Title: The Association of Small Bombs
Author: Karan Mahajan
Publisher: 4th Estate, Harper Collins
Genre: Literary Fiction
Rating: 5 stars
I finished reading “The Association of Small Bombs” two weeks ago and I am still reeling from its effect. Sometimes you know when you love a book too much and you also know that you can read it fast and finish it but you want it to last longer, so you don’t finish it really fast. Ever get that feeling? Happens to me all the time when I am reading a book I’m really enjoying and that has occurred after a long time with this second novel by Karan Mahajan.
At this point, let me also tell you that I had read and not thought much of Karan’s first book “Family Planning” at the time of reading it (I am being extremely honest. Please don’t kill or hate me for it Karan). I will for sure go back to it after some time. For now, let me share my experience of this literary stunner of a book “The Association of Small Bombs”.
You will one way or the other get the title relation once you read the book, so I will not talk about it. Let me instead go straight to the plot: It all begins with a bombing that takes place in Delhi’s crowded Lajpat Nagar. The year is 1996 and it is not a big bombing. It is a small bombing. Lives are lost – and amongst those lost lives two belong to the Khuranas’ sons Tushar and Nakul. There is also Mansoor; their friend who accompanies them to get the Khuranas’ repaired TV home and while he is alive, he is scarred for the rest of his life by the incident. The book in short may seem about this but there is so much more to it. In fact, there is so much more that I do not know what to include and what to omit from this review.
So I will start with it all. The Khuranas’ live with their guilt for years and Mansoor lives with that terrible memory and how he is physically and emotionally damaged by it. There is also the terrorists’ (so-called) side of the story (which isn’t all that much but when you read it in the context of the plot – it makes so much sense and is needed there). The empathy, the rawness of the writing and above all the precision with which every detail is explained – you cannot help but fall in love with the book.
The book begins in 1996 and ends in 2003 (I assume because there is nothing more after that). Mahajan’s capturing of the seven years throughout the novel and its protagonists (there is more than one) is magnificent and taut. For instance, the relationship between the husband and the wife after the sons’ death is something that I still think of – the edge of the relationship ,the brink of it which they face and sometimes only to go back because there is nowhere else to go. Mahajan is a master of his craft.
I have so much to talk about this book and I know that words will fall short. I will not be able to explain what I felt every time some stunning paragraph or line hit me. A small detail you would have not paid attention to in your daily routine shines in the book. The mere simplicity and elegance of writing is what will make you turn the pages and not stop. I will not be able to put that in words – because you have to feel it as you read and wade through this one – hoping it will not end. All that I can say is: READ THIS BOOK NOW!
Here are some of my favourite parts from the book. There are a lot more but for now I will list these:
“It was as if, having failed to protect them in life, they felt double the responsibility to fulfill their duties in death.”
“The station was so bloated with people that the loss of a few would hardly be tragic or even important”
“The May heat was horrifying, violating the privacy of all things while also forcing you into yourself.”
“She was aware, suddenly, that the death of her children was not a metaphysical event, but a crime. A firecracker set off by uncaring men in a market. She did not trust the government or the courts to do anything.”