Category Archives: Literary Fiction

Elevation by Stephen King

elevation by stephen king Title: Elevation
Author: Stephen King
Publisher: Hodder and Stoughton, Hachette
ISBN: 978-1473691520
Genre: Literary Fiction
Pages: 160
Source: Publisher
Rating: 4 stars

No matter how short or long the book is, I am a sucker for books written by Stephen King. Also, no matter how not so very good or very good those books are. Well, I guess some writers are just worth your time. In fact, I was just discussing with a friend yesterday that how he has the perfect blend of writing (if there is something like that at all) – the one that combines mass market with literary. Stephen King to my mind writes like no one else I have read and that’s perhaps that’s quite a tall claim, but I shall go with it for now.

Elevation is not like any Stephen King book you would’ve read and for someone with that kind of bibliography, that’s saying a lot. At first glance, a book about a man who is worried about his steady weight loss might seem to go in King’s safe spot, it isn’t the case as you continue reading it. The plot takes a very un-King twist and from there on the book becomes something else. Even in a 160-page book, King manages to fit in so much without it seeming that way.

The twist in the tale of Elevation is the plenty references of earlier books set in Castle Rock – from IT to the others. But what sets this one apart is how Scott (the protagonist) deals with what is happening to him and more importantly what is happening around him when a lesbian couple comes to town, opening a fine-dining restaurant and the town’s bias and prejudices start showing.

I for one, am extremely happy that King chose to speak of a marginalized community and has done so with great empathy. Sure, the tropes are present – the biggest being the backdrop of Thanksgiving. Having said that, there is a very small element of suspense that gets cleared very soon. I think King should write more of these novellas, that are so precise and yet convey everything. At the same time, I realize that I miss a tome from him.

Elevation is a much-needed book and I am glad it’s out there for people to read. It captivates and makes you think and wonder about your own biases. Read it. Please read it. Like I said, it is the kind of book that will make you sit up and take notice of people and communities around you.

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Dark Circles by Udayan Mukherjee

Dark Circles by Udayan MukherjeeTitle: Dark Circles
Author: Udayan Mukherjee
Publisher: Bloomsbury India
ISBN: 9789388134910
Genre: Literary Fiction
Pages: 215
Source: Publisher
Rating: 4 stars

I got to know very recently that Udayan Mukherjee is the brother of Neel Mukherjee. Not that it matters to the writing of this review, however, I just thought I should let this information be out there. Alright, now to the book. Dark Circles by Udayan Mukherjee is the story of a family, torn apart by a secret, at two points in the family’s history. There is a lot happening in this novel. Ronojoy and Sujoy’s mother dies alone in the Ashram she retreated to quite suddenly twenty-eight years ago, after the death of her husband. She has left a letter behind for her sons, in which contains a secret that has the power to wreak havoc in their lives. Though this might seem to be the plot, there is a lot more taking place in this novel.

The book is also about family (but of course), it is about depression, about how to live in the face of tragedy, and how decisions made once can never be undone. It is about forgiveness, and more than anything else, about redemption and the human heart. The writing is sparse, to the point and extremely moving in most places. What I wanted from the book was more. I wanted to know more about the bond between the brothers, what their father Subir was like (though Mukherjee has said a lot about him, there is so much more to know), what were the relationship dynamics, and why was their mother Mala the way she was.

I am also aware and agree that the writer isn’t supposed to spoon-feed the reader all the time, but all the same, I thought a little more could’ve been added. The characters are wonderful, there is this sense of darkness hanging over each of them, that lends beautifully to the telling of the story and to the title as well. Udayan Mukherjee for sure knows how to tell a story, to keep the reader gripped from page one. More than anything else, it is about relationships and ties that bind us and sometimes tear us apart.

