Tag Archives: literary

Daddykins: A Memoir of My Father and I by Kalpana Mohan

Daddykins Title: Daddykins: A Memoir of My Father & I
Author: Kalpana Mohan
Publisher: Bloomsbury India
ISBN: 9789386349538
Genre: Nonfiction, Memoir
Pages: 224
Source: Author/Publisher
Rating: 4 starsIt

Reading Daddykins in this time and age was highly refreshing. It reminded me of Malgudi. It reminded me of the simpler times (though I so wish I was born then). It reminded me of a time when perhaps everyone thought and felt the same – either when it came to the country becoming Independent or being very frugal since they had all been through the same fate of Partition and the scars remained for perhaps life. 

Kalpana Mohan’s memoir of her father and the relationship she shared with her could be anyone’s father’s memoir. That’s why it is so relatable. The emotions are universal and they hit a nerve or two in the bargain, making you choke in several places as you read. Daddykins is a simple story of a simple man and his relationship with his daughter. It is also about how she takes care of her father when he is unwell, of how our relationship is with our parents – no matter at what age, and how it comes down to our understanding of them and their of ours. 

The thing about Daddykins is that Mohan does not only talk about her father, but also links it with key events that took place in the country. However, it is done so smoothly and with such ease that you do not realize it as you read through. There are so many characters in the book that are a solid part of Daddykins life – but the one that was most endearing to me was his “man Friday”. To know more about that one, you have to read the book. 

Daddykins is the kind of book that can be finished in one sitting on a Sunday afternoon. It is layered and peppered with a lot of love, humour, and nostalgia. It is the kind of book that will leave this very warm tingling feeling in your heart, and sometimes, I am grateful for books such as these. 

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Interview with Sikeena Karmali

If you have to perhaps read historic fiction, and as we all know there are only two months left in the year, then you should read Sikeena Karmali’s, The Mulberry Courtesan. I read it earlier this year and absolutely loved it. It is a story of a courtesan in the last court of the Mughal Empire, that of Bahadur Shah Zafar. Karmali has written the book with great skill, passion, and accuracy. In my opinion, everyone must read this book because of the language and the plot. I got a chance to interview her via mail, and here goes:

What inspired you to write a historical fiction novel, that too set in 1857? What drew you toward that time? 

The novel was actually very much inspired by a visit to the Humayun’s Tomb and Gardens complex in 2003 – before it was restored by the Aga Khan Trust for Culture. At that time I was living in Uzbekistan, directing a human rights project. I had just visited Ferghana – the birthplace of Babur and Samarqand and Bukhara are both also in Uzbekistan so the Central Asian/Timurid/Mughal civilization was already playing in my imagination but for some reason I was not really expecting to find that in India so when I visited Humayun’s Tomb I was kind of blown away at how beautifully this heritage had married with the civilization of the Indian subcontinent to create this breath-taking architecture. So I wanted to try to capture some of that.

I’ve also always been fascinated by the Sepoy Mutiny of 1857 – Ghadr. It was actually the first serious challenge that the British East India company faced by the people it had colonized.

Bahadur Shah Zafar thankfully isn’t made a caricature of in the book. What kind of research went into ensuring that more facets of his personality came to light? How did you manage to translate that or incorporate it in the book?

I did a lot of research and I read his poetry. I visited the National Archives in Delhi where I also found a lot of information. He impressed me and I tried to understand him as a poet and a mystic rather than a ruler.

Laale is headstrong, independent, and yet has to adhere to the societal constructs of that time and age. What were the courtesans like in that period?

It is certainly true that there were societal constructs for women at that time, as there are today – however they are not always what we imagine them to be. Courtesans were often quite empowered as women. They were educated and erudite, they moved and circled in public spaces, often in male domains where they would have to hold their own among Nawabs and Mirzas. They were also not merely sexual slaves – many courtesans were respected women who came to wield a fair amount of power at court. Beghum Samru for example was a nautch girl who ended up becoming the head of a professionally trained army. Or Mah Laqa Chanda who became the first Urdu poetess and whose Divan is currently at the British Library in London.

How is Laale different and how was it like to place her in around 160 years ago, though she could very well fit in today’s time and age? 

It is funny you should ask that because The Mulberry Courtesan was originally about two women Laale and a contemporary women who is like her mirror or soul mate. So that contemporary story is now going to be The Mulberry Courtesan Book Two.

Image result for sikeena karmali

The book moves between multiple nations and times. How easy or difficult was it to write about that? 

That is actually how the book unfolded so it’s how I wrote it. At the time that much of the book was written, I used to travel quite a lot so it didn’t feel unusual for me.

How is it to bring the interactions to life in a historical novel, given the context and plot? How does that work? Is it any different from say setting the novel in the 21st century?

I’m an avid student of history so it’s quite normal for me to be inhabiting another century in my imagination while I go about my daily existence in the 21st century. I think with historical fiction writing you really have to take the time to set the scene, to illustrate the details that will really transport your reader to another time and place.

Your top 5 historical fiction novels 

In no particular order:

The Moor’s Last Sigh – Salman Rushdie
Bel Canto – Ann Patchett
Burnt Shadows – Kamila Shamsie
Beloved – Toni Morrison
Song of the Assassin – M.G. Vasanji
My Name is Red – Orhan Pamuk

What are you currently reading? 

I have just finished Daughters of the Sun by Ira Mukhtoy and I am in the middle of Do Not Say We Have Nothing by Madeleine Thien which is really lyrical and beautifully written.

You can buy the book here: 

https://amzn.to/2PCXUIt

 

 

The Water Cure by Sophie Mackintosh

The Water CureTitle: The Water Cure
Author: Sophie Mackintosh
Publisher: Hamish Hamilton
ISBN: 978-0241334744
Genre: Women, Dystopian, Post-Apocalyptic
Pages: 256
Source: Publisher
Rating: 4 stars

I finished reading The Water Cure at neck-break speed. There was no other way to read this book. Yes, it started off a little slow. Yes, it took its time to grow on me but when it did, there was no turning back. There is a lot happening in the book – it is dystopian, it is feministic (well, you will struggle to see it but its there) and in most parts, it is also very fantastical. It may seem that there is no story really but there is, and the writing is on point – every word and every sentence where it should be.

At various points in the book, you might even think that the book is loosely based on King Lear and maybe it is, but it is so much more than that because the King soon disappears in the book. House on the island, alone by the sea. Three girls, Grace, Lia, and Sky live with their parents’ Mother and King (see the use of a patriarchy term right here – while the parents have no names, the father is always known as King).

Their worldly knowledge comes only from what the King dishes them. They have no contact with the outside world. They are in a world of their own. Till of course, like I said, King disappears, Mother takes over and their world crumbles as other men wash up on their beach, lay claim to their land and everything changes for them – in an instant.

Mackintosh’s writing isn’t easy but it is extremely engaging. There are times when you feel the book isn’t even dystopian as it claims to be, but there are only parts that are far and few in-between. The plot is for sure disturbing, but if it is to your taste, then I would recommend that you carry forth and finish the read, because it is extremely rewarding. The storytelling is unique and mesmerizing. Mackintosh is a new voice that has to be heralded, and this one most certainly read like a debut. It is that good.

Ponti by Sharlene Teo

PontiTitle: Ponti
Author: Sharlene Teo
Publisher: Picador
ISBN: 978-1509855322
Genre: Teenagers, Friendship, Literary Fiction
Pages: 304
Source: Publisher
Rating: 5 Stars

You read books that have similar plots. You also read books that surprise and stun you. Those books are rare and far and few in between. “Ponti” for sure is one of them! At the same time, it is a weird book in the sense of time and its shift – the constant back and forth, which only lends itself beautifully to the novel. “Ponti” also masterfully moves away from being just a “perspectives” novel to include landscape, culture, and ethos of not only a city but also friendship and matters of the heart.

“Ponti” is a story that centres mainly on two years – 2003 and 2020. Place: Singapore. Sixteen year-old Szu lives in the shadow of her mother Amisa, who was once an actress and now is just a hack medium performing séances with her sister in an almost dilapidated house. Szu then happens to meet Circe – who is not only quite expressive to the point of being offensive but also privileged. Their friendship is the start of something, offering Szu an easy escape. Things happen, life changes and seventeen years later – life is off to another start, with a project and secrets that decide to not remain secrets anymore.

Might I add here that after reading this book, all you’d want to do is visit Singapore. Teo makes the city come alive like no other writer and just for that (if I had to pick one element of the book that is) I would highly recommend this book. The writing is edgy and full of wonders – good and bad. Yes, I would believe there could be bad wonders – or would that just be shocking so to say.

Teo’s writing is so powerful – at times I thought the wind had been knocked off me. I loved the pace and the style. The characters face loneliness, angst, and confusion like no other – this causes them things to do which perhaps they wouldn’t and that’s where most of the story stems from. “Ponti” also needs patience in the first couple of pages, after which for me it was a smooth ride. A read that is fascinating, worrying and also insightful in so many ways.

America for Beginners by Leah Franqui

America for Beginners

Title: America for Beginners
Author: Leah Franqui
Publisher: William Morrow, HarperCollins
ISBN: 978-0062668752
Genre: Literary Fiction
Pages: 320
Source: Publisher
Rating: 4 Stars

Now, I have read a lot of books about immigrants and their lifestyles and what happens when you move countries or come to America, as they say. But this is not a story of an immigrant. In fact, it is just a story of a mother who has to come to terms with her son’s sexual preference and lifestyle, after his death. This struck a chord. It hit home and stayed there for a while. I was constantly thinking of my mother and what was she going through when I came out to her and could relate her thoughts and emotions to that of Pival’s. But “America for Beginners” is not just Pival’s story. It is the story of Pival, Satya and Rebecca – each trying to find something or the other – some big meaning in their lives and happen to do it together.

“America for Beginners” is not sentimental. It is for sure an emotional piece of work. It is also compassionate and funny where it needs to be and that is also something I found extremely liberating about the writing. It doesn’t get bogged down by the intensity of the story. Franqui finds humour where she can. A Bengali widow Pival comes to the US of A, to know more about her son Rahi, after a year of his coming out, and in the wake of his death. She has never travelled alone and all she wants is to fit the missing pieces of her son’s life – the son she never knew, also through his partner Jake (you will get to read more about him. Not saying a word for now). Here but obviously she meets Satya, a guide who has never left the five boroughs – an immigrant who doesn’t have a clue where life is headed. Then there is Rebecca – an aspiring young actress with demons of her own to tackle. These three are headed for a road-trip (that again makes it all the more fun) they will remember forever.

This has all the makings of a movie. In fact, I think it is also written to be made into a film. Having said that, I for one did not get bored or did not face a reading slump at all when reading this book. There are also some stereotypes the book is ridden with, and yet I did not have a problem with that as well. There are perspectives, lives, emotions and how we deal with each other as human beings which is most important – than just being a mother, friend, or son.