Author: Daniel Kehlmann
Translated from the German by Ross Benjamin
Genre: Literary Fiction, Translations
This is another International Booker 2020 Long-listed title which I finished this month. Mostly it worked for me, and mostly it did not. There is magic realism (which happens to be one of my favourite genres), history, and adventure. And yet there were times I just wanted to put the book down and not read it.
The book is about Tyll Ulenspiegel, a seventeenth-century vagabond performer and trickster. The book spans decades and traverses the Thirty Years’ War, and characters that Tyll encounters on his journey as a performer. It sounds all good on paper, even great, but somehow the book couldn’t hold my attention for the most part.
I just wasn’t involved in Tyll’s life or story and maybe that’s why the book didn’t work for me. At some points in the book, Tyll isn’t even at the center of it. There are other characters which take over, and that’s alright but the plot doesn’t move ahead or didn’t seem to for me. Tyll is atmospheric but that’s where the charm of this book ended for me.
The translation from the German by Ross Benjamin is perfect – when talking about the myth of Tyll, and what war does to humanity, and how art saves us all. Those portions had me wanting more, but not enough. When I started reading Tyll, I was really into the book for at least fifty pages or so, until it just became a chore, but spots of brilliance making an appearance now and then. I wish the moments of brilliance were more than a few.