Daily Archives: July 26, 2018

Mannequin: Working Women in India’s Glamour Industry by Manjima Bhattacharjya

MannequinTitle: Mannequin: Working Women in India’s Glamour Industry
Author: Manjima Bhattacharjya
Publisher: Zubaan Books
ISBN:978-9385932229
Genre: Gender Studies
Pages: 216
Source: Publisher
Rating: 4 Stars

Can fashion and feminism ever go hand in hand? Hard to think of them together, right? Like the perfect bedfellows, isn’t it? And yet, lo behold, “Mannequin” by Manjima Bhattacharjya marries them and how! We are, in my opinion, quick to judge the fashion indsutry, without knowing its ongoings or caring to know about it. And the brunt of it all, whether you admit or not is borne by the women in the industry. Bhattacharjya through this book reflects on feminism and the beauty business and this is done purely through first-person narratives, insider stories, histories that have been buried long before and heavy research and subtext.

“Mannequin” looks at the 70 billion dollar industry at home and what it does and doesn’t do for the women who work in it. The recognition they deserve and do not get most of the time. Bhattacharjya with a very detailed view, traces the history of the fashion industrt – the role of women when it started in the 60s to what it is now and frankly as a reader I felt, not much has changed. The industry sadly still objectifies women instead of seeing and acknowledging their agency and talent.

At the heart of the book there are uncomfortable questions for sure but it is also a personal account of the author, the industry and its women. The writing at no point is pedantic. Yes it is data heavy but that is alright. The narratives and stories are told humanely and that is what is needed.

What role does fashion play in the entire feminist discourse? Does it have a role at all? What about the industry? What do the men of the fashion industry think? The author raises questions and answers are given – maybe not all the time but most of the time with solid research to back. “Mannequin” is the kind of book we always needed and finally got it.

Centrepiece: New Writing and Art from Northeast India. Edited by Parismita Singh.

CentrepieceTitle: Centrepiece: New Writing and Art from Northeast India
Edited by Parismita Singh
Publisher: Zubaan Books
ISBN: 978-9385932410
Genre: Anthologies, Essays
Pages: 240
Source: Publisher
Rating: 5 Stars

It is always a fantastic idea to be acquainted with a place or places you know nothing about and what better way to get familiar with it or them than books. And what better place to start than home? We do not know Northeast India (as it is known) at all. I know for a fact that I did not know the “seven sisters” till I got to know them but knowing their names and capitals isn’t enough. There is so much more that we do not know. So much that we generalize as we go along and not think twice about it.

“Centrepiece” is an attempt to change that. To make readers in different parts of the country aware of what the Northeast is really. What I loved about this book is that there are 21 women writers and artists who are telling stories, speaking of facts and weaving dreams. This is done in various forms in the book – through prose, poetry, short stories, or even pictures for that matter. In these pieces, the range is so vast and varied that it will sure take your breath away.

What I loved though was the right balance of fiction and non-fiction. An anthology needs to have it all and yet somehow not go overboard with its own content. Parismita Singh has carefully curated this book. The blend of these landscapes with stories told by the 21 women is effortless and sucks you in every narrative. I saw Northeast with its own pair of eyes and honestly it was surprising, shocking and full of emotion at the same time.

Whether there is brewing of rice beer told beautifully through words and pictures (Rini Barman) or carrying of cow dung or just selling everyday products (Gertrude Lamare), or even the feelings when it comes to mothering a child, these women have made it so personal and intricate, that these pieces will just not leave your mind.

My favourite ones were those of weaving fabrics (Shreya Debi and Bilseng R Marak) and the one that spoke of fairy tales. I loved them all and kind of difficult to pick favourites really, but these stood out for me. At the heart of all of this is the fact that gender plays a strong role in this anthology and I loved and appreciated that aspect more so, because I like no one can tell their stories better than women (it is just my opinion).

“Centrepiece” delves into the heart of what it is like to be forgotten and to not let that happen. Stories from each Northeast state, their diversity, their culture and the fact that they aren’t similar at all is portrayed beautifully through great prose and stunning pictures. Every piece in this anthology is making its point with great enthusiasm, sometimes wit and most of all with a lot of assertion as it should be.

 

The Empty Room by Sadia Abbas

91NWARscW6L Title: The Empty Room
Author: Sadia Abbas
Publisher: Zubaan Books
ISBN: 978-9385932267
Genre: Literary Fiction
Pages: 352
Source: Publisher
Rating: 4 Stars

Because more stories such as this one need to be told. Stories where the political and personal merge and the voice stands out – being original, fearless and saying it like she intends to. I also most certainly have come to believe that stories of women are best told by women (you can refute me on this one but it is my opinion nonetheless). The story of Tahira in 1970s Karachi is told beautifully by Sadia Abbas. Through a work of fiction, you can sense the tone and emotions that are so real, you are transported back in time. As a reader, I was way too invested in this book and just wanted to see Tahira happy, no matter what.

Like I said, the novel is set in the 70s of Karachi. Tahira is married off quite quickly to someone she doesn’t know and her life falls apart as quickly. She is a talented painter who isn’t allowed to paint. Her marriage is nothing but a trap and she has no voice left. She was always the free one at her parents house – interacting, debating, discussing with her brother Waseem and his friends. She misses all that and comes to know one fine day that her brother and his friends are arrested and caught up in the regressive regime’s line of fire. Tahira’s world is shattered. She doesn’t know what to do and how to express herself anymore till she goes back to painting. All her paintings have the same title, “The Empty Room”.

“The Empty Room” is rich, luxuriant and more than anything else soothing in so many ways. I often found myself weeping and smiling at the same time while reading this book. The nation is new. The bride is new. Her roles are new. There is the rebel inside her which refuses to succumb and Abbas through her succinct prose has brought out all the elements and joined them quite cleverly. Yet, there are so many places where the book just is – it doesn’t try to be anything but show a mirror of times gone by and strangely you can see those times even today around you. They haven’t gone anywhere. The regressiveness exists, doesn’t matter which nation.

Abbas makes Pakistan come alive in this book. The streets, the places, the houses – the very atmosphere that is heavy and sometimes claustrophobic in Tahira’s world is described brilliantly. “The Empty Room” is just an introspective book with a lot of heart, gumption and the idea and hope that things will change for the better. Read it.