Tag Archives: Literary Fiction Reading Project

Snow, Dog, Foot by Claudio Morandini. Translated from the Italian by J. Ockenden

Snow, Dog, Foot by Claudio Morandini Title: Snow, Dog, Foot
Author: Claudio Morandini
Translated from the Italian by J. Ockenden
Publisher: Peirene Press Ltd
ISBN: 978-1908670564
Genre: Literary Fiction, Novella
Pages: 128
Source: Publisher
Rating: 4/5

This for now is the strangest book I’ve read in 2020. I mean it with the utmost admiration for the author, Claudio Morandini to have the capacity to spin such a fantastical tale of a man, a dog, and a human foot that appears poking out of the receding snow.

I don’t know what to make of this novella. It is a thriller (in some sense of the word), it is also a meditation on loneliness and deliriousness, and more than anything else it is about the reality of hunger and survival.

Adelmo Farandola doesn’t like people. He doesn’t like animals. He doesn’t like anyone. At one point in the book, I was certain he didn’t even like himself given how he lives. Till he meets a dog and starts interacting with him (interesting, isn’t it?). The winter that comes upon them is harsh. There is nothing left to eat. The village is in the valley and it’s impossible to go down there. What remains to be seen is who will eat whom first: the dog or the man. In all of his, they chance on a dead body that adds another twist in the tale.

This in short is the plot of the book. Morandini’s prose is exact and full of brevity. There were times I cringed, there were times I also shook in fear, and there were times I found myself smiling at the delirious interaction between man and animal.

Snow, Dog, Foot is a strange book (like I said at the beginning) but it is also very satisfying. It checks all boxes and leaves a lot unsaid. The translation by J Ockenden to me seems exact and not at all out of place. The prose beautifully captures the scene and harshly tells us readers what’s in store for us as well. All of this is very gently and sometimes hastily communicated to us. It is a book that is part humane, part deranged, and part thrilling.

Interior Chinatown by Charles Yu

Interior Chinatown by Charles Yu

Title: Interior Chinatown
Author: Charles Yu
Publisher: Pantheon
ISBN: 978-0307907196
Genre: Literary Fiction
Pages: 288
Source: Publisher
Rating: 5/5

I thought the book was exhausting when I first began to read it, till I reached about forty pages and started enjoying it thoroughly. This is somewhat my relationship with the other two books written by Yu as well. The start is rocky, till I make some headway, and before I know it, I am in love with what he has to say about the world he builds, and connects it with the world we live in.

Interior Chinatown is a deeply emotional book about race, identity, pop culture, and what roles we are forced to play in society, because of where we come from. Willis Wu is not the protagonist of his own life. He is always, even to himself, the Generic Asian Man. He is an actor. Sometimes he gets to play the Background Oriental Making a Weird Face, and sometimes just an Asian guy, but never the protagonist. Never the Kung Fu Guy which he longs to be. Willis lives in a Chinatown SRO (Standing Room Only) and enters the Golden Palace restaurant, where a cop show titled Black and White (how apt and ironic as well) is perpetually in production. He is a sidekick or an extra in that show and just wants to do more. We only see his mother who has long separated from his father, being the only one who believes in him.

Charles Yu’s story is for our times, and also set in our times. Yet it somehow seems like it also has elements of the fantastical – of the novel being written like one big script (which works wonderfully for the book), and also of the show being in constant production took me some time to get a hang of the novel, but every minute of turning the page was worth it.

Yu speaks from a place of knowing. Every sentence is in place because of that, which most instantly connects with the reader. The stereotypes are so on-point that as a reader I was screaming with anger and yet understood where the writer and the characters were coming from. Interior Chinatown is a book that needs to be read and understood by everyone. It speaks of such a great need to fit in, to be someone bigger than what the world thinks you were meant to be, and above all of an aspiration and desire to humanize oneself all over again.

The Dutch House by Ann Patchett

The Dutch House by Ann Patchett Title: The Dutch House
Author: Ann Patchett
Publisher: Bloomsbury
ISBN: 978-1526618757
Genre: Literary Fiction
Pages: 352
Source: Publisher
Rating: 5 stars

The Dutch House by Ann Patchett is a novel of many wonders. It is a box of things that are seen at first glance, only to discover a secret opening, where new things emerge from. This book gives, and gives, and gives some more. As a reader, as a fan of Patchett’s works, as an ardent admirer of what she puts to paper, my experience with The Dutch House has been surreal, mixed with nostalgia, and snatches of memory of my own childhood (though not this morbid or unfortunate).

What is a novel? What should be a novel? Is there such a thing as an ideal novel? Who decides that, if there is something like that? The critic? The reader? Or all of us, trying to find answers to questions of meaning of life, hope, and love as we turn the pages of novel after novel, searching for truths unknown as we move from one work of fiction to another?

The Dutch House is a fairy-tale. It is also gothic in nature when you least expect it to be. It is also full of misery, and then surprises you with moments of hope and togetherness. It is the story of two siblings – how they lose their home, how they understand each other (or not), and how they reclaim some of their lost home.

We are introduced to Danny (the narrator), and his older sister Maeve right at the beginning of the book. Their introduction to their would-be stepmother Andrea is where the book starts, and that’s when the series of events unfold in front of the reader – travelling between the past and the present of the novel.

