Title: The Tiger’s Wife
Author: Tea Obreht
Publisher: Hachette
ISBN: 978-1780220796
Genre: Literary Fiction
PP: 352 pages
Price: Rs. 325
Source: Publisher
Rating: 5/5
In my earliest memory my grandfather is as bald as stone and he takes me to see the tigers. He puts on his hat, his big-buttoned raincoat, and I wear my lacquered shoes and velvet dress. It is autumn, and I am four years old. The certainty of this process: my grandfather’s hand, the bright hiss of the trolley, the dampness of the morning, the crowded walk up the hill to the citadel park. Always in my grandfather’s breast pocket: The Jungle Book, with its gold leaf cover and old yellow pages. I am not allowed to hold it, but it will stay open on his knee all afternoon while he recites the passages to me. Even though my grandfather is not wearing his stethoscope or white coat, the lady at the ticket counter in the entrance shed calls him “Doctor.”
Sometimes it takes a while to get into a book, to find yourself hooked and unable to put the book aside for long lest you find your thoughts returning to it. At other times, a book might snatch up your interest from the very beginning and drag you forward without mercy. The Tiger’s Wife is the latter sort. It hooked me with the opening paragraph and I struggled to avoid sitting there for hours, consumed by the book until the last page was turned.
Obreht’s style is the culprit, encouraging you to read just a little more before putting the book down and taking a break or sleeping. The prose is immensely readable without feeling underwhelming and lends to a swift pacing. The book flies by, which is never a bad thing unless you want to take it slow and savor the read. Unfortunately for me, that is just what I wanted to do.
At the tender, sensitive heart of Tea Obreht’s stunning debut novel, The Tiger’s Wife: A Novel, is a moving story of love between a granddaughter and her grandfather. The grandfather is a physician and a man of science. He is also a storyteller who uses the power of storytelling to guide and instruct his granddaughter. “…and my grandfather might say, `I once knew a girl who loved tigers so much she almost became one herself.’ Because I am little, and my love of tigers comes directly from him, I believe he is talking about me, offering me a fairy tale in which I can imagine myself—and will, for years and years.”
The granddaughter is the narrator, Natalia Stefanovi, a young doctor following in her grandfather’s footsteps as a physician in an unnamed Balkan country, a country torn brutally apart after its most recent war. When the story opens Natalia is en route to a medical mission of mercy at an orphanage in a remote seaside village. The mission is to administer to the medical needs of the orphans there as well as to inoculate the children against measles, mumps, rubella and other diseases they were subjected to during the war. It is a tense time just following the latest round of wars in the Balkans and while crossing a new border which now redefines her country (most likely the former Yugoslavia), Natalia learns of the death of her beloved grandfather.
“Everything necessary to understand my grandfather lies between two stories: the story of the tiger’s wife, and the story of the deathless man.” These stories are dominant in Natalia’s mind as she tries to understand what happened to her grandfather and how he came to die alone in the village of his birth, a village where his two fantastical stories also have their origin.
Natalia must go to the village to collect her grandfather’s belongings and in doing so she must not only come to terms with the end of her beloved grandfather’s life, but with the end of her country as well. The journey back to the village of her grandfather’s birth and death provides a grim perspective of life in the war-torn Balkans. It also gives more substance to the stories of the deathless man and the tiger’s wife, reaching beyond reality to draw on the energy of folklore to maintain strong personal and social relevance – personal relevance for Natalia and social for Eastern Europe.
Mostly, we learn about war. It runs in the background, a perpetual nightmare that inspires a range of reactions from the surreal to the horrific. People sit in cafes, sipping coffee and chatting as the war drops bombs around them. Everything breaks down as people stop caring–why do this or that when there is a war on? A village is whipped into paranoid superstition, the tiger lurking in the hills as dreadful as the war lurking on the horizon. The tiger is present though, something real and tangible that they can focus on if only to forget about the war coming for their out of the way mountain home. The Tiger’s Wife is tinged with war that has seeped into the lands, villages, and cities that the characters and stories inhabit. In the midst of the horror that it brings, we see the bits of wonder–the strange behavior that comes to the forefront and the strange little events that become the stories that we keep to ourselves.
To say that Natalia is the main character of this story would be false. She is our narrator and we learn about her life in some small fashion, but the story only involves her, it is not about her. The same might be said of her grandfather, whom the book revolves around. He is almost always there, in frame and a part of the events happening, but there is one other thing that sits in frame, hiding at times and coming into the foreground at others. There is no main character to this tale, at least no living, breathing being as a character tends to be. As I said before, we learn mostly about war. The characters, these living breathing beings that we have a habit of getting attached to, are unimportant. They are parts of the story, but the story is not about them… it is about the war and about the unnamed Balkan country that it seems to have perpetually settled upon, occasionally going dormant for a cease fire or short bout of peace.
This highly involved novel shifts back and forth, chapter by chapter, between the past and the present; between superstition and science; between folklore and realism; between the fantastical and Natalia`s present predicament . The Tiger’s Wife: A Novel does not have a linear structure with typical plot advancement and this might be off-putting for some readers but I found it engaging.
The Tiger’s Wife: A Novel is a complex but rewarding reading experience which brings together historical and contemporary themes with haunting images and rich symbolism. It seems to me that Obreht was striving for a heightened awareness of life`s hidden meanings and I think she succeeded brilliantly.
The Tiger’s Wife is a fantastic read that lures you in, traps you, and proves hard to escape from. Tea Obreht is a talented young author, who has crafted a brilliant story of stories and wrapped it up in a beautiful style that I could not help but fall in love with. The book is one of the best I have read this year and certainly one of the best debuts, possibly the best, that I have ever had cracked into. I cannot recommend The Tiger’s Wife highly enough and cannot wait to get my hands on more of Obreht’s work. You need to read this.
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