Tag Archives: bloomsbury

Good Talk: A Memoir in Conversations by Mira Jacob

Good Talk by Mira Jacob Title: Good Talk: A Memoir in Conversations
Author: Mira Jacob
Publisher: Bloomsbury Publishing
ISBN: 978-1408880166
Genre: Graphic Memoirs
Pages: 368
Source: Publisher
Rating: 5 stars

We don’t know what life has in store for us till it flings itself in our faces. Then we know. Then we truly begin to see as it unfolds itself. Mira Jacob’s Good Talk is not just a memoir. It isn’t just a conversation. It is so much more that as I sit and type this, I literally have gooseflesh.

It is a book about identity, about interracial marriage, about when do we know we are citizens of a country? Is there a certificate that gets handed out? We are constantly seeking validation about ourselves – be the way we look, or the way we feel, and most certainly the way we think. What if you needed validation that you belong to a country? What would you feel then? Good Talk is mostly about it, a lot about it, and sometimes less about it.

It is about trying to explain to a seven-year-old that he belongs. That being of the same skin colour do not make families. That it’s okay for his father to be white and his mother and him to be brown. It is more than that. It is about given the freedom to love, to choose, to make your decisions, and to also regret them.

The book travels between the past and the present – and what I realised as I read it was that not much has changed. The issues of race are the same in America. Brown bodies or black ones or anyone who isn’t white is fractured when it comes down to living life in the United States of America. In some way or the other that is. Good Talk is about Mira giving answers to her seven-year-old son’s questions about race, America, and modern politics.

The push and the pull that comes with it, and the several questions that she never side steps, but involves her husband Jed as well in the process. In all of this, the reader also moves back and forth in Mira’s life – the past to the present and how it all threads together – her insecurities while growing-up brown in America and her son’s in the present environment. The juxtaposition on some level is surreal. Obviously her son is too young to experience more, but I am sure that is another book for another time.

Good Talk is about resilience and what it takes to navigate the world we live in and its interconnectedness. It is a book that resonates the time we live in, and heavily at that. It is the era when a man is willing to build a wall to keep the “other” out. Who is the other? Are we the others? Or are the others the people who want to box and categorise people? Who are devoid of empathy? Who are devoid of sentiment? We might think we are isolated and something happening in Africa may not be linked to us, but we need to think again about everything and its impact.

Good Talk is not an easy read. More so it isn’t something we can read and forget. It applies to all of us. After all, aren’t we all a part of a family?

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Small Days and Nights by Tishani Doshi

Small Days and Nights by Tishani Doshi Title: Small Days and Nights
Author: Tishani Doshi
Publisher: Bloomsbury India
ISBN: 978-9388912709
Genre: Literary Fiction
Pages: 272
Source: Publisher
Rating: 5 stars

Small Days and Nights had me break into a sweat for most part. I fervently turned the pages, wanting to know what would happen next to Grace and Lucia, to their dogs, and Mallika. For most part, I was on the edge of the proverbial seat so to say, and for the other part, I was mulling, thinking, pondering, and submitting to Doshi’s writing and worldview.

I recall going through the same feeling of angst, hopelessness, and some hope while devouring The Pleasure Seekers in 2010. It has been eight years now and Doshi’s writing is just as evocative, raw, and with a passion that will perhaps burn the reader.

The world Tishani Doshi builds in Small Days and Nights is a small one. Often uncomplicated even, often without layers, and is all about the day to day living of two sisters – who have discovered each other late in life. Grace stumbled upon the existence of Lucia (who is living the Down Syndrome), as she returns to Pondicherry, where her dead mother awaits cremation. Lucia has been living in a residential facility their mother helped build. Grace moves Lucia with her to a tiny coastal village in Tamil Nadu – Paramankeni, a place that is at least three hours away from most human contact. And not to forget, the year is 2010. Grace and Lucia live quiet (or so it seems) lives with Mallika, a village woman who lives on their property as a cook and a guard, also looking after the many adopted dogs.

