Category Archives: Penguin Random House USA

Comics For A Strange World: A Book of Poorly Drawn Lines by Reza Farazmand

Comics for A Strange World - A Book of Poorly Drawn Lines by Reza Farazmand Title: Comics For A Strange World: A Book of Poorly Drawn Lines
Author: Reza Farazmand
Publisher: Plume Books, Penguin Random House USA
ISBN: 9780735219885
Genre: Comics
Pages: 197
Source: Personal Copy
Rating: 5 stars

First read of June 2019. Yes it’s a book of comic strips and yes it counts. I’ve been following Poorly Drawn Lines since some time now and love what Reza does with not only his seemingly simple art, but also so profound when it comes to the writing of the comics.

Comics for a Strange World is the kind of book that worries and also strangely comforts as well. It is the kind of comic that upsets you, because what Reza has laid out – some of it might actually come true. Global warming is a reality. So is our dependency on technology. There are alternative realities, taking us through space and time, and some really bizarre scenarios.

The entire book is a parody of human life, much like the account here on Instagram. Follow him if you aren’t. Also, the book mocks modern age like no other. It’s a testimony to our troubled times and honestly nothing is too weird. The book is divided into 5 sections: The Human Experience, Social Creatures, Changes, A Strange World, and Thoughts on Things. Each is superbly funny and outlandish. Read it.

The Source of Self-Regard: Selected Essays, Speeches, and Meditations by Toni Morrison

The Source of Self-Regard Title: The Source of Self-Regard: Selected Essays, Speeches, and Meditations
Author: Toni Morrison
Publisher: Knopf
ISBN: 978-0525521037
Genre: Literary Speeches, Anthologies
Pages: 386
Source: Publisher
Rating: 5 stars

Toni Morrison’s collection of essays don’t follow a timeline, neither it is linear, nor it is set in an order to make it easy for the reader. At first glance, it might even seem just a random collection of essays, speeches and meditations put together, however, it isn’t that. The book, “The Source of Self-Regard: Selected Essays, Speeches, and Meditations” is actually a book that speaks directly to the contemporary reader, and hence the order of essays. It goes headlong into speaking about issues at hand and whoelse better to address and them and show us the mirror than the queen herself, Ms. Morrison.

The book is divided into two parts, with an interlude. The first part is titled, “The Foreigner’s Home”, the second, “God’s Language” and in-between is the interlude aptly titled, “Black Matter(s)”. This is the structure of the book – it is Ms. Morrison’s essays, speeches, and meditations on living, race, gender, language, and the current role of politics in America and in effect its relation to the world. It is also about the duty of the press and media and what is the role of the artist in all of this. As a reader, please be prepared to face harsh realities, question the world around you and ponder over issues you never thought of earlier.

Morrison doesn’t hesitate to speak her mind. The candour is not just for the sake of it. This collection is deeply personal as well. From why she became a writer (Faulkner and Women) to her thoughts on Beloved. At the same time, this collection as every reader will know is about race and what it means to be black in America, not only today but for decades and centuries and how have that played out for the black person.

Toni Morrison writes with such elegance and dignity that you get caught up in her words, and then focus on the ideas, going back to the power of her prose. The interlude piece on Martin Luther King Jr. is not only searching but also mirrors the contemporary times. In the essay, Voyagers to the West, she speaks of the Scottish pioneer William Dunbar, and how he managed to build a fortune trading slave, and how ironically his achievements are extoled till date. This is the kind of voice Morrison is all about – she knows exactly when to make the impact felt through her words and how deep.

Morrison also speaks of writers and how they impact the mindset of readers. She speaks of how jazz brought American blacks a different kind of legitimacy. She also talks about why American and English writers could not speak for people of colour, hence the onus was only on black writers to do that. Literature then took a different form altogether, and its voice wasn’t restricted in a way is what I could make out of it. In her most poignant tribute to James Baldwin, the eulogy she delivered at Baldwin’s funeral on December 8, 1987, she honours his literature, his voice, and how he used language so tenderly. Morrison’s heart is almost laid bare in this – this tribute of sorts to a dear friend. It is almost as if you start becoming her friend, piece by piece.