 

The Engaged Observer: The Selected Writings of Shanta Gokhale: Edited and with an Introduction by Jerry Pinto

SGTitle: The Engaged Observer: The Selected Writings of Shanta Gokhale: Edited and with an Introduction by Jerry Pinto
Author: Shanta Gokhale
Publisher: Speaking Tiger Publishing Private Limited
ISBN: 978-9388070492
Genre: Nonfiction, Anthology, Essays
Pages: 312
Source: Publisher
Rating: 5 stars

You do not just read Shanta Gokhale. You literally take in everything she has to say, and mull over it for days, weeks, and sometimes even months. That to me is the power of prose, of words on paper, and most of all it is about the emotions she can evoke in you. You read Shanta Gokhale to take count of the world around you – to see its decline, the society we live in, its hypocrisy (laid out by her with immense logic and facts), and how at the end of it all, there might also be some hope and redemption.

I remember reading Crowfall way back when it released (in English though) and was moved deeply by it. There was nothing specific I could put a finger on, but what she wrote was enough. All of it. Every single word. What Jerry Pinto does through this anthology of her selective works is give you a fair enough glimpse into her mind and writing, so you can read more of her and I bet you will, once you are done with this one.

This book is varied – that because Shanta Gokhale is so prolific – having written so much – from theatre of Bombay to the theatre of Mumbai, the political scenario, on India, on Literature, the Marathi culture (that is trying very hard to revive itself), and everything else in between. I don’t think there is any topic that Shanta Gokhale hasn’t written on. But it isn’t just this, it is the way she writes – almost makes you feel that you are the only one reading her at that time.

The Engaged Observer (what an apt title) is about so many things and yet doesn’t feel overdone or trying too much to fit into one book. In fact, if anything, I wanted more. Shanta Gokhale writes with clarity. Every sentence is in place. My favourite section has to be the one on women – the patriarchy, feminism, and women defying the misogynistic constructs of society.

Shanta Gokhale’s writings are lucid, rich in facts, detailed, and doesn’t veer at any point into becoming something else. Points are made and then it is up to the reader to make their judgement or not. The writings are not biased. As the title aptly suggests, Gokhale observes intently, engages with the observation by making notes, writing about it, and leaving it to the readers to consume. Also, kudos to Jerry Pinto for carefully selecting the pieces he did to introduce us/enhance our understanding of the writer – and the neat sections that help the reader navigate.

There are a lot of reasons I would recommend this work. Some of them being: clarity and simplicity of language, the varied pieces – there is literally something for everyone, and to top it all her writing – the kind that cuts through without seeming that way, the kind that makes such a strong impact that you cannot help but want more, the kind of writing that shakes you up and makes you see the world differently. It is the kind of writing that only comes from an engaged observer – the one who constantly sees, relates or does not, but definitely engages – no matter where she is.

If You See Me, Don’t Say Hi by Neel Patel

IYSMDSH Title: If You See Me, Don’t Say Hi
Author: Neel Patel
Publisher: Flatiron Books
ISBN:9781250183194
Genre: Short Stories
Pages: 224
Source: Publisher
Rating: 4 stars

A short-story collection that is written well and paces itself beautifully always lifts my spirits. It is the feeling of the book never ending. A feeling that it should last a little longer, even though it might end. Some more. And that’s exactly what I felt but of course while reading If You See Me, Don’t Say Hi.

Neel Patel’s stories are quiet and tender. They pack a punch nonetheless when they have to. What lends to them superbly is the writing – the in-depth and heart-wrenching intimacy of this collection, and more than anything else, the tapestry of the lives of second-generation Indians – their lives and loves in the US of A.

Relationships are at the core of this book and no one is judged. These eleven stories pack a punch every time. The stereotypes grow with every turn of the page and then Patel shatters them with one giant stroke of the hammer. Whether it is a younger gay man involved with an older one, three women who want to defy every norm of society there is, a young couple trying to carry on with their lives amidst gossip, and whether it is standing up to arranged marriage, every story is layered and compelling.

Neel Patel’s prose isn’t sugar coated. His characters betray, regret, and realize that living is perhaps all of this and more. That makes it real and relatable, no matter where you live. The landscape doesn’t matter. The stories do for sure. They speak to you. You can see these characters around you and that’s where I guess Neel also gets his inspiration from.

“If You See Me, Don’t Say Hi” is a collection of stories that must be read this year. A debut that is so strong, introspective, and will make you perhaps see the world a little more differently than you are used to.

