Title: Exquisite Cadavers
Author: Meena Kandasamy
Publisher: Context, Westland
Genre: Literary Fiction, Novella
I do not know where to begin talking about this book. There is so much going on in this book – love, hate, fights, religion, a book about a young couple navigating love and hate in London, about migration, and how we are in the modern world. Or rather how we perceive love, and its failings (if any).
Exquisite Cadavers is about a young couple, Karim and Maya. Karim is a filmmaker who has left his house in Tunis, and made his house in London with Maya, an English woman, who is battling her demons of an almost absent father, fighting with giving up cigarettes, and is confronted by a pregnancy she isn’t quite sure of.
The book is very cleverly divided into the actual novella and in the margins the thoughts of Meena as she was writing the actual book. Sometimes it just feels that the novel is meta and the thin line between reality and fiction is blurred to the point of it not being recognised. Pieces are stitched – revealing one layer after another. While one column speaks of Karim and Maya, the other speaks of the author’s creative process, her life, and the horrors occurring in India (yes, she speaks of the current ruling party and what followed).
Meena’s life on the left – from seeing her friends killed and arrested to becoming an activist herself is a stream of consciousness that shouldn’t be missed. The rage and anger is perhaps what we need in large doses, given the times we live in. At the same time, the domestic tale of Karim and Maya is extremely engaging, till the two very cleverly meet at the end of the book.
Exquisite Cadavers is a book that needs time to brew and seep, till you pick it up and look at it by taking sides. You need to take a side, and stay there. This book demands that when it comes to marginalia – you cannot sit on the fence. It is an experimental novella unlike any other that I have come across and it will make you question, ponder, mull, and understand where you come from.