Title: City of Incident: A Novel in Twelve Parts
Author: Annie Zaidi
Publisher: Aleph Book Company
Genre: Literary Fiction, Novella
Sometimes an author doesn’t have to say too much to make points felt, or to express emotions. I have always been taken in by the concept of vignettes in literature – of how some writers are capable of writing them to the point of distinction – each appearing as an entire universe in its own structure and some who somehow fail to achieve that and get caught in detail.
Annie Zaidi’s new offering “City of Incident: A Novel in Twelve Parts” is a great example of what to do when writing slice-of-life fiction. To be minimal – to only use words that matter and not more than what are needed – to the point of making the reader feel the claustrophobia, more so when a city such as Bombay is being described from various vantage points.
Zaidi captures people from various walks of life – people we see and sometimes fail to as we lead our lives. She speaks of conditions and circumstances quite nonchalantly – as though they don’t mean anything but don’t be fooled by the lightness – because there is so much to uncover at the end of it.
Situations are primary – highlighting them isn’t the motive of this book, I think. It is all about living and what it takes to live in a metropolis. Zaidi’s writing feels like I am in a bubble and there is no way out. From railway platforms to overcrowded trains, to homes that provide no respite, and traffic signals that make you see events you don’t want to. She documents all of it, being almost a chronicler of disappointed lives, mercurial beings, and tortured souls.
City of Incident feels like all those lives have merged together in one small book. Each life appears different and unique, only for Zaidi to make us by the end of it, feel like they all are universal – same and without distinction. City of Incident makes you stop in your tracks and observe people around you closely and with more introspection. I highly recommend this read.