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Book Review: The Resignation by Jainendra

April 28, 2012 2 comments

Title: The Resignation (Tyagpatra)
Author: Jainendra
Translator: Rohini Chowdhury
Publisher: Penguin India
ISBN: 978-0-143-41524-4
Genre: Indian Literature, Translated Fiction, Literary Fiction
Pages: 178
Source: Publisher
Rating: 5/5

Indian Literature is under-rated. I have always believed that most Indian writers (great ones at that) are often not spoken about or mentioned at all. Some great books are never discussed. That’s a sad situation for a country that is so rich in literature – considering the number of languages stories are weaved in and then translated for the English reader’s (like me) benefit, only not to be praised.

One such Indian writer that needs to be spoken more about is Jainendra. Born in 1905, he was one of the first to join the Independence Movement in 1921. The interesting part is that most of his stories and novels are centered on the idea of freedom and the right to speech, which is what, pulls me to read his books. I have read his short stories in Hindi; however I must shamefully admit that it seemed like a mammoth task initially.

“The Resignation” or Tyagpatra is one of his most popular books published in 1937, and re-published in English (an amazing translation by Rohini Chowdhury) by Penguin India (God Bless them for that) very recently. The book though written in a time when every person was searching for an independent voice and way of life is still very relevant in our democratic society. The Resignation is a story of Mrinal, a young woman whose idealism is so strong that her family and the society around her rejects her completely and she is living on her own, facing situations as they come along.

That is the basic plot. On the other hand, Jainendra weaves the narration from the point of view of Mrinal’s nephew Pramod, who has adored and loved his aunt with deep passion. The themes of independence and family run deep in this book. Also hailed as a novel of psychological sensibility, The Resignation is an insight into life in those times and for a woman nonetheless as someone who is trying to live life on her terms.

What I found most interesting is that the novel is that Jainendra has taken many chances with its structure – from the plot to the way it has been narrated, which is quite refreshing. It almost reminded me of Tagore’s books and rightly so, considering that the themes of feminism (then I am sure not known as that) and individualism are clearly reflected in both their works.

The writing is fantastic. Every word is in its place and most credit goes to the translator (who often gets ignored) for the wonderful derivation of setting, meaning and the right words to add the much needed pace and communicative technique to the book.

The Resignation when it was first published; I am sure created a stir. It broke all rules of traditional sensibilities and that’s what makes it a great read. Indian literature is not what it seems most of the time till discovered and devoured. Great books such as these make it truly a niche genre.

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Book Review: The Man Within My Head by Pico Iyer

Title: The Man Within My Head
Author: Pico Iyer
Publisher: Hamish Hamilton, Penguin India
ISBN: 978-0-670-08627-6
Genre: Non-Fiction
Pages: 242
Source: Publisher
Rating: 4/5

We all have our literary heroes. Sometimes in the form of characters, which we have loved reading about and idolizing while reading or sometimes in the form of writers themselves, who bring stories and characters to life. For me, there are so many writers who have changed my life and the way I see things and the world around me and then there are those who stay on irrespective of time.

Pico Iyer’s new book, “The Man within my Head” is homage to Graham Greene, and at the same time, it is a travelogue, a memoir and a literary biography of sorts. It is everything rolled into one, taking pieces from Graham’s books and his life and that is what makes the book an interesting read.

The book opens during a visit to La Paz, Bolivia and the imagery that Iyer leaves you with is fascinating. A lot but of course has to do with the fact that he can describe a regular scene with great intensity, and make it appear magical to the reader. I picture Iyer on his journeys, sinking in what he sees, settling in his hotel room and writing for his readers, writing about Graham Greene – his writing style, his books and his life. He does all of this and at the same time, gives us a sense of his (Iyer’s) life, juxtaposing the two, which makes for great reading.

Graham Greene was always an outsider and that sentiment was forever depicted through his characters – from the whiskey priest in The Power and the Glory to the adulterous wife in The End of the Affair to The Quiet American, Iyer takes the reader through a Greene journey, and pushes readers to visit Graham Greene.

Now to Iyer’s writing style – at times it is broken, fragmented, but then I love that kind of writing. I like writing that makes you think, that has layers and that is not given on a platter to ease the reading. The man inside Iyer’s head is Greene for most of his life, and later does he realize that there is another man who he has never known and lives within him – his father. Through this book, Iyer then learns how fathers and sons function – the relationship they share, what are they made of and what it takes to bind them.

