Category Archives: Bloomsbury India

Here is the Beehive by Sarah Crossan

Here is the Beehive Title: Here is the Beehive
Author: Sarah Crossan
Publisher: Bloomsbury Circus
ISBN: 9781526619518
Genre: Literary Fiction
Pages: 288
Source: Publisher
Rating: 5/5

Here is the Beehive is a story of a relationship, of love, of loss, and how the world seems when the beloved is no longer in it. At what point do you start doubting love, only because both of you were married to different people? At what point do you not trust what was said, proclamations made after sex, vows declared after being drunk, the world offered on a platter when they were in a good mood?  Here is the Beehive is a story of all of this and so much more.

I had not read any Crossan before this. With this book, I think I will break that and read everything she has written (though most of it is YA literature, if I am not mistaken). Here is the Beehive is also perhaps about every relationship that we have with others – family, friends, acquaintances, best friends, lovers, and more. Though on the surface it is about the death of a lover, and what happens after to the lover left behind, it is also about all of the other relationships and the role they play in your life.

This verse novel has so much to say and yet sometimes it says so little and does a great job of it. Connor and Ana keep telling each other that they will leave their spouses but they don’t. They break up, come back together, break apart, and repeat the cycle, till he dies, and that’s the end of the relationship. Ana is left with nothing but grief and memories. The relationship isn’t healthy. Crossan shows its toxicity in full splendour, however, there is love.

Crossan’s writing is real – the small instances of validation when in love or lust, the small instances of grief that turn big, the need to know that you were loved – and that wasn’t just something you made up in your head – all of it is tended to with great attention and eye for detail. There are no winners or losers. There is only love and what happens when you fall hard without understanding the implications. No one is right or wrong. It just is.

January 2020 Reading Wrap-Up

January 2020 Wrap-Up

The start of the year has been great. I wanted to read 20 books. Ended up reading 13. Not bad though, out of which two were graphic novels and one a picture book for children (seemingly). .

Books read transported me to so many lands and made me explore my own stance on issues and life in general. From a story of a marriage to a story of how a movie on Manto was made to a novel on racism in modern-day America to a book on Dara Shukoh, I’m quite pleased with the diverse reading. At the same time, it so happened organically that I ended up reading 12 books by women and 1 by a man. Also, thank you to all the publishers who sent these books.

Here are the titles with my ratings:

1. A Small Place by Jamaica Kincaid (5/5)
2. Grass by Keum Suk Gendry-Kim (5/5)
3. Exquisite Cadavers by Meena Kandasamy (4/5)
4. I Remember Beirut by Zeina Abirached (5/5)
5. Jaipur Journals by Namita Gokhale (4/5)
6. All my Goodbyes by Mariana Dimópulos (5/5)
7. Manto & I by Nandita Das (4/5)
8. North Station by Bae Suah (5/5)
9. The Beach at Night by Elena Ferrante (5/5)
10. Interior Chinatown by Charles Yu (5/5)
11. Such a Fun Age by Kiley Reid (4/5)
12. So All is Peace by Vandana Singh-Lal (5/5)
13. The Emperor Who Never Was: Dara Shukoh in Mughal India by Supriya Gandhi (5/5)

This is my list. What have you read this month that has got you excited or made you want to recommend it to everyone you know? .

The Dutch House by Ann Patchett

The Dutch House by Ann Patchett Title: The Dutch House
Author: Ann Patchett
Publisher: Bloomsbury
ISBN: 978-1526618757
Genre: Literary Fiction
Pages: 352
Source: Publisher
Rating: 5 stars

The Dutch House by Ann Patchett is a novel of many wonders. It is a box of things that are seen at first glance, only to discover a secret opening, where new things emerge from. This book gives, and gives, and gives some more. As a reader, as a fan of Patchett’s works, as an ardent admirer of what she puts to paper, my experience with The Dutch House has been surreal, mixed with nostalgia, and snatches of memory of my own childhood (though not this morbid or unfortunate).

What is a novel? What should be a novel? Is there such a thing as an ideal novel? Who decides that, if there is something like that? The critic? The reader? Or all of us, trying to find answers to questions of meaning of life, hope, and love as we turn the pages of novel after novel, searching for truths unknown as we move from one work of fiction to another?

The Dutch House is a fairy-tale. It is also gothic in nature when you least expect it to be. It is also full of misery, and then surprises you with moments of hope and togetherness. It is the story of two siblings – how they lose their home, how they understand each other (or not), and how they reclaim some of their lost home.

We are introduced to Danny (the narrator), and his older sister Maeve right at the beginning of the book. Their introduction to their would-be stepmother Andrea is where the book starts, and that’s when the series of events unfold in front of the reader – travelling between the past and the present of the novel.

The fairy-tale element runs strong, with a fair share of the Gothic that adds to the strong plot. Not to forget the way Patchett builds on the characters – from the housekeepers to the people that enter and exit from the siblings’ lives. Each character and each plot point is thought of to the last minute detail and maybe therefore this novel is as close to being perfect or it already is in more than one way.

