Category Archives: contemporary fiction

Read 1 of 2023. Tomorrow, And Tomorrow, And Tomorrow by Gabrielle Zevin

Tomorrow, And Tomorrow, And Tomorrow by Gabrielle Zevin

Let me just say, right at the start, that this book is all about kindness, and more than anything about kindness in friendship. I think everyone who thinks of themselves as a friend to someone must read this book. It will only strengthen your bond with that one friend or more than one friend you hold close to your heart. And also, there’s none of the preachy stuff, nor does it try to be a self-help guide in any way. If nothing, Zevin shows relationships for what they are: messy, complicated, but in the end all-enduring.

Yes, this book is about two friends who meet when they are kids – when the meaning of friendship is known, but not about its endurance. They meet in a hospital – playing video games – what they know and love best – and video games chart the course of their lives – well in some manner or the other – through their friendships, loves, falling-out, anxiety, depression, disabilities, and above all making them realise their worth in each other’s lives. It is about misunderstandings, about race and class, about how the other is treated in the United States of America, of privilege, of disability (the most honest portrayal of it I have read in contemporary literature), and of second and third chances – to make us feel how after all we are all waiting to reset whatever happens to us, and start anew.

“Tomorrow, And Tomorrow, And Tomorrow” came to me at a time when I suppose I needed it the most. It made me see the power of relationships, and how flawed we all are in the larger scheme of things. Through video games – across decades, Zevin’s writing takes the reader through so much – the universe in which video games are made, the intricacies of each game, the dynamics of Sadie, Sam, and Marx, of how it is to find solace in a world that is unreal, but is more real to you because of the comfort it provides, and ultimately the question of love, and what it really is.

Through the book, I found myself thinking of my relationships with people – of what they were, what they could’ve been, and what they are. The book moved me to tears in so many places – Zevin doesn’t sentimentalise emotions – she doesn’t write to make you weep or cry – she just tells the story that she wants to, and all emotions come along the way. I experienced the same while reading, “The Collected Works of A.J. Fikry” and recommended it very highly to one and all.

“Tomorrow, And Tomorrow, And Tomorrow” is a book I cannot stop recommending. Please read it, if you haven’t already. I am just so happy that it happened to be my first read of 2023, and just as sad, because it ended.

Books and Authors mentioned in the book:

  • Homer
  • Odyssey
  • Ulysses
  • The White Album by Joan Didion
  • Shakespeare
  • Twelfth Night
  • Macbeth
  • The Marriage of Beth and Boo
  • Hamlet
  • King Lear
  • The Mikado
  • The Tempest
  • A Brief History of Time
  • Kiki’s Delivery Service
  • A Chorus Line
  • The Call of the Wild
  • Call it Courage
  • The Hero’s Journey
  • The Language Instinct
  • Swiss Family Robinson

Teen Couple Have Fun Outdoors by Aravind Jayan

Teen Couple Have Fun Outdoors by Aravind Jayan

Title: Teen Couple Have Fun Outdoors 
Author: Aravind Jayan
Publisher: Serpent’s Tail 
ISBN: 9781788169868
Genre: Literary Fiction, Contemporary Fiction 
Pages: 208 
Source: Publisher 
Raring: 4/5

There is a quiet desperation to small towns. You do not know or understand it till you live in one of them – a small town, a small city, or when you are living inside your head for way too long. But more than that, there is always the desperation seen in families – not so quiet, not so loud, just the right kind of simpering, of yearning, and of grudges that fester and fester over time. 

Teen Couple Have Fun Outdoors by Aravind Jayan is a book about so much that I find it difficult to pinpoint what it really is about. Jayan packs it all in 200 pages, and gives you a family stuck in time, its members grasping at the last straws of connect, of indifference even, of anything that makes them family, only to have drifted in their own different orbits, wandering, trying so hard to make it back home. 