Iyer’s writing is crisp and almost there – it made me stop and wonder about life at various points and if a book manages to do that, then for sure it has done something to you. We all have a man within us – someone different, someone similar, and someone who sometimes we want to be. As Iyer, eloquently puts it, “A man within your head whispers his secrets and fears to you, and it can go right to your core”. A must-read.

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Book Review: A Life in Words: Memoirs by Ismat Chughtai

Title: A Life in Words: Memoirs
Author: Ismat Chughtai
Translator: M. Asaduddin
Publisher: Penguin India, Penguin Classics India
ISBN: 978-0-670-08618-4
Genre: Memoirs, Autobiography, Non-Fiction
Pages: 282
Source: Publisher
Rating: 5/5

It is sometimes sad to know that readers (most of them) only remember Ismat Chughtai for “Lihaaf” or “The Quilt”. She has written a lot more and the “more” is even more interesting than “Lihaaf”. I remember the first time I was introduced to her works. I had turned twenty-three and my friend had taken me to watch a play, “Manto Ismat Hazir Hain” produced by Motley, – which featured two short stories by Manto, a story by Chughtai and an essay by her as well with reference to the court trial that almost got both the writers imprisoned in the 1940s for so-called “obscenity” in their writing.

I was mesmerized after watching the play. The urge to know more of her and read more works by her was immense. I had read a bit of Manto earlier, however Chughtai took my attention and held it there. Prithvi theatre bookshop was the ideal place to find her books, though translated in Hindi (now I cannot read Urdu. I only wish I can someday). I remember reading almost all of her books, except her memoirs, “Kaghazi hai Pairahan” which I ultimately did. I did struggle a bit as I do not read so many books in Hindi (and am not proud of the fact). The beauty of the language was brilliant. The words used to describe her life from early childhood to being a mother and a wife and a famous writer before all of that resonated way after finishing the book.

I received the much-awaited English translation of “Kaghazi hai Pairahan” from Penguin Books India, aptly titled, “A Life in Words: Memoirs” and delightfully translated by M. Asaduddin. The minute I started reading this edition, memories of the Hindi edition came sweeping by. The same intensity with which Ismat Aapa (I cannot think of anything better to call her) wrote in the original (I am assuming) is captured vividly and precisely in this translation.

One cannot define Ismat Chughtai’s character as anything but colourful and introspective. May be to a large extent that passed down to her by her large and varied family. When you read the memoirs, it almost feels like you are reading a story. One gets the necessary information about her works as well – from short stories to novels to essays (as footnotes) which is needed while reading about a writer. What I loved the most about this book was Chughtai’s family and their antics. Ismat Aapa was born into a large family – she had nine siblings – so one can only imagine the life lead during the Indian Independence and seeing times through Partition, her schooling, her youth, her stubborn nature, her want to get educated and then subsequently the need to write and tell tales.

Chughtai’s tone is fictional and caustic throughout the book. There are a lot of diversions which are fun, despite the danger of losing track of semi-plots and characters, but I guess that can be overlooked when reading memoirs. It is quite natural that the tone will shift, which works well to hang on to the reader’s attention. There are pieces which I loved – for instance, “Aligarh” – which depicts the writer’s hostel life, “In the Name of Those Married Women” – the piece on the much talked about courtroom trial of Manto and Ismat, “Sujat” – revolving around politics and “Chewing on Iron” – depicting class differences.

For me, reading this in English was a treat, thanks to the wonderful translation by M. Asaduddin, who has translated Chughtai’s other works. The translation is subtle and he doesn’t shy from using the words as used in Urdu by the writer sometimes, owing to the fact that there is a glossary as well, which serves the purpose well.

“A Life in Words: Memoirs” by Ismat Chughtai is an honest and stark account of a writer’s life – from childhood to youth to old-age. The ideas in the book are numerous – from women’s liberation to class differences to the inner-life of a Muslim girl. Here is a book that is integral to its ideas, structure and words. I cannot recommend this one enough and while you are at it, please read more of Chughtai’s works. You will not be disappointed at all.

