Title: Love and Reparation: A Theatrical Response to the Section 377 Litigation in India
Author: Danish Sheikh
Publisher: Seagull Books
Genre: Plays, LGBTQIA
Source: Personal Copy
You don’t see a lot of LGBTQIA literature coming out of the sub-continent, even though section 377 has been read down. You just do not. I am not surprised though. But what I was pleasantly surprised by was this text, aptly titled, “Love and Reparation” – a collection of two plays about the decriminalization of queer intimacy that took place on the 6th of September of 2018.
One decision that changed so many lives across the spectrum. From being “criminals” to not being criminals overnight, and to have full sexual agency meant something for most, and yet there was doubt about the future, given how we lived in the past. The future is as uncertain even today, almost four years into the judgement.
Danish Sheikh’s two plays bring out the true nature of how we feel. It is a representation I am glad exists. Both the plays bring forth the intermingling of the personal and the political, with the legal aspects playing a major role. Sheikh writes with so much empathy, yet never straying away from facts. Being a queer person, Danish speaks through these plays – everything that is so personal is out there.
“Contempt” and “Pride” are the two sides of the same coin and it couldn’t be truer. One play examines the before and one the after. Both speak about living with the law and what are the repercussions. I learnt the language of longing and desire pretty late though I knew somehow what it was a lot earlier. I have lived through a time when Section 377 was used by my family to put me in place and I have thankfully (perhaps) also lived to see the day when this section was read down.
Contempt was written as a response to the Suresh Kumar Koushal vs. Naz Foundation judgement in the year 2013, when the Supreme High Court reinstated section 377, overturning the Delhi High Court judgement. Pride was written as a response to the decriminalization of 377 in the year 2018.
I felt deep sense of satisfaction after reading these two plays and yet I also felt this deep sense of loss, of something that is still not complete and needs to be looked at, with one eye on the future. And yet, these plays have provided so much hope and love inside of me for what’s to come. A love that can finally speak out loud.