The plot is about a couple whose video of making out or having sex is secretly filmed and is all over the Internet, and how they and their families deal with it. Amma and Appa have no names. The girl’s parents are just Anita’s mother and father. The boy is Sreenath. The boy’s brother, the narrator of the story is also nameless. In such cases, it is the names of the couple that are hidden. Jayan gives them agency to not be answerable to anyone. This is small-town India, this is a scandal, and then there is the question of family and society, that Jayan handles with humour, dryness, matter-of-fact, and making us aware of the hypocrisies that at the heart of the narrative. 

The narrator – the younger brother – who is only twenty, takes on the role of telling things the way they happened – from the discovery of the video, to when the story begins of the family buying a Honda Civic – a car that was meant to be a status symbol, and by the end of the story is nothing but a bad reminder of what took place after. The narrator wants so badly for things to work out – for his family to get together the way it was – anything that is normal – anything that wasn’t. 

Teen Couple Have Fun Outdoors reads like a newspaper headline – the one that gives incorrect details – the one that only wants to be sensational and malignant, and malicious at best. There is so much to talk about that goes on this novel – it is also a coming of age novel, a novel where time doesn’t matter – it exists as a plot point but never as a measure of things – never as a stock-taker, as though there is no stock of emotions. That’s another thing about this slim wondrous novel – emotions are deep-seated and multi-layered. Nothing is in your face, nothing is dramatic, and even if it is – it is just maudlin at best – forced and fake. 

Jayan’s writing is refreshing – it is incisive, matter-of-fact, funny in so many places, astonishingly lucid, and makes no bones about what the family is going through. There is no sentimentality in his writing. It is life – it happens, and that’s what I got from it. Teen Couple Have Fun Outdoors is a reflection of so much in the societies we inhabit and yet doesn’t become preachy at all. It is refreshing like cold lemonade on a hot day, yet infusing the claustrophobia of the day – of the perspiration on your back, of sweat patches under the arms – visible to all, no matter how hard you try to hide them.

 

Read 30 of 2022. Love in the Big City by Sang Young Park. Translated from the Korean by Anton Hur

Love in the Big City by Sang Young ParkTitle: Love in the Big City
Author: Sang Young Park
Translated from the Korean by Anton Hur Publisher: Tilted Axis Press
ISBN: 978-1911284659
Genre: Literary Fiction, Contemporary Fiction Pages: 231
Source: Publisher
Rating: 5/5

Sang Young Park’s prose along with the translation of Anton Hur did for me what Sally Rooney couldn’t, and I have finally found my closure for not enjoying any of Rooney’s works.

Disclaimer: This is the only time I have brought up Rooney in this review.

Love in the Big City is again one of the International Booker 2022 Long-listed titles that resonated with me like no other, besides Heaven. It is a story of friendship, of love, of lust, and essentially of what it is to navigate all of this in a big city. It is messy, it is loud, and sometimes insufferable as well – the way all love is meant to be, but Sang Young Park and Anton Hur give it another dimension – that of pained self-realisation and temperaments that constantly hover on the page.

The story is of the narrator, Young, and his coming-of-age – from college to postgraduate life in Seoul. The book is about the loves of his life (some not so much loves as episodes of lust) – his roommate, Jaehee who moves out after marriage, his cancer-stricken mother, his activist ex he calls Hyung, and Gyu-ho, who makes up most of the second half of the novel.

As a middle-aged (I cannot even bring myself to say it but it’s the truth) gay man in India, I could relate to so much of the book. Of the relationship with the mother – constantly mercurial, of the men in his life, and of a woman who is your best friend and most of all the gay identity that runs throughout the book.

Young is complicated. It is not easy to like Young and yet you do, because we see so much of ourselves in Young, at least I did.  We lead quiet queer lives, till it isn’t all that quiet anymore. The transformation of the queer life from the 20s to mid-30s is mind-boggling. We go from one extreme to another. We want to be visible and that’s what Young does till he doesn’t want to be unacknowledged.

