Tag Archives: Farrar Straus and Giroux

Let’s No One Get Hurt by Jon Pineda

Let's No One Get Hurt by Jon PinedaTitle: Let’s No One Get Hurt
Author: Jon Pineda
Publisher: Farrar, Straus and Giroux
ISBN: 978-0374185244
Genre: Literary Fiction
Pages: 256
Source: Publisher
Rating: 4  Stars

Sometimes I really wish some books did not have to be this violent – physically, emotionally or mentally. But I also think sometimes we need to show that violence for what the world is and art does imitate life after all. “Let’s No One Get Hurt” is so redemptive and yet somehow seemed so dark as it progressed. The writing is raw, visceral and yet so tender in so many places that you can almost sense the attachment between the young girl and the three men she lives with. We after all make our own home, where we find it.

Fifteen-year-old Pearl lives in an abandoned boathouse with her father – a disgraced college professor and two other men, deep in the American South. All four live on the margins and make do with what they can. There is a sense of weird kind of family but each of them looks after the other and are slowly but surely making sense of the world as days go by.

Enter: Mason Boyd who is also known as “Main Boy” and whose father has purchased the property Pearl and her family are squatting, putting him in a position of power between the two kids, leading to dynamics changing that Pearl never thought of.

The writing is very poetic, to the point of it being poetic-prose and feels very satisfying most of the time. Yet the nagging thought of something bad will happen which keeps haunting the reader. Pearl and her makeshift family (those characters are something else, trust me I can only urge you to read the book to know them better) has been thought of so beautifully, even if the moments of tenderness and grace are not so much, you learn to sit patiently for them to come.

“Let’s No One Get Hurt” captures the essence of power, violence and redemption wonderfully and with parallel stories and layers to the larger narrative. It is a book that will break your heart mostly but will let you heal yourself. A lot of you might think that there is nothing new about it, but you have to read it to believe what Pineda has created – a stunning portrait of loss, love and turmoil in the South.

 

Advertisements

Sourdough by Robin Sloan

Sourdough Title: Sourdough
Author: Robin Sloan
Publisher: MCD, Farrar Straus and Giroux
ISBN: 9780374903343
Genre: Literary Fiction, Fantasy
Pages: 260
Source: Publisher
Rating: 4 Stars

If you’ve read Robin Sloan before, chances are you will love this one. If you haven’t read Robin Sloan before, chances are you will love this one again. “Sourdough” is a mix of almost everything – fantasy, science fiction, satire, literary fiction and a profoundness to it like no other book I’ve read in some time. Robin Sloan somehow manages to roll everything in one and does a pretty good job of it.

“Sourdough” follows the story of a young computer programmer (again), Lois Clary from Michigan into something so dark that it takes you by surprise and also shock in so many places. Lois does nothing but code – all night and sleeps all day. Her human contact is limited to the two brothers who run the neighborhood joint from which she orders food every evening. The brothers close shop and it is to Lois to keep their sourdough starter alive. She basically has to learn how to bake with it, which she clearly doesn’t know.

The book is weird. From here on it takes turns and twists that you wouldn’t believe (much in the vein of Mr. Penumbra’s), however, if you read deeper (which I am sure you will at some point), you will find elements of alienation, immigration issues and what it is to be American and not be starkly evident. This book is so weird (I know I am being repetitive but I have to) that at times I didn’t know what I was reading or why. You have to be patient with the prose to be involved so you cannot let go. And might I also add that you would crave sourdough while reading this book, so be prepared.

“Sourdough” cannot be classified into a genre but I have to because I have no choice, really. All I can say is that if you like your reading a little over the edge and funky, you must try this one for sure.

 

 

Draft No. 4: On the Writing Process by John McPhee

Draft No. 4 Title: Draft No. 4: On The Writing Process
Author: John McPhee
Publisher: Farrar, Straus and Giroux
ISBN: 978-0374142742
Genre: Non-Fiction, Writing Skills, Essays
Pages: 208
Source: Publisher
Rating: 5 Stars

I have read books on reading. I have read books on writing as well. But off-late no book on writing has made me laugh and “Draft No. 4” managed to do that. It made me chuckle and kept my spirits high and also in its own way told me that it is okay to not get that sentence correct, that it is alright to not stress over punctuation sometimes and also that there will be times that you will not be able to write. It broke a lot of writing fallacies that are out there and made me see writing in a whole new way.

Also, if you have to learn about a subject, then why not turn to one of the very best? John McPhee is a professor of journalism at Princeton, writes for The New Yorker and has published over thirty books. Let me also tell you that “Draft No. 4” could have easily fallen in the trap of being preachy and pedantic, which it doesn’t. McPhee makes you see how writing is – truly is for those who are writers and also for those who want to become writers.

