Category Archives: HarperCollins India

Bhaunri by Anukrti Upadhyay

Bhaunri by Anukrti Upadhyay Title: Bhaunri
Author: Anukrti Upadhyay
Publisher: Fourth Estate India, HarperCollins India
ISBN: 978-9353570033
Genre: Contemporary Fiction
Pages: 148
Source: Publisher
Rating: 3 stars

Bhaunri is the book that should be read on a rainy day. It is short and can be finished in less than an hour and a half. It is atmospheric. It is everything that you want from a book not set in a milieu you are familiar with. The writing makes you turn the pages, and also because you want to know how to book ends.

This novella by Anukrti Upadhyay is set in a village in Rajasthan. The protagonist, Bhaunri is married, according to the customs of her nomadic tribe of blacksmiths at a very young child, till the time comes for her husband and his family to take her away. She is a young woman now and is aware of the ways of the world. Her parents have taught her well and at the same time given her the liberty to think for herself. There is another angle to it – her parents’ love story which I will not reveal.

Bhaunri finds herself drawn deeply to her husband Bheema. The love isn’t only physical but also all-consuming. Her mother-in-law and her marital life are also a very important part of the book. With the great atmospheric background of the desert and village life, the drama plays out, to reach the end that I didn’t have in mind.

I liked the book because like I said the setting had me gripped from the first time. The folklore, the myths, the superstition, and above all the food that was cooked all worked. Plus the way the author describes the house and what goes on in there – the shed, the workings of sleeping outside in winter, so on and so forth.

What didn’t work is that the pace seemed too rushed. I felt that there was a tearing hurry to just finish the book and not build on the emotions of other characters, except Bhaunri. Also, the second-half of the book (well not like a film), somehow just left me feeling that a lot could’ve gone down (with one character just being a prop and the other not being spoken about at all), yet I guess it is to the author’s discretion.

Having said this, Bhaunri is a book that is refreshing and full of female agency and must be read to explore new lands, thoughts, and ways of life. A book that will sure want me to read her other book Daura in due time.

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Amrita Sher-Gil: Rebel with a Paintbrush by Anita Vachharajani. Illustrations by Kalyani Ganapathy

Rebel with a Paintbrush Title: Amrita Sher-Gil: Rebel with a Paintbrush
Author: Anita Vachharajani
Illustrated by: Kalyani Ganapathy
Publisher: HarperCollins India
ISBN: 978-9352774739
Genre: Biographies, Art Biographies
Pages: 184
Source: Publisher
Rating: 4 Stars

I love Sher-Gil’s work. Almost everything she painted. Every work of art transformed itself in her hands. So there was this one biography of hers which I had read a long time ago, whose author I forget. But this is the one that will stay for a long time to come. I think it is mainly because of the illustrations.

“Rebel with a Paintbrush” very succinctly describes Sher-Gil – as a person, a wife, a lover, and an artist. More than anything, the book is all about her influences and her works of art. The journey of an artist is so well-described that I wished there was more of it.  More than anything else, I am in awe of how she conducted herself and lived life on her terms. Mind you, we are referring to a time when feminism had just taken flight.

This book is about her life, her influences, her education, the growing-up years and her determination and passion toward her art. It is also about the story behind the artist – about the rebel and the dreamer, her loves and longing and what shaped her both as an artist and woman.

Anita Vachharajani’s take on it may not seem new, but the writing is fresh and important. Also the beautiful reprints of Sher-Gil’s work along with the original illustrations by Kalyani Ganapathy make it more than worthwhile to pick this brief biography. I loved how Anita has looked at every aspect of Amrita’s life and ensured that nothing is missed. I can only imagine how she must’ve managed it but the result is quite a treat for someone who has an interest in art and wants to understand more about Amrita Sher-Gil – her life and work. Do read this book. Won’t take too much of your time and a perfect one for the monsoons.

Longform: Volume 1: An Anthology of Graphic Narratives. Edited by Sarbajit Sen, Debkumar Mitra, Sekhar Mukherjee and Pinaki De.

Longform Volume 1 Title: Longform Volume 1: An Anthology of Graphic Narratives
Edited by Sarbajit Sen, Debkumar Mitra, Sekhar Mukherjee and Pinaki De
Publisher: HarperCollins India
ISBN: 978-9352775972
Genre: Graphic Novel, Graphic Anthology
Pages: 400
Source: Publisher
Rating: 4 Stars

Graphic novel love began way back for me, in about 2006, I think. Landmark at Infiniti Mall, Andheri had just opened. My friend N and I used to love meeting there (for obvious reasons, of course) and before we knew we used to finish reading graphic novels, right there. We would buy them as well. After all, we knew what it was like for authors to not make money. That was then. I also vividly remember my first graphic novel – read in 2004 (yeah, at that time I did not know it was called a graphic novel), called “Maus”. I also think “Maus” is like the initiation to graphic novels. Either that or “Persepolis”. And today, graphic novels are the rage. Easier to read, linger in your memories a lot longer and a popular genre by far in the country.

“Longform: Volume 1” is a fantastic anthology of graphic narratives. I honestly do not even know where to start praising it. I am not saying this because I love HarperCollins books. I say this, because, after PAO, published by Penguin India, this is the second of its kind anthology in the country – which readers so deserve and want and there should be more of such anthologies. While “PAO” focused mainly on Indian artists and storytellers, “Longform” takes it a step further to involve artists from all parts of the world, thereby providing the reader with a stunning word and image experience.

It was very difficult for me to consolidate my thoughts for this review. Where does one begin talking about a book this diverse? Or should one even attempt? Well, one must do what one should and what one can I suppose. From the legendary (rarely) to the mythical, to the political to the romantic, “Longform” touches on almost every single genre and within that, there is a world of other art forms that seem to be born. Whether it is just simple line drawing or the more complex art form, the reader cannot choose what to focus on – the art or the story. Everything then matters in the grand scheme of the book that you hold in your hand.

“Longform” also doesn’t restrict itself to the graphic form alone. While it is majorly only that, there are also snippets of interviews, back stories of artists and authors and the ideation process as well, which of course, only adds to the magnificence of the book. I also am not mentioning any pieces in particular, because I honestly would love readers and graphic form enthusiasts to be intrigued a little more about this book, go out and pick it up, nestle in your favourite reading spot and devour it cover to cover, only to start all over again.