Tag Archives: indian fiction

And Gazelles Leaping by Sudhin N. Ghose

5184UiT-1TL Title: And Gazelles Leaping
Author: Sudhin N. Ghose
Publisher: Speaking Tiger
ISBN: 978-9386338228
Genre: Indian Literature, Literary Fiction
Pages: 216
Source: Publisher
Rating: 4 Stars

And Gazelles Leaping is the kind of book that will take you some time to get into. It is not going to be an easy read but I strongly recommend that you continue reading it, because the experience will be worth it, every turn of the page.

I don’t know what I went through while reading this book – there is so much happening in it that you lose yourself in it. It is an immersive experience like no other. To cut the long story short, the quartet (of which And Gazelles Leaping is the first book) is about a young child who is full of awe and wonder growing up to be a disillusioned adult. But let me also tell you about this book.

“And Gazelles Leaping” is about childhood. It is about dreams that can be dreamed and there is no one telling you otherwise. The book is about an orphan and his pet, a Manipuri elephant who along with their friends (children and their pets) fight a corporation to save their school and the orphan friend of theirs.

I am perhaps not doing enough justice in telling you the story of this delightful book but what I can say for sure is that you must read it one of those lazy, rainy days when life almost seems idyllic. That to me is the best time to pick up this unknown work which thankfully Speaking Tiger has brought to front.

Sudhin N. Ghose’s writing is marvellous, charming and sometimes even witty – which I am sure was quite intentional. At the same time, the writing is only complex because of the number of characters but once you get a hang of them, you will be just fine. “And Gazelles Leaping” is the kind of book that will make you think and yearn for your childhood. So please, do read it.

Murder in Mahim by Jerry Pinto

murder-in-mahim-by-jerry-pinto Title: Murder in Mahim
Author: Jerry Pinto
Publisher: Speaking Tiger
ISBN: 978-9385755293
Genre: Literary Fiction, Indian fiction, Crime fiction
Pages: 224
Source: Publisher
Rating: 4 Stars

Before I begin this review let me tell you that this book is very different from ‘Em and the Big Hoom’ by the same author. If you are going to pick up ‘Murder in Mahim’ thinking it will be like his earlier novel, then don’t. It is different and refreshingly so. I would also like to add that it moves beyond just being a murder mystery (in the loose sense of the word) and goes to explore other themes, which I thought was very-well managed and achieved.

Being a Bombay (Yes, to me it will always be that) boy, I could identify to most of what is there in the book, in fact, even all of it – from the glitzy and glamorous to the dark underbelly, nothing was new and everything was a reminiscence of a time gone-by. This is precisely what I love about Jerry Pinto’s books – the description, the eye for detail, the nuances of not only the characters, but also the city (which also happened in Em and the Big Hoom in large doses) and that to me is some superlative craft.

I didn’t think much of the story in this one, but the only reason I kept turning the pages is because I cared for some characters and the language which is par excellence. Jerry Pinto’s writing embroils you in it, it makes you think, and before you know it you are also a part of its world.

So what is the plot of this book? A young man is found dead in the toilet of Matunga road station, with his stomach ripped open. Peter D’Souza, a retired journalist becomes a part of this investigation with his friend Inspector Jende and that’s when the story begins. It is also a book about unspoken love, about Peter’s fear that his son might be involved in the killings (yes, there are more than one) and it is about the city that never sleeps – the one that comforts and the one that can also be mercilessly cruel.

This is all I have to say about the plot. Now to the writing – I was taken in like I have mentioned earlier, by the raw energy of the city pulsating throughout the book. The nuances are meticulously and most certainly effortlessly thrown in – from the Barista at Shivaji Park, to the beaches, to the stench of urine and sweat at railway station platforms, and Marine Drive included. Mumbai (I have to call it that now) has come alive in this book.

Jerry’s writing is peppered with humour, sorrow and lots of ironic moments in the book which make you guffaw a lot. There is this straight-forwardness to his prose and yet the characters are more complex than ever. From Peter’s wife Millie who plays a minor role and yet shines with her complexities to Leslie (my personal favourite character) and the various shades there are to him, each character is crafted with a lot of deftness and logic. At one point, I felt as though I was in Bombay of my college years – there is no timeline as such in the book which works very well to its advantage. ‘Murder in Mahim’ is relevant, topical, fast-paced, and a book that will grab you by your throat.

365 Short Stories: Day 3: Boyfriend like a Banyan Tree by Sharanya Manivannan

the-high-priestess-never-marries-by-sharanya-manivannan

The story I read yesterday, the 3rd of January 2017 was a story which just flowed. To some extent, I couldn’t understand what it was about but then I reread it and reread it because I loved it. The story, “Boyfriend like a Banyan Tree” is a story of desire, of wanting what you do as a woman and not be ashamed of it.