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Book Review: Behind the Beautiful Forevers by Katherine Boo

Title: Behind the Beautiful Forevers
Author: Katherine Boo
Publisher: Penguin Books India
Imprint: Hamish Hamilton
ISBN: 9780670086092
Genre: Non-Fiction
Pages: 280
Source: Publisher
Rating: 4/5

When I first started reading, “Behind the Beautiful Forevers” by Katherine Boo, it didn’t strike me as a different book. I mean I had read the similar story in Suketu Mehta’s, “Maximum City” (Honestly I didn’t think much of it), though it was in brief. It was still more or less the same – Mumbai and its dichotomy (like every major cosmopolitan), its slums, its smells and sights and the hidden side to the city, which we ignore or pretend doesn’t exist most of the time. Then what made this book so different that I finished in almost a day?

The difference lies in the way Katherine Boo has written the book – from providing a perspective on the what, the why and the how to experiences that will sometimes warm the heart and sometimes break it, knowing that this is the condition of a city that never sleeps. Having said that, there were also gaps in the book – the way it jumped from one story to another and how that was written almost in a haste which at times provided some disconnect with the overall structure.

The book, “Behind the Beautiful Forevers” is essentially about “Annawadi” – a slum in Mumbai next to the International airport and close to the luxury hotels there (again another facet of the caste and class division). The Annawadians are full of hope as the Indian Economy rises without any realization that nothing is going to change for them. The parity will exist if not widen itself. The under-city and over-city are explicitly portrayed in the book and that makes the reader think: Is this my city? Or could this be any booming cosmopolitan in the nation? The story (I call it that because it reads like one at times) is essentially about these people and their lives – some more and some less.

Abdul, a teenager sees a future beyond counting the recyclable garbage that the city’s rich throw away. He is quick at sorting waste. He is almost there in fulfilling his family’s dreams of moving out of the slum. Asha, a woman of the world and witty at the same time, opts for a different way out of this misery: political corruption. She wants her daughter to become the first female graduate of the slum and will not stop to make that dream come true. And just when all seems to fall in place, there is global recession and Abdul is falsely accused of a terrorist attack and the dream-world they are hoping has crashed to pieces.

Boo’s writing is stark and in your face. There is no pretense and cannot be when one is writing life-stories. The people in the book may seem stereotypical but they aren’t. Each of them is as different as you and I and with their own story to tell, which Boo captures beautifully. There are times when she appears disjointed in the book and fragmented, however in the larger scheme of the plot and writing, the reader tends to easily overlook that.

“Behind the Beautiful Forevers” is a depiction of our times and where we live. It represents the societies we create and how we take advantage of those to fulfill our selfish ends. The book removes masks that we sometimes wear and compels readers to take a better look at their worlds and surroundings. A disturbing read at times, however quite stark and impactful in its essence.

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Penguin Spring Fever : Twenty Five Years of Penguin India

March 19, 2012 1 comment

Hello everyone! Penguin India has completed 25 years of glorious publishing years and to commemorate this, they are hosting the Spring Fever festival in Delhi till the 25th of March 2012, covering all facets of art from Books to Readings to Conversations to Poetry, Music and Performances.

Authors such as Amit Chaudhuri, Madhuri Banerjee, Vikram Seth, Rahul Bhattacharya and Gurcharan Das will be in conversation sharing their insights on topics of conversation and debates.

Please find the schedule given below for tomorrow:

20th of March 2012: The Ultimate Movie Quiz with a special round with the ultimate and superstar Rajinikanth!

Indian Cinema turns 100! This is at 7 pm at the Amphitheatre, India Habitat Centre, Lodhi Road, New Delhi.

On-Spot registrations start at 6:45 pm

Enjoy!

Book Review: The Habit of Love by Namita Gokhale

February 22, 2012 Leave a comment

Title: The Habit of Love
Author: Namita Gokhale
Publisher: Penguin India
ISBN: 978-0-143-41772-9
Genre: Short Stories
Pages: 184
Source: Publisher
Rating: 4/5

The Habit of Love by Namita Gokhale is a collection of thirteen stories that reflect and internalize the lives of women. Of course one cannot generalize anything basis these stories, however yes they provide the necessary framework needed to understand the environment around us. Some women do not belong to the present, some are parts of today and now and some are just wanderers.

Namita Gokhale speaks to you through her characters and stories. She wants you to believe and there are times you do, only wanting more. I wished at times, that may be the stories would continue and lengthen to a novella or so, because some of them had that potential. The women in these stories are not extraordinary. They do not take life-changing decisions, or change the world. What they do instead is connect with the reader and make them see things and situations a little differently.

