Author Archives: thehungryreader

About thehungryreader

Hmmm so I am the Hungry Reader. The one who reads. The one who is constantly reading or wanting to read constantly. This blog is all about the books I have read, the ones that I am reading and gems that I plan to read in the future or whenever it arrives. As Virginia Woolf rightly said, "When the Day of Judgement dawns and the great conquerors and lawyers and statesmen come to receive their rewards—their crowns, their laurels, their names carved indelibly upon imperishable marble—the Almighty will turn to Peter and will say, not without a certain envy when he sees us coming with our books under our arms, "Look, these need no reward. We have nothing to give them here. They have loved reading."

The Bloody Chamber, Wise Children, Fireworks (Everyman’s Library Contemporary Classics) by Angela Carter

The Bloody Chamber Title: The Bloody Chamber, Wise Children, Fireworks
Author: Angela Carter
Publisher: Everyman’s Library Contemporary Classics
ISBN: 978-1101907993
Genre: Literary Fiction, Fairy Tales
Pages: 504
Source: Publisher
Rating: 5 Stars

Well, if you ask me, Angela Carter was a movement in herself. I have read most of her books and there isn’t a single one which I haven’t been enthralled by or thought about its layers, once done with it. Also, might I add that while most people think (and rightly so) that “The Bloody Chamber and Other Stories” is a very raw and grisly take on fairy tales, it is much more than that.  Carter’s stories are underlined or rather soaked in eroticism and subverts their so-called “intended message”. At the same time, they entertain, enthrall and amuse.

It was somewhere in the last year of college that I started reading Carter. As most would, I started with “The Bloody Chamber” and finished it in one sitting through one night. Her sense of fabulism had got me hooked to whatever she had to say. To my mind, that mixed with the feminist tone, enhanced every single word and sentence, lending it the much-needed sense of imagination and force. Perhaps, it was also the age when I first read her that changed me as a person and kept doing so everytime I would go back to her works, as I grew older.

“The Bloody Chamber” is a collection of stories that isn’t an adaptation of fairy tales. They are just revisitations. The world is of Carter’s – where young girls are more aware of themselves sexually and emotionally, where beasts can be suitors, mothers and pets could be saviours and blood flows endlessly. If nudity, sex, violence, necrophilia, and murder upset you easily, then perhaps this collection of stories isn’t for you. You wouldn’t want to see your beloved fairy tale characters (or a semblance to them) being so aware and liberal about who they are and what they stand for.

Now to the next book in this collection: Wise Children. “Wise Children” is perhaps the onyl Carter which I read right now for the first time. I was almost cursing myself for waiting for all this time before reading it. This book isn’t strange as much as it is farcial, humorous and engaging. The signature elements of fabulism, magic realism (hate the word but shall use it) and this entwined with the ongoings of two families, make “Wise Children” for a splendid read. It is theatrical and nostalgic in its scope. The narrative voice of a 75-year-old former song and dance girl, is perfect. The larger than life characters of theatre and film is what Carter captures with such wit and scope, that it is enough to engulf you. Before I forget, the multiple Shakespearean references and plot devices used (since Dora and Nora Chance are Shakespearean actors) only enhance the humour and irony of the book.

“Wise Children” is almost a tribute to the Bard, both in characterization and its plot. The writing is wry, intelligent and fantastically told. Even if you do not get the Shakespearean references, it is quite alright. You will enjoy the book nonetheless.

“Fireworks” was Carter’s first collection of short stories. Published in 1974 (four years prior to The Bloody Chamber), it was subtitled, “Nine Profane Pieces”. I love how Carter doesn’t mean to titilate or scandalize and yet people feel that way when they read her. When all she was doing through her stories, was asserting her identity, womanhood, and the claiming of sex (as it would seem).

This collection of stories have her constant themes – domination and transformation, also the untimely loss of innocence (traces of this would also be seen in The Bloody Chamber and other stories) and entering the dark territory of emotions – mainly lust, and horror of the body and the mind. Carter never shied from exploring themes and pushing the envelope so to say. To my mind, she was one of the foremost women writers who captured the mind of a woman and merged it with the surreal and fantastical, almost leading the way for other writers.

The stories of “Fireworks” are all about the darkness within and somehow Carter’s writing makes it playful, non-linear and intriguing. I often found myself yet again wanting to be a part of the worlds she creates.

