other unique ways of writing. Off late, it is the 140-character stories or through flash-fiction. While I do not read books in the so-called “new formats”, this time around, “Epic Retold: #Mahabharata #TwitterFiction #Bhima #140Characters” by Chindu Sreedharan managed to hold my attention, right from the start to the end.

Initially, the book was difficult to get into. For the life of me, I could not get myself to read a book in the form of tweets with hashtags. It just seemed inappropriate to me. And then as I started turning the pages, I was intrigued and sucked in so to say in the story. The difference in this format is that you as a reader feel that all the action is happening live, in front of you, when of course you know that it has been thousands of years since those events occurred.

Bhima has to me always been a fascinating character. He is strong. He is abled. He is also quite a mush-pot, from what mythology has to depict. At the same time, he is also the one who can snap the neck of an opponent in less than a minute. There is a lot going on with this character from the Mahabharata and yet the only brothers we ever know or speak of are Yudhistar or Arjuna. The other three are almost forgotten, which is not the case when it comes to this book.

Chindu Sreedharan tells the Mahabharata from Bhima’s perspective and through tweets. The book is written in an easy-to-read manner and does not just skim through the details. It might seem that way because of the format, but the format also works for the book because it is not lengthy, nor does it put too much pressure on the reader.

“Epic Retold” may just be one of its kind of book in a format that will work for more books to come. I enjoyed it a lot and if you are looking for a book that is mythological in nature, but with a different spin to it, then I recommend this one. A short read but highly satisfying.

Affiliate Link:

Buy Epic RetoldEpic RetoldEpic RetoldEpic RetoldEpic RetoldEpic Retold: