Tag Archives: literary fiction

If You See Me, Don’t Say Hi by Neel Patel

IYSMDSH Title: If You See Me, Don’t Say Hi
Author: Neel Patel
Publisher: Flatiron Books
ISBN:9781250183194
Genre: Short Stories
Pages: 224
Source: Publisher
Rating: 4 stars

A short-story collection that is written well and paces itself beautifully always lifts my spirits. It is the feeling of the book never ending. A feeling that it should last a little longer, even though it might end. Some more. And that’s exactly what I felt but of course while reading If You See Me, Don’t Say Hi.

Neel Patel’s stories are quiet and tender. They pack a punch nonetheless when they have to. What lends to them superbly is the writing – the in-depth and heart-wrenching intimacy of this collection, and more than anything else, the tapestry of the lives of second-generation Indians – their lives and loves in the US of A.

Relationships are at the core of this book and no one is judged. These eleven stories pack a punch every time. The stereotypes grow with every turn of the page and then Patel shatters them with one giant stroke of the hammer. Whether it is a younger gay man involved with an older one, three women who want to defy every norm of society there is, a young couple trying to carry on with their lives amidst gossip, and whether it is standing up to arranged marriage, every story is layered and compelling.

Neel Patel’s prose isn’t sugar coated. His characters betray, regret, and realize that living is perhaps all of this and more. That makes it real and relatable, no matter where you live. The landscape doesn’t matter. The stories do for sure. They speak to you. You can see these characters around you and that’s where I guess Neel also gets his inspiration from.

“If You See Me, Don’t Say Hi” is a collection of stories that must be read this year. A debut that is so strong, introspective, and will make you perhaps see the world a little more differently than you are used to.

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Interview with Manu Bhattathiri

The Town That Laughed

I had a ball reading The Town That Laughed and couldn’t wait to interview Manu Bhattathiri. The Town that Laughed is reminiscent of Malgudi Days, of small towns, and small lives that amount to a lot when viewed from their side. And yet there is always change that takes place in small towns and things perhaps aren’t what they used to be. The fictional town of Karuthupuzha, nestled within the Kerala countryside, is home to eccentric and the unexpected. The predictable lot of people and the ones who aren’t easy to gauge at all. This is one book that I would recommend to all, who are looking for a light read. It is hilarious and quaint and rather charming.

Here’s my interview with Manu Bhattathiri: 

When and how did you start telling these stories?

I think I picked up my passion for storytelling from my granddad. He would tell me stories from mythology when I was a child. I always wanted to tell stories the way he told them – fantastically, mixing real characters with incredible happenings, lending life to creatures and even inanimate objects. Somewhere along the way, somewhere during adolescence perhaps, I picked up the art of lying: yes, simple lying, to friends and family, just for the sake of saying something I had made up! It was only in my mid-thirties, though, that I realized instead of making things up in my talks with others I can actually just write fiction.

Were you inspired by R K Narayan and similar others who have created fictional towns?

R K Narayan is a legend. It sometimes makes me a little self-conscious when Karuthupuzha is compared to Malgudi. But I must say, I have read very little of R K Narayan. I have only read The Guide, and I think a couple of other books. No, my fictional town is not really inspired by his. I cannot trace it to any particular imagined town at all, to be honest. I draw from a real village called Cherupoika in Quilon district of Kerala. This was home to my maternal grandparents and was where I spent a lot of my holidays as a kid.

MB

Karuthupuzha is almost idyllic and I am guessing that's how it is meant to be. Was it easy or difficult to write that?

I think it is when you keep your characters simple on the surface that you can dive deep into them, like the stars can be well studied on nights without too many clouds. It certainly isn’t easy to define your characters strongly and yet portray them like simpletons. But fortunately in the villages and small towns I draw from, there are real people like this: people who are simple yet deep. They are a reference for me.

How did you manage to excel in characterization given there are so many cameos, and yet each one seems fleshed out so perfectly? Was it difficult or easy when it came to that?

Perhaps that has to do with the fact that for my writings I pull out not from other literature but from life. Every day you meet people and connect with them, but their story—their character, emotions, inclinations—is not any less detailed even if you only met them briefly. You might get chatting with an old man waiting for the same bus as you and never see him again in your life, but even in that brief meeting you can see he isn’t a flat character. There is still a complete and complex story of his life that he carries with him. I think literature must emulate life in this. So whether a character is major or minor
in your novel, I don’t think he/she ought to be flat and lifeless. Working this way takes a lot of thought and careful orchestration between characters, but it is also very satisfying.

Who are your favourite novelists and have any of them inspired the writing of this novel?

My favorite authors are Fyodor Dostoyevsky, Mark Twain, Gabriel Garcia Marquez and, more recently, J M Coetzee and Kazuo Ishiguro. While The Town that Laughed is not directly inspired by any of them, I do believe they make me who I am. So the stories I think up will have something to do with them, yes.

There you go! This is my interview with Manu Bhattathiri. Do read the book. It is fantastically written.

Strike Your Heart by Amélie Nothomb. Translated from the French by Alison Anderson

Strike Your Heart by Amélie NothombTitle: Strike Your Heart
Author: Amélie Nothomb
Translated from the French by Alison Anderson
Publisher: Europa Editions
ISBN: 978-1609454852
Genre: Mothers and Children, Literary Fiction, Women’s Fiction,
Pages: 135
Source: Publisher
Rating: 5 stars

I am still reeling under the influence of Strike Your Heart by Amélie Nothomb. It is a short novel (could have been a novella if fifteen pages shorter) but the impact it has is tremendous. What a book! What a treat! And yet, it will drain you emotionally – of almost everything you possess – of course temporarily but it will.

Do not be fooled by its size. 135 pages pack a lot more what 350 pages cannot in most novels. This one is a firecracker and how! While I was reading it initially, I thought it was modelled after Madame Bovary and some of it sure was, but it was only in the first couple of twenty pages or so and then the similarity ended.

The book is about Diane but first let’s talk about Diane’s mother Marie, the one with whom it all begins. Marie who had to marry early on and give birth to Diane when she was just twenty. There is no bond between mother and daughter. Marie can’t bear to see her daughter. Diane does what she can to gain approval of her mother. Diane’s father Olivier is merely a spectator. With two more siblings, Diane’s love for her mother doesn’t diminish, till she sees her smothering her sister Célia and decides to step back and live with her maternal grandparents (there is a lot more that happens which I cannot say for now, because spoilers).

Years pass. Diane wants to pursue her dream of becoming a cardiologist (the heart connect) and at university, she befriends an assistant professor, Olivia. Olivia is strangely similar and yet so different to Marie (which Diane realizes much later). Olivia loves power and wants to feel superior to everyone around her, including her own eight-year-old daughter, Mariel. Diane’s life is thrown into a whirlwind and how it all ends up makes for the rest of the story.

“Strike Your Heart” – the very title comes from the quote by novelist Alfred de Musset, “Strike Your Heart, that is where genius lies”. This is what inspires Diane to take up medicine, this is the core of the book – the intensity of emotions and relationships – comes all from the poor old heart.

Nothomb writes with a force of a tsunami, really. Every word and sentence is not wasted. Nothing is out of place. Nothomb is cruel and yet so gentle all at the same time. She moves at a quick pace and doesn’t manage to lose out on all the essential incidents, lives, moments and the on-goings of almost all characters. Even the ones that are hidden – Diane’s brother Nicolas, her best friend Élisabeth, her father, her grandparents, and even Olivia’s husband and daughter. Nothomb has a role to be played by everyone.

“Strike Your Heart” in so many places feels so autobiographical – like it must have happened to someone the author knew or to her. The translation by Alison Anderson is spot on. She is one of my favourite translators of French to English. The Elegance of the Hedgehog by Muriel Barbery is one such example of her genius translated work. Every line seems that it was meant to be there. No syntax changes and the emotion is perfect.

