Tag Archives: mahabharata

The Thirteenth Day: A Story of the Kurukshetra War by Aditya Iyengar

The Thirteenth Day by Aditya Iyengar Title: The Thirteenth Day: A Story of the Kurukshetra War
Author: Aditya Iyengar
Publisher: Rupa Publications
ISBN: 978-8129134752
Genre: Fiction, Myths
Pages: 260
Source: Author
Rating: 4/5

I have always maintained that mythology must not be tampered with. I am sort of wary of the idea of retellings (so-called) and drifting away from the original or the real deal. It somehow scares me to read something like that. Having said that, I was quite taken by surprise by a book that had a retelling (of sorts) and somehow also stuck close to the original plot (had no choice given it was the Mahabharata).

Aditya Iyengar’s “The Thirteenth Day” is about the thirteenth day (well of course) but it a part of the war that is known only on the surface to most. It is the day when Yudhisthira, Radheya and Abhimanyu collide on the battlefield and what is the past and present to that day. It is about Abhimanyu majorly and how the story moves ahead using the “chakravyuh” as the core metaphor (at least that is what I interpreted from it).

There have been a lot of retellings of the Mahabharata – there is no dearth of stories out there on the epic. Then why must you read this book?

The book is no frills. It is simple, clear and tells a story that is riveting and keeps you hooked. What else do you need from a book?

The narration is in first person, which I am most comfortable with and might I add that it is most difficult to write a book in first person. The danger of losing the plot or the readers’ interest is quite high. However, Aditya never manages to do any of that at any point.

The thing with retelling or writing a story from the Mahabharata is that your research has to be five folds over and nitpicked. If that is not then, then you have already set yourself up for failure. But this book doesn’t do that. The research is thorough – so much so the minor characters also stand out and sometimes have their own stories to tell. There is also the element of surrealism (in some places) and it doesn’t at any point become an impediment but only helps the story move ahead. There are a lot of layers and sub-layers to Mahabharata. One cannot write about it and not be swayed to include some of them, which is what also happens in this narrative and that works for the book at every page.

The reason I am not talking much about the plot is that I would really want more people to read this book and experience it for themselves. A read that I would urge you to pick up because it is a fresh voice and tells the old tale with that voice harnessed all along.

Affiliate Link:

The Thirteenth Day : A Story of the Kurukshetra War (English)

The Thirteenth Day: A Story of the Kurukshetra War

Advertisements

Interview with Anand Neelkantan

Here’s an in-depth interview with the author of Asura, Ajaya and the soon to release the sequel to Ajaya, called Rise of Kali.

Ajaya Cover

1. What does AJAY signify in the title of the book?

Ajaya means unconquearable. The Kauravas were never conquered, they were decimated to the last man. Ajaya is also a play of words to show what is not Jaya, the original name of Mahabharata. Though Ajaya does not mean what is not Jaya, it is to imply that this is Mahabharata from the other side

2. After all your writing and research, what is your final opinion on Duryodhana as a man and a leader?

Suyodhana was a man far ahead of times. He had his flaws, he trusted his friends too much and took unneccessary risks, was more sincere to Karna than Karna was to him and was passionate to the core. He believed in certain ideals, was sometimes naive and sometimes arrogant, but he never tried to justify his deed behind the cloak of dharma. He was a rebel, far ahead of his times and he paid the price.

3. Did the Kurukshetra war have any winners? What did it achieve? Can it be justified?

I think sage Vyasa gave the named his epic, “Jaya” to bring out the irony. There were no winners for the war. If the war was the victory of good for evil, after the war the evil age should not have started. This reasoning that it was fought for restoration of dharma fails, when we see that it is the age of Adharma that had risen after the war. So what was the purpose of war, as Balarama asks?

4. Was Draupadi perhaps the greatest victim in the Mahabharata?

Draupadi, like many other women and children, was also a victim of the war. All the women of Mahabharata are victims, trampled by a masculine world. Gandhari who lost all her sons, Kunti who lost all her grandsons and a son, Draupadi who lost all her sons, the Nishada woman who lost her life and all her sons, Hidumbi who lost her son, Uthara who lost her husband, Bhanumathi who lost both her husband and son- the list is endless. There is no justification in singling out Draupadi.

5. How do you explain Gandhari’s 100 sons and 1 daughter?

The ratio is perplexing. The entire Kuru race has 106 sons (including the Yuyutsu, the Vysya son of Dhritarashtra) and 1 daughter and may be Lakshmana is the only another woman in the household. Or may be all the 100s are not sons of Gandhari, but perhaps sons of Dhritarashtra (there are many other sons mentioned in some texts) and the daughters are not mentiones with the same importance as Dushala (Sushala) since they are not from the Royal womb of Gandhari. We do not know and we can only speculate. As I said, it was a man’s world, not much different from now, where only lip service is given to the divinity of women.

Anand 1

6. Did any Kaurava survive the war?

Dhritarashtra, the real Kaurava was the ultimate victor

7. Do you feel a sense of catharsis having finished the book?

Writing any book is hard work, it is doubly so when the subject is the most complicated and biggest epic in the world

Rise of Kali

8. What are you working on now?

I am working as an episodic story writer for Star TV’s upcoming serial Siya ke Ram. I am working on a fantasy thriller based on Mythology, tentatively titled Devayani. I have also signed up for a Hindi/Telugu bilingual and discussions are on for Asura to be made as Hindi/Tamil/Telugu trilingual film

9.What do you think made Leadstart take your book when other Publishers had not?

Leadstart took the book when not many were willing to publish mythology books. They saw the potential in Asura when others did not. Asura was an unusual book in the sense that it went against the conventional way of writing mythology. It is a disturbing book, not offensive, but something that would challenge the long held belief and give voice to the sceptic inside the reader. Not many publishers would take that risk.

10. How did you think of this concept? What got you inspired?

This was something that I have grown up with and I write about things that disturbs me most. The other side, hidden in the shadows, is always exciting to explore.

11. What do you think about writing as a profession in India?

Writing as a profession is yet to come of age in India. Except a few authors who have made it really big, it is difficult to earn a living out of writing. Despite spectacular success of Asura and Ajaya, I am yet to resign my job. There are many like me with a string of best sellers who still work for a living or are businessmen. Except Chetan Bhagat, Amish or one or two others, if we take the top 10 writers of the country, most of us are either businessmen or employees. There is a long way to go for us to see Indian writers owning private jets and mansions like what they do in the west. But apart from money, writing gives a lot of satisfaction which no other profession can. Writing in India, can be a rewarding hobby, at best and not a profession.

12. Any message you would want to give to your readers?

Read the book with an open mind. Read good books not to get answers but to simulate more questions in your mind

Looking forward to Rise of Kali! I am sure it will be a great read.

Interview Courtesy: Booksense

You can follow Booksense on Twitter @Booksensed