Tag Archives: FSG Books

Miss Subways by David Duchovny

Miss SubwaysTitle: Miss Subways
Author: David Duchovny
Publisher: Farrar, Straus, and Giroux
ISBN: 978-0374210403
Genre: Fantasy, Literary Fiction, Humour
Pages: 320
Source: Publisher
Rating: 4 stars

Miss Subways is all about New York. Even if you haven’t been there, reading this book will just make you want to. And if you have been there, then you would want to visit it again and again after reading this love story with an edge, and loads of humour. I absolutely loved Duchovny’s Holy Cow and this one a little more.

Emer is a simple woman living in New York City who takes the subway, buys ice cream from the shop around the corner, aspires to become a writer, and lives with her boyfriend Con. That’s essentially her life, on almost a daily basis. And then it changes completely as one fine day something extraordinary occurs and Emer findself in a world full of mythical figures from around the world – in a New York she cannot seem to recognize.

The book is part fairy tale, part love story, part fantasy, and what does it take really to want to have it all. David Duchnovny, the writer is so imaginative and part of it of course comes from the acting – and it shows in the sub-plots – the inspiration from Irish and global mythical figures and the linking of them to Emer and Con’s lives.

You think the story is going one way, till it goes the other and you are left stunned as a reader, not knowing what is going on, till you do. There is this sense of magic realism, and an irreverent tone to the novel which I enjoyed a lot. There are like I said a lot of fables – from almost every part of the world which makes it even more exciting. Miss Subways is a read that will keep you guessing almost every chapter.

The Third Hotel by Laura van den Berg

The Third Hotel Title: The Third Hotel
Author: Laura van den Berg
Publisher: Farrar, Straus and Giroux
ISBN: 978-0374168353
Genre: Literary Fiction, Fantastical fiction,
Pages: 224
Source: Publisher
Rating: 5 stars

“The Third Hotel” is a strange book. A strange and yet, a highly fulfilling, crackling read really. Clare is widowed and decides to go to Havana for a horror movie festival, which she had planned with her husband, a film critic. And when she does end up going to Cuba, strange apparitions and incidents occur that resemble what she is thinking or feeling – sort of the inner life we all carry within ourselves. She suddenly sees her husband alive and follows him into a world, where reality and fiction blur and that in essence is the plot of the story.

Laura van den Berg’s stories and novels have this quality of the fantastical. I think it is a constant as it has been repeated in “The Isle of Youth” (a collection of short stories) and even “Find Me” (a novel) which I have read. Her novel isn’t easy to get into but once you do, there is no stopping you as a reader.

The author takes the gruesome, the horror, the extraordinary and blends it with the everyday loneliness. There is this raw emotional power in the novel that is consistent and cohesive to the entire plot and the way characters behave. It almost reminded me of Murakami, Kafka and Cortazar a lot – the psychological revelation and the mystery surrounding everything – from the places to people.

Havana in itself is such a major character in the book that the book is nothing without it. Also, as you read along, the story takes over – it creeps on you unexpectedly – with multiverses and the undead presence of Clare’s husband that forms the crux of the novel. Berg’s writing is precise, blunt and told in effortless prose that is ambiguous and also thrilling at the same time. It is a challenging read but immensely rewarding. Stay with it.

 

 

History of Violence by Édouard Louis. Translated from the French by Lorin Stein.

History of Violence by Édouard Louis Title: History of Violence
Author: Édouard Louis
Translated from the French by Lorin Stein
Publisher: Farrar, Straus, and Giroux
ISBN: 978-0374170592
Genre: Literary Memoir, LGBT, Biographical
Pages: 224
Source: Publisher
Rating: 5 Stars

It came out of the blue. A sudden kick to my stomach, reverberating throughout my body. It felt personal. It couldn’t have been more real than this. The book had been on my radar for a while now, however, I did not imagine that it would trigger so many emotions or that it would leave me more bereft than ever, once I finished reading it. “History of Violence” by Édouard Louis isn’t an easy book to stomach. Well, any book on rape and its aftermath isn’t easy to digest. You are left with that sinking, horrid feeling and you want something good to happen, but that most of the time isn’t possible, because it is life and it takes its time to heal and repair.

“History of Novel” is a meta non-fiction novel. Yes, it is a genre that I just got to know of once I started reading this book. The review isn’t about the genre. The book is about rape and its aftermath. Édouard Louis was raped in December 2012 on Christmas Eve. “History of Violence” charts the incident in the author’s voice, his sister’s voice (in some chapters) and the way life goes on or doesn’t sometime.

The pathos and the indifference in the book are startlingly dichotomous. Indifference mainly because in so many ways Édouard just wants to distance himself from the incident and yet he cannot stop talking about it to anyone who will listen. That is another way to disassociate, by the way. Pathos because literally no one can understand or maybe no one will. The ideas in this book are many: Of being gay, of racism that is deep-seated in Paris (because the novel is set there and in the author’s home village), of anxiety and fears, of the post-trauma and what it truly means to come back home.