Here is one of my favourite lines from the book:

“She stayed for hours at the side of an old lady who was allergic to solitude”

“Strike Your Heart” will stay with you for a long time. I know it will stay with me for sure. The bitter-sweetness, the longing, the desperation, all of the validation and not to forget jealousy which is so much at the core of this wondrous read.

A View of the Empire at Sunset by Caryl Phillips

CP Title: A View of the Empire at Sunset
Author: Caryl Phillips
Publisher: Farrar, Straus and Giroux
ISBN: 978-0374283612
Genre: Literary Fiction, Biographical
Pages: 336
Source: Publisher
Rating: 5 stars

First, read this book. Then read all works by Jean Rhys, besides Wide Sargasso Sea. Or read all works by Jean Rhys and then read this book. Anyway, please do read Jean Rhys. She was a wonderful writer and I am only too glad that we have more of her to read, or even more about her, which Caryl Phillips does a brilliant job of in his book, “A View of the Empire at Sunset”.

And might I also say that this book will not be a happy read. It is dark, sullen and unforgettable (at least to me it was and still is). The book is a fictionalised telling of the life and times of Jean Rhys. Caryl Phillips does a brilliant job of fictionalising the life of Gwen Williams (Jean Rhys’s real name), the Welsh doctor’s daughter, who always wanted to be an insider to an English world, but was never one. The constant theme of home and missing what is home and then the back and forth to find home will keep you hooked and yet there were places where I thought: Wish he had written more about her writing life.

“A View of the Empire at Sunset” is about Gwen’s loves, her failed marriages and what she kept searching in men – and the translation of that in her novels and short stories (that is if you have read works, you can for sure see glimpses of those men and her in them). Her constant disappointments in love, miserable assessment of self and alcoholism loom large through her characters in Voyage in the Dark, After Leaving Mr Mackenzie and Good Morning, Midnight.

The place and setting of A View of the Empire at Sunset is for sure atmospheric – set in the waning years of the British Empire – Gwen thus is always an outsider from her West Indies birthplace, to her return now and then. The novel begins and ends in 1936, thirty years after she was sent to school and thirty years before she published Wide Sargasso Sea, which gave her career a boost like no other.

Having said that, Rhys’s travails are painful. At times, I just couldn’t bear to read about them. In all of this though, there are snatches of pure beauty and grace in the book, that Phillips manages to give us quite elegantly. Please do read this book if you want to know more about Gwen Williams the person and lesser about Jean Rhys, the writer.

 

Miss Subways by David Duchovny

Miss SubwaysTitle: Miss Subways
Author: David Duchovny
Publisher: Farrar, Straus, and Giroux
ISBN: 978-0374210403
Genre: Fantasy, Literary Fiction, Humour
Pages: 320
Source: Publisher
Rating: 4 stars

Miss Subways is all about New York. Even if you haven’t been there, reading this book will just make you want to. And if you have been there, then you would want to visit it again and again after reading this love story with an edge, and loads of humour. I absolutely loved Duchovny’s Holy Cow and this one a little more.

Emer is a simple woman living in New York City who takes the subway, buys ice cream from the shop around the corner, aspires to become a writer, and lives with her boyfriend Con. That’s essentially her life, on almost a daily basis. And then it changes completely as one fine day something extraordinary occurs and Emer findself in a world full of mythical figures from around the world – in a New York she cannot seem to recognize.

The book is part fairy tale, part love story, part fantasy, and what does it take really to want to have it all. David Duchnovny, the writer is so imaginative and part of it of course comes from the acting – and it shows in the sub-plots – the inspiration from Irish and global mythical figures and the linking of them to Emer and Con’s lives.

You think the story is going one way, till it goes the other and you are left stunned as a reader, not knowing what is going on, till you do. There is this sense of magic realism, and an irreverent tone to the novel which I enjoyed a lot. There are like I said a lot of fables – from almost every part of the world which makes it even more exciting. Miss Subways is a read that will keep you guessing almost every chapter.