What I loved about the book is that I could identify with most of it. For instance, McPhee states that while you might write for only two to four hours a day, your mind is working twenty-four hours on the book. He also mentions of “the elegance in the less ambiguous ways” – for instance, the turn of the phrase or where to place the bracket words (he does get to technique as well).

This is a collection of essays that doesn’t take away from the joy of writing. It lends to it beautifully. He of course says and advises the way he has to, but also gives you room to come up with your comfort rules of writing. The ones that actually work for you. So why must you read this book then? Because it will open your mind to going back to the basics of writing (which is what every writer says but most don’t really know what they are talking about) and implement them in your way to your advantage. McPhee makes it seem simple (not without mentioning its cons and the power of writing to drive you crazy sometimes) and at the same time ironically tells you that your fourth draft perhaps will be the best one, ready to publish.

Universal Harvester by John Darnielle

Universal Harvester Title: Universal Harvester
Author: John Darnielle
Publisher: Farrar, Straus and Giroux
ISBN: 978-0374282103
Genre: Literary Fiction, Literary Thriller
Pages: 224
Source: Publisher
Rating: 3 Stars

I did not read his first novel “Wolf in White Van” but I will most certainly read it, because I absolutely loved “Universal Harvester”. The book is not only unusual in terms of its plot but also kind of edgy that it stays with you – and the horrific bits do. The book starts off normally – very usual plot of a small town and its people till it becomes something else mid-way and you are astounded at the turn of events.

It is the late 90s and something sinister is brewing in Nevada, Iowa. It creeps up on you suddenly as you are enjoying or doing something else. You are watching something on your VHS player (yes there is a rental store that rents out VHS tapes and I loved the time it is set it) and suddenly there is heaving breathing in the dark coming from it, as your movie gets interrupted. There are clips and more clips in different tapes that surface and for some reason Jeremy cannot help but watch. He works at the store and wants to get to the bottom of this mystery.

The book reminded me of House of Leaves to some extent – ust the setting and the atmosphere surrounding it, and due to this, I was even spooked out easy, I suppose. Darnielle’s form of writing is easy. It doesn’t make you think so much while reading the book as it does after. At the same time, I thought it was a bit too detailed even though I am a sucker for them. It just got a lot to take in by the time I reached the end. Jeremy’s character is brilliantly etched. You can sense the darkness looming and yet don’t want him getting to that side.

“Universal Harvester” is eerie, and yet hopeful. I just wish it wasn’t so rough at the edges and a bit clean with the details and other miniscule characters and emotions.

A Grace Paley Reader: Stories, Essays, and Poetry by Grace Paley. Edited by Kevin Bowen and Nora Paley.

A Grace Paley Reader Title: A Grace Paley Reader: Stories, Essays, and Poetry
Author: Grace Paley
Edited by Kevin Bowen and Nora Paley
Publisher:Farrar, Straus and Giroux
ISBN:978-0374165826
Genre: Anthology
Pages: 400
Source: Publisher
Rating: 5 Stars

Grace Paley is one of those writers for which you to devote a lot of time and mind space. The reason I say this: the narrators and characters of her stories will not leave you. Her essays will haunt you long after you have finished reading them. Her verse will stay, whether you like it or not. To me, she is one of the finest I have read this year (I have of course read her works earlier as well – but scattered). I think this book also is the definite collection if you need an introduction to her work, before you move on to other books by her.

“A Grace Paley Reader” has a lot of omissions from her earlier works, but I guess as an editor they have to choose what to put and what to remove. Nonetheless, to me the span of her work mattered and this anthology touched on almost every genre in which she wrote. My favourite essays though are “A Midrash on Happiness” and also “Other People’s Children” which are very unsettling and yet so comforting – the paradox is hard to explain.

But then the sort of writer Grace Paley was, it is just very difficult to ignore her as a reader. “A Conversation with my Father” will tear you up in no time and you would wonder if a short story can do that, as it already has. Her economy of words, and at the same time the effortlessness of her prose keeps you stunned. Paley was also a feminist and that is reflective in her poems such as “Anti-Love Poem” or “Is There a Difference Between Men and Women” and my personal favourite “Letter to my Daughter”. She can do anything if you ask me and does in most of her work.

The introduction by George Saunders sums up her work beautifully in this one sentence: “Grace Paley will live in the minds of the readers she has moved, and in the minds of those she will yet move”. Need I say more after this?