Tag Archives: literary

Love and Lust: Stories & Essays

Love and Lust Title: Love and Lust: Stories & Essays
Author/s: Various
Publisher: Aleph Book Company
ISBN: 978-9388292528
Genre: Anthology
Pages: 152
Source: Publisher
Rating: 4 stars

How can an anthology on love and lust go wrong when it has writings by Kamala Das, Vikram Seth, K.R. Meera, and Rajinder Singh Bedi to name a few? Can it go wrong at all? Aleph Book Company has got it bang on with these mini-anthologies, titled Aleph Olio. There are a couple of other titles in this series as well, but for now we will focus on Love and Lust.

It isn’t about the range as well, as much as it is about what these writers are trying to communicate. We live in times where perhaps both love and lust are looked down on in most places. Lust a little more than love. Anyway, the point of this collection is to show us both love and lust through various lens – whether it is that of a mother who just won’t have her khatri daughter dating a Muslim man (an excerpt from A Suitable Boy), or whether it is Kamala Das demonstrating feminism and all shades of desire through her story A Little Kitten, or even of course Manto who doesn’t stop at anything to make us see our hypocrisy when it comes to matters of the flesh in Tang (translated from the original Boo), this short but extremely effective collection has it all.

I also think that it has been edited very cleverly in so many ways – first what I have already mentioned earlier – the authors, what to select from what these authors have written, and the order also in which these stories and essays are placed. And might I also add that I did think earlier about representation – in the sense of covering identities, however, one cannot encompass everyone when it comes to a limited anthology such as this. So it worked for me, irrespective.

Aleph Olio series are perfect to understand the writing of a particular writer whose work you want to explore in detail. Pick these series for that and also of course for the broader themes. The ones that are out are: In a Violent Land, The Essence of Delhi, Notes from the Hinterland, and Love and Lust.

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Mr Salary by Sally Rooney

Mr Salary by Sally RooneyTitle: Mr Salary
Author: Sally Rooney
Publisher: Faber and Faber
ISBN: 9780571351954
Genre: Short Story
Pages: 48
Source: Publisher
Rating: 5 stars

March 2019 has been a slow reading month. This is only the 4th read and I know I will also catch up. It’s okay to take it easy sometimes. It is just fine to read at the pace you wish to. So I then decided to read the Faber Stories (there are 20 of them, I own about 13), one by one, and this is the first that I read today.

And just like that perspective shifts. And just like that Sally Rooney writes a short story that has the capacity to pierce and make you wonder about circumstances of falling in love, of the nature of love itself. .

Mr Salary is one of the 20 mini books published by Faber Books as a part of their celebrating 90 years of publishing. It is a story of Sukie and Nathan, of what brings them together and what keeps them apart. Read it. There is nothing Rooney can’t write about. It is a story about love that is different (might sound cliched but please do read it) and how it sustains itself over time. Also, how the story gets its name is kind of funny and delightful to read about.

Rooney’s characters are so layered and complex, even in a short story. That’s the writing prowess and the world she conjures. It almost feels that you are a part of it all for those 40 pages or so. Her writing is sparse but is most effective. I know it is a short story and perhaps doesn’t exactly count as a “book read”. However, it most certainly has the potential to become a full-fledged novel. Read it for the prose. Read it for the setting (Dublin). Read it for how she has the ability to make sense of (sometimes) some emotions.

Hey, Kiddo by Jarrett J. Krosoczka

hey, kiddo by jarrett j. krosoczka Title: Hey, Kiddo: How I Lost My Mother, Found My Father, and Dealt with Family Addiction
Author: Jarrett J. Krosoczka
Publisher: Graphix, Scholastic
ISBN: 978-0545902472
Genre: Graphic Memoirs, Comics
Pages: 320
Source: Publisher
Rating: 4 stars

I love graphic memoirs. They make the pain of the protagonist bearable to the reader. It doesn’t feel all that much to handle, but it is. Because it is done in the form of pictures and that makes it even more real. Hey, Kiddo by Jarrett J. Krosoczka is a graphic memoir that will cut like a knife and make you see the true brilliance of the graphic memoir.

Jarrett is in kindergarten when his teacher asks him to draw his family. We all know that some of us have more complicated families than others. Jarrett’s mom is an addict, his father is a mystery and Jarrett doesn’t know where to search for him, or even his name for that matter. He lives with his grandparents who are old and don’t know how to take care of a child anymore, but they try their best. In all of this is Jarrett trying to go through childhood – making his life more real and normal, and finally leading to his teenage years when he wants to know more about his family.

Hey, Kiddo is ironically hilarious. It is the kind of book that is feel-good and not-so-feel-good at the same time. The trauma that one goes through if one parent is an addict is unimaginable, and to add to that a father who isn’t around, just makes it worse. This book is like a support group in itself – in a strange way it just helps you soldier on.

Hey, Kiddo is one of those graphic memoirs that will help conversations in families – where relatives are stand-in parents, where there can be hope for the young, and more than anything else what does family really mean. I know a lot of memoirs perhaps have been written of this nature, and yet to me this book stood out and struck a chord even though I have never gone through something like this. That’s the power of good storytelling, I guess.