This novel is deceptive in the sense that while it seems to be calm on the surface, a lot is taking place beneath the surface – Lost relationships that refuse to be found, parental bonds (their Italian father is in Venice, who was estranged from their mother many years ago and is acousticphobic as well) that are not quite there, a family that isn’t your typical family (but what is a typical family anyway?), and women who are cocooned in a world of their own, where men will not let them be. That theme runs throughout the novel – incidents happen on their property, men look creepily, and the sea rages in the distance.

Doshi creates a world that has its moments of grace, of kindness, of empathy beyond recognition and yet there are times through her writing where darkness makes itself known. Her characters love and also fall short of love. Her writing is razor-like and also quite a balm at most times – it soothes and cuts sharp. It seethes with anger and knows when to smile. The descriptions linger long after, the taste of the sea remains, the sound of the dogs barking, and the restlessness strike home.

Grace and her parents are aware of their failings and that’s what makes them so real and at the same time quite unforgiving. You don’t feel for Grace – it is hard to, but as a reader you understand loneliness, and the right to claim life in whatever capacity. Women’s experience in public and personal places, of caring for someone with special needs, forgiveness, and the need to understand that all of us are perhaps sailing in the same boat is the heart of Small Days and Nights, and yet there is the awareness that it can all be undone quite easily.

99 Nights in Logar by Jamil Jan Kochai

99 Nights in Logar by Jamil Jan Kochai Title: 99 Nights in Logar
Author: Jamil Jan Kochai
Publisher: Bloomsbury Publishing
ISBN: 978-1408898420
Genre: Literary Fiction, Contemporary Fiction
Pages: 288
Source: Publisher
Rating: 4 stars

While 99 nights in Logar may seem to have been set in a culture and time alien to most readers, the universality of theme is astounding, which you only begin to realize as the pages turn. This is where the genius of Jamil Jan Kochai only begins. You don’t need a tour guide to take you through the terrains of Afghanistan or a map to get you acquainted to the landscape. You just need to go with the story and that’s enough.

I must admit though initially I did face a problem with who was whom in the family and what were the relationships and more than anything else, the confusion about names. However, that ended soon enough and from thereon it was a journey worth taking.

This debut is narrated by Marwand, a 12-year-old boy who is raised in America and takes a trip with his parents and brother to a village in Afghanistan in 2005. The American war is almost over, and no one knows what the future has in store.

The book starts with a search – Marwand, and his uncles and cousin – Gul, Dawood and Zia set out to find his uncle’s dog Budabash. The dog hasn’t been seen since he savaged Marwand’s index finger on the first day of his arrival. A lot of things happen on the course of finding the dog – people drop out of the search party for one reason or the other, stories are exchanged (which to me is the brilliance of the novel) – over a cup of chai, waiting for things to happen in the course of the search, or even while doing nothing.

Kochai tells us the story of a family and he doesn’t do it keeping the West at the fore. The images are spot-on, you feel a part of the narrative, and for most Farsi or Pashto words there is no English translation given, which is quite natural given the people in this region speak that way. Coming back to the family, Jamil Jan Kochai weaves the story back and forth in time through the stories told by everyone not just the boys – and then it only further changes hands of time.

99 nights in Logar is all about memory. Memory is at the heart of this novel and throughout the book. Whether is it recollection of stories, or even how things happened a week ago or two days ago, Kochai manages to make the story funny, filled with nostalgia, angst, and a great coming-of-age experience.

In Appreciation of Saunders

george-saunders

Ever since I have read George Saunders I have been in awe of his writing. I may not have enjoyed Lincoln in the Bardo the way I thought I would, but that’s hardly of concern when it comes to appreciating Saunders’ works. I think the beauty of Saunders beside the writing, is his capacity to create characters that are regular – they are flawed, broken, and perhaps have no capacity to be extraordinary and yet strangely enough they are.