Angela Carter’s writing has perpetually been fascinating, not treating gender as anything but a social construct and love mixed with a lot of comedy. Her characters are undecided,   forever changing their minds, and strangely know what they want. The richness of her imagination was always evident in what she wrote and all I can say is read more of her. Her essays, short stories, novels and journalistic pieces. Read them all. She is a treasure worth admiring.

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Whistle in the Dark by Emma Healey

Whistle in the Dark Title: Whistle in the Dark
Author: Emma Healey
Publisher: Viking
ISBN: 978-0241327623
Genre: Literary Fiction
Pages: 336
Source: Publisher
Rating: 4 Stars

I read “Elizabeth Is Missing” some time ago and loved it. Having read that, I had very high expectations from “Whistle in the Dark” and thankfully it did not disappoint at all.

Jen and Hugh are a fairly ordinary couple – middle aged, middle class and not with too many aspirations, or so it seems. Their eldest daughter, Meg has left home. The younger one, Lana lives with them and is a recluse, like most teenagers, are meant to be. At the heart of it though, Lana is a troubled young girl, who is undergoing therapy and has tried to harm herself. Jen wants the closeness back with her daughter, so she takes her for a painting holiday to Peak District. Lana disappears for four whole days and is discovered, well and bruised and shaken, but alive.

Lana will not speak with her parents about it, no matter what. She says she doesn’t recall anything but Jen refuses to believe that. She is devastated by the loss of her daughter and relieved when they find her, but she can’t place her head around Lana’s inability to tell them what happened. Jen starts recreating in her head what could have happened, getting paranoid like any mother would, speaking to Lana’s friends, checking her social media accounts for traces and trying to scrutinize her memories of the trip. All of this is happening and Meg is being ignored, feeling left out.

“Whistle in the Dark” is about parents and children and the complex relationship they share. It is about loss, grieving and wondering what will happen when children will leave the nest and fly in the open sky. I loved the writing. It is frighteningly real, sharp, life-like and almost presents both sides of the story. Even though I am not a parent, somehow I could relate to Jen more than Lana. It was almost as if her pain and determination to protect her children, became immensely real.

“Whistle in the Dark” is a book that makes you think of the social dynamics of our times and what perhaps love is all about, parental love more than anything else. A read that is relevant, empathetic, and profound.

Winter by Ali Smith

Winter by Ali Smith Title: Winter
Author: Ali Smith
Publisher: Pantheon
ISBN: 978-1101870754
Genre: Literary Fiction
Pages: 336
Source: Publisher
Rating: 5 Stars

 

If there’s one living writer, who sums the way we live, right down to precision and exactness, it is Ali Smith. According to me, at least. “Winter” is more than just the second instalment of the seasonal quartet. It is so many things, rolled into one that I do not know where to begin talking about it, but start, I must.

“Winter” in its entirety could also be a collection of puns, word play and humour that cannot be digested by all. Scottish writer Ali Smith takes on a step further in this one than she did in “Autumn” – the first part of the quartet.  As I was telling my book club members yesterday, as we discussed Winter, “Ali Smith sure has a way of drawing the reader in, right to the bottom of her world and then there is no letting go”.

I, initially had a tough time reading Winter, but twenty pages in and I knew I was sold – hook, line and sinker. It is a family drama and a commentary on the sociopolitical changes (as most of Smith’s books are). “Winter” is mainly about relationships if you ask me. There are three estranged folks in a family and an impostor. The plot: Sophie lives all by herself in Cornwall. She is in her 60s and has started seeing a floating head for no reason (for this, you have to read the book – no spoiler here and won’t be speaking much about this).

It is Christmas Time. Her son, Arthur, who writes a successful nature blog is scheduled to visit her with his girlfriend Charlotte. Charlotte and Art have broken up over a fight of ideals (again, read). Art finds Lux – a Croatian to impersonate as Charlotte, instead of telling his mother the truth. And then there is Iris, Sophie’s estranged sister who is also visiting, though uninvited. The book is about family, dynamics of the self and how the society has changed and continues to when it comes to technology, politics, the environment and human emotions to say the very least.