The fairy-tale element runs strong, with a fair share of the Gothic that adds to the strong plot. Not to forget the way Patchett builds on the characters – from the housekeepers to the people that enter and exit from the siblings’ lives. Each character and each plot point is thought of to the last minute detail and maybe therefore this novel is as close to being perfect or it already is in more than one way.

What I found most interesting was the use of narration – by using the first-person narrator technique in a novel where time is of most importance, we see events unfold through two perspectives – the younger Danny and the older Danny. A doppelgänger effect, adding another layer to the complexity of the book.

The Dutch House is deceptively simple. It is a book that seems so easy to read on the surface, and it is. However, it is in joining the dots that are far and wide that adds to the reading experience. It is for this reason and more that Patchett is one of my top 10 favourite writers and will always be. She makes you feel, she makes you internalise how you think and feel as you read her books, and more than anything else she reminds you that being humane is the heart of it all.

Lanny by Max Porter

Lanny by Max Porter Title: Lanny
Author: Max Porter
Publisher: Faber and Faber
ISBN: 978-0571340286
Genre: Literary Fiction
Pages: 224
Source: Publisher
Rating: 5 stars

I remember reading Grief is the Thing with Feathers a couple of years ago and being blown away by the writing, and of course with good enough and more reasons. At that time, it took me a reread to sink into the novel a little more, and rightly so. The layers of grief and loss and to add to that a crow made perfect sense.

The prose of Max Porter is unique, the plot is all over the place (as it is in Lanny as well), but once you succumb to the world he creates, nothing else matters. His latest offering and Booker Prize 2019 long-listed nomination Lanny is all of the above and more.

I picked Lanny with great trepidation. I was afraid it wouldn’t live up to my expectation. More than anything else in my experience, Booker Longlist titles have more often than not proven to be disappointing. This wasn’t the case with Lanny.

Lanny literally drips with lyrical language, almost poetic, and some great writing. This is then backed with a plot that is steeped in reality and yet magical, combined with writing that takes you out of your comfort zone. It is the story of a missing boy on the surface of it – a boy from a rural space lost on the commuter belt to London. But there is so much more to Lanny than just this.

Lanny lives with his parents – mum, a retired actress now author and dad, a city worker. They live in the village that is riddled with mystery, superstition, and folklore. This then is added with everyone’s supposition and assumption of what happened to Lanny. At the same time, there are two very central characters to the book – Mad Pete and Dead Papa Toothwort, who not only add to the strangeness but also most certainly move the plot forward. You need to understand and know these characters for yourself.

This book isn’t easy to get into. It will take some time but persist is what I have to say. Give it that time and to the writing prowess of Porter. Read it at leisure. Deliberate and go back and forth the way you are supposed to. Argue with it. Read it for the beautiful empathetic prose and what it means to be a child and an adult in our world.

Porter’s creativity is at its peak and this is only his second book. I for one cannot wait to see what he has in store next for all of us. Fingers crossed; I am rooting for this to make it to the shortlist.

77 by Guillermo Saccomanno. Translated from the Spanish by Andrea G. Labinger

77 by Guillermo Saccomanno Title: 77
Author: Guillermo Saccomanno
Translated from the Spanish by Andrea G. Labinger
Publisher: Open Letter
ISBN: 978-1940953892
Genre: Literary Fiction
Pages: 220
Source: Publisher
Rating: 5 stars

Books written to defy, to present various points of view, and above all to show us that we can and should raise voices against powers are books that I love to read. It makes me feel stronger, it makes me want to protest, and more than anything else it makes me feel that I have companions and not alone in the world when it comes to issues close to my heart. 77 is one such book that held me by my throat and being and I just had to finish it in almost three sittings or so. The book still lingers in my memory, and I know that it will for a long time to come.

 So, what is the book about?

 The book is set in Buenos Aires, 1977. A time that is considered to be a part of the darkest days of the Videla dictatorship, from the time he seized power in 1976. At the heart of the book is Gómez, a gay high-school literature teacher, trying very hard to keep a low profile as his friends and students begin to disappear. This is the time when questioning is forbidden, and people aren’t allowed to live the way they wish to.

 Things also start spiralling when he gives shelter to two dissidents in his house, and to make things worst he is having an affair with a homophobic cop who is loyal to the government and no one else. The book is told in flashbacks – from 2007 to 1977 – jumping back and forth.

 I was stunned reading this novel. I didn’t know what to feel for some time and then I realized that I was scared. Scared of such a regime being thrust upon us (though it seems that day isn’t very far) and how we would react or live in that case. Living under a dictatorship isn’t easy. At the same time, it isn’t very hard for people to get used to it, which is most fearful.

Saccomanno’s writing is fluid and clear. In most parts, I thought of it to be autobiographical and I don’t think I was far from the truth. The moral, social, and intellectual dilemmas that present themselves make the book so haunting and real. Is literature dead? Is sexual preference dead? Is raising your voice dead? What is alive anymore?

 77 is a book not just about a year – about people, their opinions, the regime that wants a mental shutdown of its people, a state that will have nothing but totalitarianism at the helm of things. 77, to me was more than just a book. It is about a literary soul that is trapped and is the story of one man trying to make sense in a world of madness and inhumanity, lurking in almost every corner. It is a book that shows you what shouldn’t be repeated. We can only hope and pray.