Relationships are fragile, emotions even more so. The translation by Anton Hur depicts all of this and more, adding a new dimension of his own to the novel. The pride and shame and loneliness of being gay is so apparent and palpable that it scared me as a single gay man in the big city – where everything is big and sometimes all you need is small, tender expressions of love. I search for them. Constantly.

Read 28 of 2022. The Island of Missing Trees by Elif Shafak

The Island of Missing Trees by Elif Shafak

Title: The Island of Missing Trees
Author: Elif Shafak
Publisher: Penguin Viking
ISBN: 9780241435007
Genre: Literary Fiction, Contemporary Fiction
Pages: 354
Source: Publisher
Rating: 5/5

The thing about books like The Island of Missing Trees is that they never slip from memory. They are always fresh and clear. The plot, the characters, and sometimes even certain lines. The Island of Missing Trees is so much and only Shafak could’ve skilfully managed to string it all together, without any thread going to waste.

The Island of Missing Trees is a love story – not just of two people, but also of a fig tree, of a teenager and her family, of love that we have for our homelands from which we are forced to flee, or have to in order to lead better lives, and more than anything else, it is a love story of people and nature.

Two teenagers fall in love in Cyprus – one Turkish, the other Greek. They meet at a taverna which is home to them. Kostas and Defne meet in secret, away from people’s prying eyes, in a tavern with a fig tree at its center. The fig tree watching all, observing their love, and jotting memories as time goes by. A war breaks out. The lovers are separated only to meet decades later, and what happens after that is one of the plot points of the book I don’t want to reveal.

The book travels between the past and the present, giving the readers the perspective of the fig tree, of Kostas and Defne’s daughter Ada, and more importantly of what happens to countries when borders are most sought after.

Shafak’s writing is emotional, it is gut-wrenching in so many places – when she speaks of home, of what it is to be driven away, to see neighbours turning on you – it makes you think of the countries currently in conflict and it is all about this – land for them, home for the people who live there.

The layers to this novel are plenty. On one hand, Shafak tackles mental health and its navigation, on the other – the country at war not only with outsiders, but with itself when it comes to love, of ties that are thicker than blood, and ultimately on the idea of what is home and what makes it familiar. I hope this novel makes it to the shortlist of the Women’s Prize for Fiction 2022.

Read 205 of 2021. The Man who Lived Underground by Richard Wright

The Man who Lived Underground by Richard Wright

Title: The Man who Lived Underground Author: Richard Wright
Publisher: Library of America
ISBN: 978-1598536768
Genre: Literary Fiction
Pages: 240
Source: Publisher
Rating: 5/5

I was absolutely stunned as I turned the pages and devoured this previously unpublished work of Richard Wright. The Man who Lived Underground is about an innocent black man who gets trapped in double homicide and brutalised by the police force. He is wrongly accused, interrogated for the sake of it, and finally not even entitled to a lawyer to fight his case. This book is set in 1942. Sadly, nothing has changed.

Fred Daniels manages to escape from police custody and enters the sewers, and this is really where the story takes place. He has lost his home, his wife, and his new-born child – all because of his colour and the racism that exists. He is making his way through the sewer questioning life and death, his existence at large, and what will happen to him once he is found by the authorities.

The writing is quick in most parts, verbose in some, but never lets go of the reader. You can see Wright’s touch through and through, but more than that, I also saw a lot of Baldwin in the book. Perhaps Baldwin inspired Wright to write the way he did.

The experience of reading about a man in a sewer is nightmarish, almost allegorical, even magic realism taking on in the prose to some extent. Everything in the sewer takes on a different meaning – from a car sloshing through a puddle, or the scream of a baby, or a shout – it is all different for Fred much like when he exists on the world above.

Wright’s writing cuts to the bone. Empathy flows throughout. There is madness. There is chaos. And it all seems like one big fever dream, an old story told over and over again – when everyday life is taken over by hallucinations in order to make it bearable.