What I loved the most about “Winter” is the way Ali Smith breathes life into the monotonous activities – going to the bank, buying groceries, or even just being. She has a quiet way of describing events, people and relationships. Ultimately to me, “Winter” is a book that asks what it is like to live today? What it is to be today in tune with the world and not and what implications it might have? At the end of it all, Ali Smith’s “Winter” at the core is about art, love, life – what it once was and what it is today.

The Worm and the Bird by Coralie Bickford-Smith

The Worm and the Bird Title: The Worm and the Bird
Author: Coralie Bickford-Smith
Publisher: Particular Books, Penguin
ISBN: 9781846149221
Genre: Picture Book
Pages: 64
Source: Publisher
Rating: 4 Stars

 

Is it even a book read, if it is a picture book? I say, why not? A book is a book is a book. Different genres are still counted as books, isn’t it? Picture books read are still counted as read books according to me and that’s quite alright.

Now that that is out of the way, let’s talk about, “The Worm and the Bird”.  This book is about a worm and a bird (as you might have rightly guessed, duh!) and the different things they want and how they almost get it or they do for that matter. Under the earth, the worm needs more space. Above the earth, the bird searches for something else. And that’s what the book is. Of course, what makes it so endearing are the illustrations and what one doesn’t expect (which I will not reveal) as well.

Coralie Bickford-Smith’s earlier book, “The Fox and the Star” was a delight and so is this one. “The Worm and the Bird” is also about the shortness of life, but it also rings true of how life should be lived. Being a picture book, it cannot get preachy at all, which it isn’t.

“The Worm and the Bird” is the kind of book which has to be read and appreciated by people of all ages. It is a lesson, but beyond that it is also to be read because of the stunning illustrations, the ink artwork and to get back to understand how stories are told.

Hush A Bye Baby by Deepanjana Pal

Hush A Bye Baby Title: Hush A Bye Baby
Author: Deepanjana Pal
Publisher: Juggernaut
ISBN: 978-9386228574
Genre: Suspense and Thriller
Pages: 264
Source: Publisher
Rating: 4 Stars

Why am I reading this book?

Do you ask yourself this as you turn the page of a book you do not seem to enjoy? I know I have asked this question and dropped the book even without knowing the answer. Off-late it has happened a lot more, so I have become quite judicious about my choices. Do I want to read this at all? And if I do, why?

I am not a fan of the thriller genre. I enjoy it now and then but not a fan of the genre, so to say. “Hush A Bye Baby” by Deepanjana Pal on the other hand made me stay up all night, demanding to be read and for that I missed a Riverdale episode (I never miss a Riverdale episode. It is so bad that I love it!). Let me also add here that the experience was rewarding.

Now, within the first ten pages you know whodunit. So that’s that about this book. But why did she do what she did? For that you have to read the book, cover to cover.

The setting: Bombay (or Mumbai as you might choose to call it).

Plot, in brief (because if I say more about it, will you even read the book?): Dr. Nandita Rai is a well-known gynecologist. She consults celebrities and is on media every other week speaking of women’s issues. She is your not-so-typical South Mumbai feminist (a post on South Mumbai feminist is due later sometime). She is the poster girl for every expecting mother, till the police raid her clinic, when she is accused of sex selective abortions. And this is where the why comes into the picture. Enter: Sub-Inspector Reshma Gabuji who is relentless when it comes to this case and will go all out to uncover the truth.

This is the plot really. Of course, there is more but for review purposes, this shall suffice. Deepanjana’s take on Bombay is superb. I just wish there was more of Bombay. Nandita’s character checks all the right boxes, but my personal favourite was Reshma all the way. Both Nandita and Reshma are witty (that obviously comes from Deepanjana being that way and if you don’t know how witty she is, then you must watch her videos on YouTube), independent and gregarious women.

I loved how Deepanjana leaves so many clues and paces them well in the first-half of the book, keeping in pace with all the thrills. What didn’t work for me was the end, though it did make sense, just that I felt it was too rushed. At the same time, what worked brilliantly (amongst so many other things) was the fact that finally someone in India wrote about sex-selective abortions and women’s rights – all rolled in to a pot-boiler, page-turner thriller. It drives the point home without being too pedantic. There are other secrets as well that come out from the closet, but like I said, for that you have to read the book.

“Hush A Bye Baby” is all that you will expect from a thriller and it will deliver that and more. A perfect flight-read or a summer afternoon read when you think you have nothing to do, but you can read. So read this book already.