What I found most interesting was the use of narration – by using the first-person narrator technique in a novel where time is of most importance, we see events unfold through two perspectives – the younger Danny and the older Danny. A doppelgänger effect, adding another layer to the complexity of the book.

The Dutch House is deceptively simple. It is a book that seems so easy to read on the surface, and it is. However, it is in joining the dots that are far and wide that adds to the reading experience. It is for this reason and more that Patchett is one of my top 10 favourite writers and will always be. She makes you feel, she makes you internalise how you think and feel as you read her books, and more than anything else she reminds you that being humane is the heart of it all.

City of Girls by Elizabeth Gilbert

City of Girls Title: City of Girls
Author: Elizabeth Gilbert
Publisher: Bloomsbury
ISBN: 978-1526615237
Genre: Contemporary Fiction, Historical Fiction
Pages: 480
Source: Publisher
Rating: 4 stars

I am just going to go on record and say that I absolutely love Elizabeth Gilbert’s writing. I remember the time Eat, Pray, Love had released in India and had become an overnight sensation. The literary snobs (as they are called) were pretty hesitant to even read it, often dismissing it as “chick-lit” (hate this term by the way). And then “The Signature of all Things” was published a couple of years later and it was a literary sensation. More than anything else, just the way it was written – the characters, the setting, the prose – all of it. But this review is about City of Girls.

 City of Girls is a novel that seeps you into its timeline, makes you feel for the characters, and makes you aware of the fact that you are under a spell as long as you’re reading it. City of Girls may not also be everyone’s cup of tea. It is slow and takes time to build up, but I loved every bit of it because it is atmospheric and lures the reader in – with every turn of the page.

 The book is set in New York of the 1940s – the world of theatre at that. Vivian Morris is eighty-nine years old, looking back on her life in the 40s – freshly kicked out of Vassar College, arriving at Manhattan to live with her aunt Peg who owns the crumbling theatre called the Lily Playhouse. This is where the story begins with oddball characters, and a mistake committed by Vivian that sends her world twirling headlong upside down and more.

 This is the plot of the book to put quite simply. The book is about growing-up at a time when the world was changing at a neck-breaking speed and to keep up with all of it. Of course, the book is also about war and what it does to people. Gilbert writes about it realistically and yet not losing her touch of empathy and emotional quotient.

City of Girls may seem extremely slow in bits and parts (especially in the middle), however, just like any other book it works for some and doesn’t for the other. Gilbert’s writing prowess is the same or even better when it comes to this read, and please don’t compare The Signature of All Things to this one, because they are vastly different. What most certainly worked for me was the transition from the 1940s to the current time and Gilbert has done a stunning job of bringing it all together, in one book. Read it if historical fiction interests you, or if you are comfortable with a book taking its own time.

 

Good Talk: A Memoir in Conversations by Mira Jacob

Good Talk by Mira Jacob Title: Good Talk: A Memoir in Conversations
Author: Mira Jacob
Publisher: Bloomsbury Publishing
ISBN: 978-1408880166
Genre: Graphic Memoirs
Pages: 368
Source: Publisher
Rating: 5 stars

We don’t know what life has in store for us till it flings itself in our faces. Then we know. Then we truly begin to see as it unfolds itself. Mira Jacob’s Good Talk is not just a memoir. It isn’t just a conversation. It is so much more that as I sit and type this, I literally have gooseflesh.

It is a book about identity, about interracial marriage, about when do we know we are citizens of a country? Is there a certificate that gets handed out? We are constantly seeking validation about ourselves – be the way we look, or the way we feel, and most certainly the way we think. What if you needed validation that you belong to a country? What would you feel then? Good Talk is mostly about it, a lot about it, and sometimes less about it.

It is about trying to explain to a seven-year-old that he belongs. That being of the same skin colour do not make families. That it’s okay for his father to be white and his mother and him to be brown. It is more than that. It is about given the freedom to love, to choose, to make your decisions, and to also regret them.

The book travels between the past and the present – and what I realised as I read it was that not much has changed. The issues of race are the same in America. Brown bodies or black ones or anyone who isn’t white is fractured when it comes down to living life in the United States of America. In some way or the other that is. Good Talk is about Mira giving answers to her seven-year-old son’s questions about race, America, and modern politics.

The push and the pull that comes with it, and the several questions that she never side steps, but involves her husband Jed as well in the process. In all of this, the reader also moves back and forth in Mira’s life – the past to the present and how it all threads together – her insecurities while growing-up brown in America and her son’s in the present environment. The juxtaposition on some level is surreal. Obviously her son is too young to experience more, but I am sure that is another book for another time.

Good Talk is about resilience and what it takes to navigate the world we live in and its interconnectedness. It is a book that resonates the time we live in, and heavily at that. It is the era when a man is willing to build a wall to keep the “other” out. Who is the other? Are we the others? Or are the others the people who want to box and categorise people? Who are devoid of empathy? Who are devoid of sentiment? We might think we are isolated and something happening in Africa may not be linked to us, but we need to think again about everything and its impact.

Good Talk is not an easy read. More so it isn’t something we can read and forget. It applies to all of us. After all, aren’t we all a part of a family?