Title: Interior Chinatown
Author: Charles Yu
Publisher: Europa Editions UK
Genre: Literary Fiction
This one was a reread for me, and I loved it even more the second time around.
Interior Chinatown is a deeply emotional book about race, identity, pop culture, and what roles we are forced to play in society, because of where we come from. Willis Wu is not the protagonist of his own life. He is always, even to himself, the Generic Asian Man. He is an actor. Sometimes he gets to play the Background Oriental Making a Weird Face, and sometimes just an Asian guy, but never the protagonist. Never the Kung Fu Guy which he longs to be. Willis lives in a Chinatown SRO (Standing Room Only) and enters the Golden Palace restaurant, where a cop show titled Black and White (how apt and ironic as well) is perpetually in production. He is a sidekick or an extra in that show and just wants to do more. We only see his mother who has long separated from his father, being the only one who believes in him.
Charles Yu’s story is for our times, and also set in our times. Yet it somehow seems like it also has elements of the fantastical – of the novel being written like one big script (which works wonderfully for the book), and also of the show being in constant production took me some time to get a hang of the novel, but every minute of turning the page was worth it.
Yu speaks from a place of knowing. Every sentence is in place because of that, which most instantly connects with the reader. The stereotypes are so on-point that as a reader I was screaming with anger and yet understood where the writer and the characters were coming from. Interior Chinatown is a book that needs to be read and understood by everyone. It speaks of such a great need to fit in, to be someone bigger than what the world thinks you were meant to be, and be constantly at it.