“History of Violence” is very disturbing in most places and rightly so. You can sense Édouard blaming himself, of hating what happened, of trying to make sense of it all and in all of it wondering if life will ever be the same. At the same time, places and interactions seem more intense – be it the nurse at the hospital or the homeless man the author meets in the waiting room, or a basic taxi ride, or even a walk that triggers memories. This book has been written in narratives that shift – past and present merge, so it might seem like a difficult read but it isn’t. If anything, it will make you more empathetic to people around you, if a book is capable of doing that.

What it means to be humane. When the author doesn’t feel anger anymore toward the perpetrator Reda, but pities him, also even feels sorry for him if anything. Everything isn’t about just the good or bad. There is the in-between and “History of Violence” quite stunningly manages to convey that. I remember during the novel when the narrator can’t bear people being happy, after the incident. And another time, all he sees is Reda – in almost every face he comes across on the street. Such scenes remain and almost haunt the reader. At least, that’s what happened to me.

The translation shines. Not once did I feel that I was reading a translation. Lorin Stein has encapsulated it all brilliantly from French to English. No emotions are lost. Nothing seems out of place. Stein understands every emotion, every scar, every memory and is able to seamlessly bring us this read in a language we understand.

“History of Violence” is a book that is not for the weak-hearted. I don’t say this to make you shy away from reading it. In fact, if anything I want you to read it. I want you to understand perspectives. More so because Édouard has done a stellar job of putting his heart, body and soul on paper and nothing can beat that.

 

 

Let’s No One Get Hurt by Jon Pineda

Let's No One Get Hurt by Jon PinedaTitle: Let’s No One Get Hurt
Author: Jon Pineda
Publisher: Farrar, Straus and Giroux
ISBN: 978-0374185244
Genre: Literary Fiction
Pages: 256
Source: Publisher
Rating: 4  Stars

Sometimes I really wish some books did not have to be this violent – physically, emotionally or mentally. But I also think sometimes we need to show that violence for what the world is and art does imitate life after all. “Let’s No One Get Hurt” is so redemptive and yet somehow seemed so dark as it progressed. The writing is raw, visceral and yet so tender in so many places that you can almost sense the attachment between the young girl and the three men she lives with. We after all make our own home, where we find it.

Fifteen-year-old Pearl lives in an abandoned boathouse with her father – a disgraced college professor and two other men, deep in the American South. All four live on the margins and make do with what they can. There is a sense of weird kind of family but each of them looks after the other and are slowly but surely making sense of the world as days go by.

Enter: Mason Boyd who is also known as “Main Boy” and whose father has purchased the property Pearl and her family are squatting, putting him in a position of power between the two kids, leading to dynamics changing that Pearl never thought of.

The writing is very poetic, to the point of it being poetic-prose and feels very satisfying most of the time. Yet the nagging thought of something bad will happen which keeps haunting the reader. Pearl and her makeshift family (those characters are something else, trust me I can only urge you to read the book to know them better) has been thought of so beautifully, even if the moments of tenderness and grace are not so much, you learn to sit patiently for them to come.

“Let’s No One Get Hurt” captures the essence of power, violence and redemption wonderfully and with parallel stories and layers to the larger narrative. It is a book that will break your heart mostly but will let you heal yourself. A lot of you might think that there is nothing new about it, but you have to read it to believe what Pineda has created – a stunning portrait of loss, love and turmoil in the South.

 

Draft No. 4: On the Writing Process by John McPhee

Draft No. 4 Title: Draft No. 4: On The Writing Process
Author: John McPhee
Publisher: Farrar, Straus and Giroux
ISBN: 978-0374142742
Genre: Non-Fiction, Writing Skills, Essays
Pages: 208
Source: Publisher
Rating: 5 Stars

I have read books on reading. I have read books on writing as well. But off-late no book on writing has made me laugh and “Draft No. 4” managed to do that. It made me chuckle and kept my spirits high and also in its own way told me that it is okay to not get that sentence correct, that it is alright to not stress over punctuation sometimes and also that there will be times that you will not be able to write. It broke a lot of writing fallacies that are out there and made me see writing in a whole new way.

Also, if you have to learn about a subject, then why not turn to one of the very best? John McPhee is a professor of journalism at Princeton, writes for The New Yorker and has published over thirty books. Let me also tell you that “Draft No. 4” could have easily fallen in the trap of being preachy and pedantic, which it doesn’t. McPhee makes you see how writing is – truly is for those who are writers and also for those who want to become writers.

What I loved about the book is that I could identify with most of it. For instance, McPhee states that while you might write for only two to four hours a day, your mind is working twenty-four hours on the book. He also mentions of “the elegance in the less ambiguous ways” – for instance, the turn of the phrase or where to place the bracket words (he does get to technique as well).

This is a collection of essays that doesn’t take away from the joy of writing. It lends to it beautifully. He of course says and advises the way he has to, but also gives you room to come up with your comfort rules of writing. The ones that actually work for you. So why must you read this book then? Because it will open your mind to going back to the basics of writing (which is what every writer says but most don’t really know what they are talking about) and implement them in your way to your advantage. McPhee makes it seem simple (not without mentioning its cons and the power of writing to drive you crazy sometimes) and at the same time ironically tells you that your fourth draft perhaps will be the best one, ready to publish.