“Jimmy, there is too much to think about you, and much too much to feel,” she begins. “The difficulty is your life refuses summation—it always did—and invites contemplation instead. Like many of us left here, I thought I knew you. Now I discover that, in your company, it is myself I know. That is the astonishing gift of your art and your friendship: You gave us ourselves to think about, to cherish.”

Toni Morrison’s writing is not only simple, but elegant to the bone. It is as though you are speaking with a friend, an elder, a teacher of sorts who is telling you about life and its ways. Throughout the book, Morrison speaks of the personal and the political and how they are intertwined. The first section, The Foreigner’s Home deals not only with race, but also with the question: What is Home? Where do you find it? What does it mean? At the same time, the section has essays wide ranging from “Literature and Public Life” and also her Nobel lecture.

The third section of the book is my most favourite – the one where she speaks of language, authors, and the power of words. The essay on Beloved – how she came to write it and what it means to her, almost made me cry. Toni Morrison’s commentary on her own work – The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, and Paradise are honest, and she understands the time and space she wrote them in and how they might be read differently today.

Morrison’s works – fiction and nonfiction are always relatable. One doesn’t know if that’s a good thing or a bad thing, but the heart of the matter is the writing – from conception of plot to the way her sentences are constructed, every step is well-thought of and crafted.

I am convinced that there is nothing Ms. Morrison cannot write about. It is almost as if she has to just enter the space and something extraordinary emerges out of her pen. Her voice we all know is unique and original, but that’s not what makes an impact. I think it is the emotional intensity attached to it that makes all the difference, every single time.

The Source of Self-Regard: Selected Essays, Speeches, and Meditations as a collection of essays couldn’t have been compiled and published at a better time. We inhabit a world where people are extremely conflicted about issues of race, language, colour, and above all what entails to be human. I also would strongly recommend this book to every person who wants to understand home, race, the black person’s struggle, the place of literature in the world, and how it impacts us all. The Source of Self-Regard: Selected Essays, Speeches, and Meditations is illuminating, thought-provoking, and above all every piece has just been written from the heart.

 

Figuring by Maria Popova

Figuring by Maria Popova Title: Figuring
Author: Maria Popova
Publisher: Pantheon
ISBN: 978-1524748135
Genre: Biographies, Memoirs, Science
Pages: 592
Source: Publisher
Rating: 5 stars

How does one begin to explain a book like Figuring? Honestly, I don’t know, however, I shall try. The book Figuring is much like Popova’s site, brainpickings.org: it is sort of a Russian doll, revealing layer after layer after layer, only if you wish to see it, or perhaps experience it. Figuring is a book that you should read with the mindset of allowing the book to take it where it wants to, without expecting something too traditional or run of the mill.

Figuring is a beautiful combination of science with art. The alignment sticks – how each of them is intertwined and how art inspires science and vice-versa. It is like her website, only more detailed – pieces that go on and go and that’s what I loved as a reader, knowing I didn’t have to scroll up or down and could be after reading one paragraph or two and going back to it after a cup of tea.

Maria Popova’s book brings the wonder of scientists and then combines it with hearts and emotions of people, mainly women scientists and that to me was most unique. Figures looks at love, and truth through the interconnected lives of historical figures across four centuries. She begins with the astronomer Johannes Kepler, who discovered the laws of planetary motion, and it ends with Rachel Carson who was so important in the environmental movement.

And in all of this, Popova includes more artists, writers, and scientists (which makes it even more fun to read) – women, and queer and their contribution. What I love about Figuring is that it is like a rabbit hole that you would love getting into. Maria Popova interconnects, segregates, and makes you question matters of life, love, and the heart and what are we doing to leave an impression on the world.

Figuring asks big questions and it isn’t afraid of doing that. There is so much happening in the book that it takes some time to assimilate all of that, and only then can you get into its groove (or at least that’s what happened to me). Figuring would seem disconnected and disjointed in most places, till it all falls into place and that’s when you as a reader start seeing it for what it is. The book is a marriage of art, life, science, music, philosophy, feminism, decline of religion, free love, astronomy and poetry, and honestly no one better to do it than our very trusted Brain Picker.