This has been my first Fitzgerald novel and the story’s topic intrigued me more than anything else. Novalis, Friedrich von Hardenberg’s pen name, under which he became famous for his poetic and philosophical work at the end of the eighteenth century, has been a household name since high school. Yet, I knew little about the man himself or the hefty debates among early German Romantic writers and thinkers at that time on everything from “Weltschmerz” and nature-human harmony to gender relations and the role of poetry in life. With THE BLUE FLOWER Fitzgerald has made an important contribution to the literature on Novalis by creating a vivid portrait of the young von Hardenberg as he lived through a decisive period of his personal life which also saw him imagine “the blue flower” that became the central symbol of Romanticism from then on.
Central to the novel as well as to the man himself was his dramatic falling in love, at the age of twenty two with a twelve year old girl, Sophie von Kühn. Von Hardenberg, was already then a brilliant student of many subjects ranging from mathematics to biology, from literature and philosophy. Sophie, on the other hand, was a precocious child, “of ordinary looks”, without interest or promise in any of these fields. The unlikely match between the two, in terms of age difference, personalities and social status is expertly described by Fitzgerald and the different modes of the young man’s romantic obsession evoked. Livening the intimate and detailed, yet detached observations of the omniscient narrator with frequent lively dialog between the young hero and different close family members and other associates on all sides connected to either of the young lovers, the author also conveys a realistic sense their wider social circles. The author’s skill in conveying daily routines like the once in four months occurring “washday” is admirable. Her wonderful sense of humour is sprinkled throughout such descriptions.
Based on extensive research into von Hardenberg and his close family, using his writing, pertinent correspondence and diaries, official and private documents, Fitzgerald has not only realistically recreated his young adult years against a difficult family background, but also supplied us with glimpses into a politically and intellectually fascinating period of German (Prussian) history. At cultural centres such as Jena, young von Hardenberg encountered no lesser than Goethe, Schiller, Schlegel and other literary and philosophical greats of the time.
Fitzgerald makes THE BLUE FLOWER and interesting and intriguing book to read, in particular for readers with familiarity of the wider contexts, both in terms of philosophy and social politics or willing to explore these themes further. As a stand alone novel, without the reader’s knowledge of the time, it is not totally successful in my opinion. To derive full satisfaction the many insinuations and oblique references would have to be either better developed into the background, or the novel completely built as fiction without any intention to veracity and authenticity.