Polite Society by Mahesh Rao

PS Title: Polite Society
Author: Mahesh Rao
Publisher: Penguin Random House India, Hamish Hamilton
ISBN: 978-0670091003
Genre: Literary Fiction
Pages: 312
Source: Publisher
Rating: 4 stars

I remember being on the fiftieth page and wanting to give up reading, “Polite Society”. I mean I had read Emma multiple times and saw no reason to continue with the shenanigans of the Delhi elite. It just didn’t make sense to me. Till I persisted of course and then too I wouldn’t really call it a smooth-sailing ride, oh but what moments we had – the book and I. It was read everywhere. I carried it everywhere with me – from the South of Mumbai (which the characters would approve of) to the North of Mumbai (don’t roll your eyes now, come on, be kind or at least pretend to be) to places I shall not mention here, but you get the drift.

So, we know “Polite Society” is modelled after Emma by Austen. Austen brings it out in us – as writers and readers to take the imaginary baton and pass it on, keep passing it on, and more so till something can be done with it. When something isn’t Aisha (thank God for that) or even Bride and Prejudice (thank Heavens, I left in the interval), and something then becomes a Bridget Jones’ Diary (the sequel was a disaster) or even Polite Society (the right turn on the 75th page or so).

“Polite Society” is an out and out, witty and most certainly a satire that you just cannot put down after a couple of chapters in. Might I also add, that it is dangerous and quite risky to adapt an Austen novel. It isn’t about the time or the characters or even relevance (some works are universal and break through barriers of time, no matter what), it is about the urgency, the speed, the context needs to drive fast in this time and age and not languid as Emma or Mansfield Park is. Rao takes care of that aspect brilliantly.

Set in contemporary Lutyens’ Delhi, we meet Ania Khurana, a native of Prithviraj Road. From the first page, you know that you have bumped into Emma. Miss Taylor is Renu bua, Ania’s unmarried aunt who she eventually sets up with Colonel Rathore. Dimple of course is modelled after Miss Harriet who is Ania’s special project to work on. Mr. Knightley is Dev, a close friend of the Khuranas. And the stage is set, well almost.

We all then know how it proceeds, don’t we? Ania is a 20-something who just is a meddler and thinks she can make matches, after she sets up her aunt with Colonel Rathore. All she wants now is to find a great match for Dimple, which of course she fails at miserably. So, what is different in this book you ask? Isn’t it just like Emma? Well, I revere Austen and everything she ever wrote, including her letters. I think for the major part so does Rao. Actually, throughout the book that is.

Till the third portion of the book when things become darker and oh so yummy! There are a lot of twists and turns which as a reader you will not see coming and which as a reviewer, I just cannot disclose (spoilers and all that, you know). The framework of Emma is intact, and yet Rao has given himself and the characters more than enough room to play and act out on their own. The style of writing also veers right from the very beginning – an almost mocking tone used for Lutyens’ Delhi and what they represent. Unlike Austen, who wrote in the third person, Rao takes the route of making his characters visible – they are transparent to the reader and have the much-needed gravitas.

At the same time in “Polite Society”, Rao’s maturity comes from the auxiliary factors – the sights, the smells, the touch and what Delhi and its people are made of. There is the sense of discomfort present in all characters – it’s as though they are aware of their shortcomings and flaws and yet will never call them out for what they are. There are neat sub-plots, that when mingle as well do not cause confusion or stir up a storm for the reader.

What is also of interest is how Rao’s characters demand empathy and in more than one-way Mahesh Rao gives it to them straight up. Whether it is Dimple’s dilemma at balancing Ania’s decisions and hers at the same time, or Ania’s failed attempts over and over again, there is always empathy. There are no caricaturist Austen-inspired genteel creatures so to say. The world of Lutyens’ Delhi as presented in “Polite Society” is cleverly funny and satirical, though sometimes it might feel a tad bit exaggerated. There is a lot of back and forth in the plot structure and sometimes internalisation, but it is needed to propel the book. All in all, “Polite Society” is a very interesting and dynamic read, which most of the times comes into its own, and away from the shadow of Austen.