Read 210 of 2021. The Love Songs of W.E.B Du Bois by Honorée Fanonne Jeffers

Title: The Love Songs of W.E.B Du Bois Author: Honorée Fanonne Jeffers Publisher: Harper ISBN: 978-0062942937 Genre: Literary Fiction, African American Literary Fiction, African American Women’s Fiction
Pages: 816
Source: Publisher
Rating: 5/5

I will always be grateful to Oprah’s Book Club for introducing me to the debut novel of Honorée Fanonne Jeffers. The minute I saw it being picked by Oprah for her book club, I knew I had to read it. A multigenerational saga, with African American history at its core is something I wouldn’t want to miss reading. What I didn’t realize was how attached I would become to the characters, how I would root for some and become their cheerleader, how I would hate some with a vengeance, how I would fall in love with the language, and more than anything else, how I would find parts of myself in this novel.

The Love Songs of W.E.B. Du Bois is more than just a story told through the lens of an African American family. It is so much more than that. It is not just about African history intertwined with contemporary living, but so much more. Jeffers lays it all out, bares her soul, to make us – the readers see what it was and what it still is. This is most marvellously done through the songs and writing of W.E.B Du Bois who is at the center of this magnificent epic.

Ailey Garfield is a headstrong, vulnerable, emotional, and highly intelligent women coming from a long line of women of the Garfield family. This is her story. This is the story of the women of the Garfield family – her mother, her maternal grandmother, great-grandmothers, her sisters, and her ancestors tracing way back to how they became slaves and what happened. It is the story of so many generations and somehow the story sadly is still the same, the one of fight – the one of voicing what is right, the one of standing up against wrong, and yet at the heart of it all there is love. A whole lot of love, that shines through the writing.

Ms. Jeffers’ voice shifts beautifully between times, between the past, the present, and beyond. The narration shifts swiftly to communicate the timbre of the times, the tone, of how it was, and in all of this never losing sight of the family and its struggle.

What I loved the most about the book is how emotional it gets you, and yet all you want to do is turn the pages. And yet there were times I wanted to just keep it down, which I did, and make sense of all the writing and the emotion. The Love Songs of W.E.B. Du Bois is personal, it is political, it is devoid of the constrict of time (though it may not seem that way), and above all it is kind. It is a kind novel. It still preaches that over and over again, no matter what. Ms. Jeffers’ takes on topics that are so difficult and yet have to be talked about – the demonic nature of child abuse, the way relationships can get so messy, about slavery and colorism, about what it feels like to be the only black student and a teacher on campus, about black women who lead the novel and life, of how Ailey confronts tough situations as she goes along life, with help from her family and friends and about history that must not be whitewashed or forgotten. History that runs through the veins of every marginalised folk, in this case the African American people. The Love Songs of W.E.B Du Bois is compelling, gorgeous, stunning, and a read that has to be mandatory for all. Please read it.

The Source of Self-Regard: Selected Essays, Speeches, and Meditations by Toni Morrison

Title: The Source of Self-Regard: Selected Essays, Speeches, and Meditations
Author: Toni Morrison
Publisher: Knopf
ISBN: 978-0525521037
Genre: Literary Speeches, Anthologies
Pages: 386
Source: Publisher
Rating: 5 stars

Toni Morrison’s collection of essays don’t follow a timeline, neither it is linear, nor it is set in an order to make it easy for the reader. At first glance, it might even seem just a random collection of essays, speeches and meditations put together, however, it isn’t that. The book, “The Source of Self-Regard: Selected Essays, Speeches, and Meditations” is actually a book that speaks directly to the contemporary reader, and hence the order of essays. It goes headlong into speaking about issues at hand and whoelse better to address and them and show us the mirror than the queen herself, Ms. Morrison.

The book is divided into two parts, with an interlude. The first part is titled, “The Foreigner’s Home”, the second, “God’s Language” and in-between is the interlude aptly titled, “Black Matter(s)”. This is the structure of the book – it is Ms. Morrison’s essays, speeches, and meditations on living, race, gender, language, and the current role of politics in America and in effect its relation to the world. It is also about the duty of the press and media and what is the role of the artist in all of this. As a reader, please be prepared to face harsh realities, question the world around you and ponder over issues you never thought of earlier.

Morrison doesn’t hesitate to speak her mind. The candour is not just for the sake of it. This collection is deeply personal as well. From why she became a writer (Faulkner and Women) to her thoughts on Beloved. At the same time, this collection as every reader will know is about race and what it means to be black in America, not only today but for decades and centuries and how have that played out for the black person.

Toni Morrison writes with such elegance and dignity that you get caught up in her words, and then focus on the ideas, going back to the power of her prose. The interlude piece on Martin Luther King Jr. is not only searching but also mirrors the contemporary times. In the essay, Voyagers to the West, she speaks of the Scottish pioneer William Dunbar, and how he managed to build a fortune trading slave, and how ironically his achievements are extoled till date. This is the kind of voice Morrison is all about – she knows exactly when to make the impact felt through her words and how deep.

Morrison also speaks of writers and how they impact the mindset of readers. She speaks of how jazz brought American blacks a different kind of legitimacy. She also talks about why American and English writers could not speak for people of colour, hence the onus was only on black writers to do that. Literature then took a different form altogether, and its voice wasn’t restricted in a way is what I could make out of it. In her most poignant tribute to James Baldwin, the eulogy she delivered at Baldwin’s funeral on December 8, 1987, she honours his literature, his voice, and how he used language so tenderly. Morrison’s heart is almost laid bare in this – this tribute of sorts to a dear friend. It is almost as if you start becoming her friend, piece by piece.

“Jimmy, there is too much to think about you, and much too much to feel,” she begins. “The difficulty is your life refuses summation—it always did—and invites contemplation instead. Like many of us left here, I thought I knew you. Now I discover that, in your company, it is myself I know. That is the astonishing gift of your art and your friendship: You gave us ourselves to think about, to cherish.”

Toni Morrison’s writing is not only simple, but elegant to the bone. It is as though you are speaking with a friend, an elder, a teacher of sorts who is telling you about life and its ways. Throughout the book, Morrison speaks of the personal and the political and how they are intertwined. The first section, The Foreigner’s Home deals not only with race, but also with the question: What is Home? Where do you find it? What does it mean? At the same time, the section has essays wide ranging from “Literature and Public Life” and also her Nobel lecture.

The third section of the book is my most favourite – the one where she speaks of language, authors, and the power of words. The essay on Beloved – how she came to write it and what it means to her, almost made me cry. Toni Morrison’s commentary on her own work – The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, and Paradise are honest, and she understands the time and space she wrote them in and how they might be read differently today.

Morrison’s works – fiction and nonfiction are always relatable. One doesn’t know if that’s a good thing or a bad thing, but the heart of the matter is the writing – from conception of plot to the way her sentences are constructed, every step is well-thought of and crafted.

I am convinced that there is nothing Ms. Morrison cannot write about. It is almost as if she has to just enter the space and something extraordinary emerges out of her pen. Her voice we all know is unique and original, but that’s not what makes an impact. I think it is the emotional intensity attached to it that makes all the difference, every single time.

The Source of Self-Regard: Selected Essays, Speeches, and Meditations as a collection of essays couldn’t have been compiled and published at a better time. We inhabit a world where people are extremely conflicted about issues of race, language, colour, and above all what entails to be human. I also would strongly recommend this book to every person who wants to understand home, race, the black person’s struggle, the place of literature in the world, and how it impacts us all. The Source of Self-Regard: Selected Essays, Speeches, and Meditations is illuminating, thought-provoking, and above all every piece has just been written from the heart.