The stories are well laid out. From an older woman’s infatuation with a younger man to the messenger swan narrating a story of doomed lovers, Nala and Damayanti, the stories capture the essence without becoming pedantic or superficial. The profundity of the stories are revealed through what goes on in the minds of the women, the not-so-quiet lives lead and the uneasiness with which their lives go haywire sometimes and sometimes are in control.

My favourite story in the entire collection has to be the three-parts, “Grand Hotel”, where each part is unique and different, like a quilt of different patches and merging in the end. The Habit of Love is different from her earlier books, which were flippant and funny. This one is serious and makes you think a little. The woman’s heart is not laid bare and at the same time there is enough and more of a glimpse to make readers wonder. The writing strikes you in a couple of places and in some it seems a little hurried, however it is a great read for a summer afternoon.

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Book Review: Homesick by Roshi Fernando

February 16, 2012 Leave a comment

Title: Homesick
Author: Roshi Fernando
Publisher: Bloomsbury
ISBN: 978-1408826362
Genre: Literary Fiction
Pages: 200
Source: Publisher
Rating: 4/5

When I first started reading, “Homesick” by Roshi Fernando, it came to be like any other book of displaced families and forgotten voices. Of the second generation and third generations, wanting to search themselves and what they stand for. However, though the book did run on these lines, it had a different voice to it.

Homesick is a book of many layers and each layer has a unique and original voice. When I say layers, I but obviously mean the inter-connected stories and at the same time, there is something that tugs at the heartstrings that gives the book the enrichment and understanding it deserves.

Homesick is a collection of seventeen stories – telling the tales of SriLankan immigrants carving out new lives in sometimes warm and a sometimes hostile Britain. The narrative is cohesive and sticks to the larger framework of the book – of alienation and getting to know the new ways of living. At the same time it is contemporary (the issue will always be at hand, no matter what nationality) and complex, being careful about the emotions and voices of characters. There is a silent boy who experiences life through Charlie Chaplin, a man stuck in the aftermath of a war, to a family’s life destroyed by a child’s murder, each story comes together and linked by the theme of cultural displacement and its trauma, so to say.

Roshi Fernando’s writing is crisp and razor-sharp. She does not sugar-coat emotions, though there are moments in the book when she had me laughing or at least smiling at the situation. There is an ambience created by the writer that lingers in the readers’ heads long after one has finished the book. The cast of characters is intricate and appear in more than one story, unraveling themselves, little by little; getting the reader familiar and that is what I love about interconnected stories. The transitions are handled with ease, from one story to another and that is what also makes the book so strong. The questions of identity and belief are still left unanswered, which in a way works to the book’s advantage. All in all, Homesick is an evocative study of what home means and sometimes what is takes to create a new one.

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Book Review: The Man Who Would Be Queen: Autobiographical Fictions by Hoshang Merchant

December 15, 2011 2 comments

Title: The Man Who Would Be Queen: Autobiographical Fictions
Author: Hoshang Merchant
Publisher: Penguin India
ISBN: 9780143064862
Genre: Non-Fiction
Pages: 200
Source: Publisher
Rating: 5/5

The Man Who Would Be Queen by Hoshang Merchant struck a chord. I mean it had to, after all I am as gay as him and what was chronicled in this book, made me also look back on my life till now. The book is a collection of lyrical essays on the self that flaunts itself as being autobiographical in nature. The good thing is that the book doesn’t speak only about being gay. It also covers the poetic ground, after all Mr. Merchant is a poet first and that is quite evident in the pieces collected here.

Hoshang Merchant is not trying to rev things up or trying to create a storm in a teacup. These essays are just his way of acknowledging the life he has led and the years that are about to be lived. He speaks of topics that are varied – the moon, The Taj Mahal, infidelity, love, passion, broken hearts, his homosexual room-mate, and his poetry. He speaks of his friendships with women whose husbands were homo-phobic and chauvinistic – I mean all gay men have gone that road – in some form or the other and this book just states it. Finally he also speaks of why he writes and what it means to him in, “Garden of Bliss” which according to me every young writer needs to read.

I did not have any questions while reading this book. It is crystal clear in its writing and the ethos is felt because it comes out to be an honest book and written from the heart. Hoshang merges prose with poetry beautifully and that is the highlight of the book.

