Title: Suralakshmi Villa
Author: Aruna Chakravarti
Publisher: Pan Macmillan India
Genre: Literary Fiction
So, I was eagerly waiting to read Suralakshmi Villa, because I loved Chakravarti’s earlier works – Jorasanko and Daughters of Jorasanko. However, while I enjoyed reading this one, a problem kept nagging me over and over again. The depiction of the Muslim man and I even let it go because the story is rich and detailed, but somehow it kept coming back as the pages turned.
I think it has got to do more with the need for the plot and to propel the story in a certain direction. Having said that, I still think it could’ve been treated differently. At the same time, perhaps it is a function of the time the book is set in. These thoughts and more also make you see a book differently by the time you are done with it.
Coming back to the book, Suralakshmi Villa with its prose, characters, and Bengal at the core never disappoints in the details and character study. There is a lot going on with the focus on the protagonist Suralakshmi Choudhury, and what goes on in her life as she “settles down” – marries, has a kid, is a gynaecologist, and suddenly decides to abandon it all. Why? What for? Those questions are answered as we read – back and forth in time – drawing from her journals, letters, other people’s perspectives, and incidents. While Suralakshmi is at the center of the narrative, there is so much going on with the other characters, that Chakravarti forces us almost to turn our gaze to them as well.
Aruna Chakravarti writes a historical novel that is also a novel about Bengal, about religion, the lifestyle of the common person, blending in the myths and legends, and connecting it very deeply with personal experiences, bias, and the manner in which a character thinks or aspires. Suralakshmi Villa is about human relationships of course, but it is also about how we got there, and what happened and is there any redemption at all in the grander scheme of things.