Daddykins: A Memoir of My Father and I by Kalpana Mohan

Daddykins Title: Daddykins: A Memoir of My Father & I
Author: Kalpana Mohan
Publisher: Bloomsbury India
ISBN: 9789386349538
Genre: Nonfiction, Memoir
Pages: 224
Source: Author/Publisher
Rating: 4 starsIt

Reading Daddykins in this time and age was highly refreshing. It reminded me of Malgudi. It reminded me of the simpler times (though I so wish I was born then). It reminded me of a time when perhaps everyone thought and felt the same – either when it came to the country becoming Independent or being very frugal since they had all been through the same fate of Partition and the scars remained for perhaps life. 

Kalpana Mohan’s memoir of her father and the relationship she shared with him could be anyone’s father’s memoir. That’s why it is so relatable. The emotions are universal and they hit a nerve or two in the bargain, making you choke in several places as you read. Daddykins is a simple story of a simple man and his relationship with his daughter. It is also about how she takes care of her father when he is unwell, of how our relationship is with our parents – no matter at what age, and how it comes down to our understanding of them and their of ours. 

The thing about Daddykins is that Mohan does not only talk about her father, but also links it with key events that took place in the country. However, it is done so smoothly and with such ease that you do not realize it as you read through. There are so many characters in the book that are a solid part of Daddykins life – but the one that was most endearing to me was his “man Friday”. To know more about that one, you have to read the book. 

Daddykins is the kind of book that can be finished in one sitting on a Sunday afternoon. It is layered and peppered with a lot of love, humour, and nostalgia. It is the kind of book that will leave this very warm tingling feeling in your heart, and sometimes, I am grateful for books such as these. 

Interview with Sikeena Karmali

If you have to perhaps read historic fiction, and as we all know there are only two months left in the year, then you should read Sikeena Karmali’s, The Mulberry Courtesan. I read it earlier this year and absolutely loved it. It is a story of a courtesan in the last court of the Mughal Empire, that of Bahadur Shah Zafar. Karmali has written the book with great skill, passion, and accuracy. In my opinion, everyone must read this book because of the language and the plot. I got a chance to interview her via mail, and here goes:

What inspired you to write a historical fiction novel, that too set in 1857? What drew you toward that time? 

The novel was actually very much inspired by a visit to the Humayun’s Tomb and Gardens complex in 2003 – before it was restored by the Aga Khan Trust for Culture. At that time I was living in Uzbekistan, directing a human rights project. I had just visited Ferghana – the birthplace of Babur and Samarqand and Bukhara are both also in Uzbekistan so the Central Asian/Timurid/Mughal civilization was already playing in my imagination but for some reason I was not really expecting to find that in India so when I visited Humayun’s Tomb I was kind of blown away at how beautifully this heritage had married with the civilization of the Indian subcontinent to create this breath-taking architecture. So I wanted to try to capture some of that.

I’ve also always been fascinated by the Sepoy Mutiny of 1857 – Ghadr. It was actually the first serious challenge that the British East India company faced by the people it had colonized.

Bahadur Shah Zafar thankfully isn’t made a caricature of in the book. What kind of research went into ensuring that more facets of his personality came to light? How did you manage to translate that or incorporate it in the book?

I did a lot of research and I read his poetry. I visited the National Archives in Delhi where I also found a lot of information. He impressed me and I tried to understand him as a poet and a mystic rather than a ruler.

Laale is headstrong, independent, and yet has to adhere to the societal constructs of that time and age. What were the courtesans like in that period?

It is certainly true that there were societal constructs for women at that time, as there are today – however they are not always what we imagine them to be. Courtesans were often quite empowered as women. They were educated and erudite, they moved and circled in public spaces, often in male domains where they would have to hold their own among Nawabs and Mirzas. They were also not merely sexual slaves – many courtesans were respected women who came to wield a fair amount of power at court. Beghum Samru for example was a nautch girl who ended up becoming the head of a professionally trained army. Or Mah Laqa Chanda who became the first Urdu poetess and whose Divan is currently at the British Library in London.

How is Laale different and how was it like to place her in around 160 years ago, though she could very well fit in today’s time and age? 

It is funny you should ask that because The Mulberry Courtesan was originally about two women Laale and a contemporary women who is like her mirror or soul mate. So that contemporary story is now going to be The Mulberry Courtesan Book Two.

Image result for sikeena karmali

The book moves between multiple nations and times. How easy or difficult was it to write about that? 

That is actually how the book unfolded so it’s how I wrote it. At the time that much of the book was written, I used to travel quite a lot so it didn’t feel unusual for me.

How is it to bring the interactions to life in a historical novel, given the context and plot? How does that work? Is it any different from say setting the novel in the 21st century?

I’m an avid student of history so it’s quite normal for me to be inhabiting another century in my imagination while I go about my daily existence in the 21st century. I think with historical fiction writing you really have to take the time to set the scene, to illustrate the details that will really transport your reader to another time and place.

Your top 5 historical fiction novels 

In no particular order:

The Moor’s Last Sigh – Salman Rushdie
Bel Canto – Ann Patchett
Burnt Shadows – Kamila Shamsie
Beloved – Toni Morrison
Song of the Assassin – M.G. Vasanji
My Name is Red – Orhan Pamuk

What are you currently reading? 

I have just finished Daughters of the Sun by Ira Mukhtoy and I am in the middle of Do Not Say We Have Nothing by Madeleine Thien which is really lyrical and beautifully written.

You can buy the book here: 

https://amzn.to/2PCXUIt