Also, might I add the skill with which he writes or rather crafts a story. After Munro, if there is any other short-story writer I truly admire, it is him. Whether it is the idea of the fantastical merging with everyday living, or just the irony of getting through the day, Saunders literally saves a reading-slump-kind-of-day. You just have to read any short story written by him and it is worth it – every single word and every sentence.

Pastoralia was introduced to me by a friend and I cannot thank the friend enough. This collection of short-stories embodies the twisted, the lonely, and the post-modern version of American – served hot and ready to be slaughtered. Whether he talks about a couple living in a theme-park, where speaking is an offence (rings a bell given the times we live in?), or whether he is speaking of a male exotic dancer and his family, Saunders shows us a world that is funny and yet so scary, so familiar and strange, but above-all, so authentic and graceful in its prose.

Pastoralia

I must speak of The Brief and Frightening Reign of Phil here. This slim book is literally a tour-de-force (I know this word is way overused, however, I can’t help but use it for this one). This is the book about power-hungry, and demagogic Phil (again can’t help but relate it to the times we live in) and how his reign begins as people from one nation run into another for asylum.

Phil

Saunders has always sort of been prophetic when it comes to his stories, and whatever he chooses to write about really. Whether it is Tenth of December or In Persuasion Nation, both fantastic short-story collections, Saunders is on the top of his game, never missing a beat. His people are lost, maybe not even seeking redemption – all they want is their stories to be told, voices to be heard, and sometimes remain in the shadows battling their demons.

Tenth of December

The Brain-Dead Megaphone is perhaps one of the best collection of essays I have read in a long time. It is his first collection of essays and has trained himself to look at the real – ridden with a strangeness – in the political and cultural milieu. I loved the literary pieces in this book – Saunders’ view on Mark Twain, Vonnegut, and Barthelme – every essay is on point and showcases all the skewed characters chosen by the author.

Megaphone

This, I think in a very brief manner encapsulates his body of work that I have enjoyed and loved over the years. He is one writer that never disappoints and constantly delivers, no matter what. Read him and allow yourself to be taken in by his eccentric, mad, most illuminating prose.

Dark Circles by Udayan Mukherjee

Dark Circles by Udayan MukherjeeTitle: Dark Circles
Author: Udayan Mukherjee
Publisher: Bloomsbury India
ISBN: 9789388134910
Genre: Literary Fiction
Pages: 215
Source: Publisher
Rating: 4 stars

I got to know very recently that Udayan Mukherjee is the brother of Neel Mukherjee. Not that it matters to the writing of this review, however, I just thought I should let this information be out there. Alright, now to the book. Dark Circles by Udayan Mukherjee is the story of a family, torn apart by a secret, at two points in the family’s history. There is a lot happening in this novel. Ronojoy and Sujoy’s mother dies alone in the Ashram she retreated to quite suddenly twenty-eight years ago, after the death of her husband. She has left a letter behind for her sons, in which contains a secret that has the power to wreak havoc in their lives. Though this might seem to be the plot, there is a lot more taking place in this novel.

The book is also about family (but of course), it is about depression, about how to live in the face of tragedy, and how decisions made once can never be undone. It is about forgiveness, and more than anything else, about redemption and the human heart. The writing is sparse, to the point and extremely moving in most places. What I wanted from the book was more. I wanted to know more about the bond between the brothers, what their father Subir was like (though Mukherjee has said a lot about him, there is so much more to know), what were the relationship dynamics, and why was their mother Mala the way she was.

I am also aware and agree that the writer isn’t supposed to spoon-feed the reader all the time, but all the same, I thought a little more could’ve been added. The characters are wonderful, there is this sense of darkness hanging over each of them, that lends beautifully to the telling of the story and to the title as well. Udayan Mukherjee for sure knows how to tell a story, to keep the reader gripped from page one. More than anything else, it is about relationships and ties that bind us and sometimes tear us apart.