The story is of a woman who wants a boyfriend like a banyan tree and she tells us why. It could also be a metaphor. It could also be highly erotic (which it is by the way and sensuous like no other story in the book, according to me). It could be interpreted anyway and I loved that about Sharanya’s writing. I have read four stories from this collection and I can tell you that you have to pick this one up.

The Sialkot Saga by Ashwin Sanghi

The Sialkot Saga by Ashwin Sanghi Title: The Sialkot Saga
Author: Ashwin Sanghi
Publisher: Westland Books
ISBN: 978-9385724060
Genre: Thriller, Indian Fiction
Pages: 588
Source: From the Author
Rating: 4 Stars

I remember reading “Chanakya’s Chant” a couple of years ago and being completely taken in by the book. There was nothing that I did not like about it. I mean here was an Indian Historic thriller that finally did justice to the genre. I could not stop reading the book and finished it in a day. The same happened (well more or less, given the size of this one) while reading ‘The Sialkot Saga’.

‘The Sialkot Saga’ has one of my favourite Indian authors back in the game (I was not a fan of The Krishna Key and some others written by him, to be honest) and how! The book spreads across decades and centuries, till it reaches present day India and will sure have both historic and thriller readers in for a treat.

What is the book about you might ask?

Well, the book is about power – the race to it and it involves two people – Arvind and Arbaaz, both raised in the wake of partition of India and how their lives merge, collide and intertwine at every given step – whether they like it or not, both personally and professionally. They are adversaries – so there is a lot of blood, moments of corporate politics, of anger and in all of this there are moments of humanity, grace and kindness, which take you not by surprise but more like you expected them at some point or the other. Arvind and Arbaaz are characters that won’t easily let go of you and when the book is over, there is this lingering sense of sadness that stays with you and you cannot help but think about the people whose lives you have been a part of as you read through this magnificent thriller.

The historic angle of the book starts from Emperor Ashoka’s reign and ends in today’s time. The book is a tome but you never think of it that way. The pages turn rapidly, all thanks to Ashwin’s seamless and racy plot. Calcutta and Bombay (as known in those times) are vividly described, so much so that I felt I was taking in the Bombay, Delhi and Calcutta of the times before the 80s when I was born.

Sanghi’s writing is crystal clear. Of course he shows but there is also a good mix of showing and telling which I think works wondrously for this book. At no point, did I want to close this. At no point, I felt that there needed to be heavy-duty editing done. It was fine. It is fine the way it is. I would strongly recommend it.

Book Review: Classic Saratchandra: Volume 1 by Saratchandra Chattopadhyay

Title: Classic Saratchandra: Volume 1
Author: Saratchandra Chattaopadhyay
Publisher: Penguin India
ISBN: 978-0143101253
Genre: Indian Fiction
Pages: 816
Source: Publisher
Rating: 5/5

We all know of writers – writers who are not from the country we know more of. We eagerly wait for their books to publish, so we can savour them in the comfort of our homes and bedside reading lamps. However there are times when we tend to forget Indian Writers of the years gone by, who lived in different times and wrote excellently. The reason could be only that we did know of them in school as a part of the Hindi curriculum and therefore feel that they cannot be read otherwise.

Off late I have been discovering or rather re-discovering such writers and one of them is Saratchandra Chattopadhyay. Saratchandra wrote in times when India was under the British Rule. He did not write about the conditions in those times; however he did hold a mirror so to say to the society and its issues in a very subtle manner. For instance, Devdas is not just about a drunk and wasted lover. It goes beyond that. It speaks of feminism very early on through its two female protagonists – Paro and Chandramukhi. At the same time, the fictional value and element of the novel do not get ignored.

Penguin India has launched, “Classic Saratchandra – Volume 1” that features eight of his brilliant novels. From Biraj Bou to Swami, these novels explore a gamut of themes – from the relationship of a newlywed indifferent wife and her patient husband to a woman and her love for her husband despite misunderstandings that take place.

Saratchandra wrote his books with great sensitivity. When you read them you start noticing the underplayed emotional tones. His writing also sometimes was induced with a tinge of political awareness – for instance most of Srikanta is written with the angle of combining a family story with India’s then situation.

Saratchandra had an eye for detail and he used it to his advantage. The writing is in place and at times there is too much atmosphere, however that can be ignored. His works are definitely more than worth just one read. I would also like to mention that the translations by Malobika Chatterjee, Aruna Chakravarti, Sreejata Guha and Sunanda Krisnamurty is by far one of the excellent ones that I have read. At the end of it, I cannot wait for the second volume to be published.

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