The resilience needed in the face of tragedy and the need to go on living, no matter what, is what I have personally gathered from this book. Read the book without biases and it can make you think – a lot and also feel.

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Book Review: Classic Saratchandra: Volume 1 by Saratchandra Chattopadhyay

November 9, 2011 Leave a comment

Title: Classic Saratchandra: Volume 1
Author: Saratchandra Chattaopadhyay
Publisher: Penguin India
ISBN: 978-0143101253
Genre: Indian Fiction
Pages: 816
Source: Publisher
Rating: 5/5

We all know of writers – writers who are not from the country we know more of. We eagerly wait for their books to publish, so we can savour them in the comfort of our homes and bedside reading lamps. However there are times when we tend to forget Indian Writers of the years gone by, who lived in different times and wrote excellently. The reason could be only that we did know of them in school as a part of the Hindi curriculum and therefore feel that they cannot be read otherwise.

Off late I have been discovering or rather re-discovering such writers and one of them is Saratchandra Chattopadhyay. Saratchandra wrote in times when India was under the British Rule. He did not write about the conditions in those times; however he did hold a mirror so to say to the society and its issues in a very subtle manner. For instance, Devdas is not just about a drunk and wasted lover. It goes beyond that. It speaks of feminism very early on through its two female protagonists – Paro and Chandramukhi. At the same time, the fictional value and element of the novel do not get ignored.

Penguin India has launched, “Classic Saratchandra – Volume 1” that features eight of his brilliant novels. From Biraj Bou to Swami, these novels explore a gamut of themes – from the relationship of a newlywed indifferent wife and her patient husband to a woman and her love for her husband despite misunderstandings that take place.

Saratchandra wrote his books with great sensitivity. When you read them you start noticing the underplayed emotional tones. His writing also sometimes was induced with a tinge of political awareness – for instance most of Srikanta is written with the angle of combining a family story with India’s then situation.

Saratchandra had an eye for detail and he used it to his advantage. The writing is in place and at times there is too much atmosphere, however that can be ignored. His works are definitely more than worth just one read. I would also like to mention that the translations by Malobika Chatterjee, Aruna Chakravarti, Sreejata Guha and Sunanda Krisnamurty is by far one of the excellent ones that I have read. At the end of it, I cannot wait for the second volume to be published.

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Book Review: Gods Without Men by Hari Kunzru

October 18, 2011 1 comment

Title: Gods without Men
Author: Hari Kunzru
Publisher: Hamish Hamilton, Hari Kunzru
ISBN: 978-0-241-14531-9
Genre: Literary Fiction
Pages: 384
Source: Publisher
Rating: 5/5

Gods without Men is a big book with a big heart. It accommodates characters and also abandons them at will and for me that probably was the most striking thing about the book. A book about the human condition spanning from 1778 to 2009 and honestly, nothing much has changed. Lives intersect through the times in the Californian Desert and that is where the action takes place.

The characters in the book are central to the plot – I think each and every one of them. The action takes place when a four-year old autistic boy, Raj Matharu, disappears in the wilderness, while his parents are caught in the media frenzy. There are others whose fate and destiny are linked with the boy and his parents – a rock-star whose career and relationship has failed miserably, a former member of an extra-terrestrial worshipping cult, and a teenage Iraqi refugee who befriends an African-American Marine, while playing the role of an ‘Iraqi village’ at a military simulation exercise camp. Their lives converge and dissect in ways unimaginable in the desert, in a remote and secluded town, near a rock formation called The Pinnacles.

For me as in every other book I have read, the characters and the plot need to be in perfect synchronization to appreciate the writing and Hari Kunzru as usual achieves it with brilliance. The theme of humanity and sometimes its loss runs strongly throughout the book.

The book is multi-layered – spanning across centuries and that is what makes it a great read. Every character has a story to tell and as a reader you only want to know more –sometimes about your favourite character and sometimes about the not-so-favourite character.

The writing is powerful – so much so that at one point I had to keep the book down at certain points. The emotions are all there – raw, isolating at times, and they map the human heart and condition with such empathy and brilliance that your heart goes out to the characters. The reader has to keep a track of which character is where and what is happening throughout the book – in that case the book does keep you on your toes.

All in all, Gods without Men makes you look at the human condition more closely and what it really means to be human.

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